Un gruppo di giovani adulti esplora l'amore e le relazioni a New York.Un gruppo di giovani adulti esplora l'amore e le relazioni a New York.Un gruppo di giovani adulti esplora l'amore e le relazioni a New York.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
Recensioni in evidenza
A mixed cast out of established actors and "Newcomers" aka. "Isn't that the guy from (insert show-name here)" loosens up the mood and gives the general idea that the movie doesn't take itself too serious. Creative details like glowing numbers on bottles and texts in the air also contribute to this.
Furthermore, multiple laugh out loud-moments. Which is always a plus!Rebel Wilson is hilarious. Everybody has to agree at least on that.
Surprisingly not the most stereotypical cheesy wannabe perfect life- ending. A deeper meaning in said ending compliments the movie as a whole, without coming over as forced.
Of course movies like that always sort of have this fakeness about them. I mean, everybody knows that you could never be able to afford this huge apartment in NYC nor experience a love story like that. But you don't watch these films to get realistic life-reviews. You want to simply look at pretty people partying, doubting existence and having sex. In a not weird way of course. "How to be single" will provide you with all three, without making you gag over the silly tackiness.
Furthermore, multiple laugh out loud-moments. Which is always a plus!Rebel Wilson is hilarious. Everybody has to agree at least on that.
Surprisingly not the most stereotypical cheesy wannabe perfect life- ending. A deeper meaning in said ending compliments the movie as a whole, without coming over as forced.
Of course movies like that always sort of have this fakeness about them. I mean, everybody knows that you could never be able to afford this huge apartment in NYC nor experience a love story like that. But you don't watch these films to get realistic life-reviews. You want to simply look at pretty people partying, doubting existence and having sex. In a not weird way of course. "How to be single" will provide you with all three, without making you gag over the silly tackiness.
Dakota Johnson plays Alice, a young woman we meet as she "takes a break" (in Friends language) from her college sweetheart in order to discover herself – i.e. sleep with someone else to convince herself she's in love. It backfires and she finds herself alone in New York. That's when she meets Robin (Rebel Wilson), who takes her on an odyssey of booze, clubs, and sofa-surfing. Meanwhile, Alice's sister (Leslie Mann) is trying to conceive via IVF, while resisting the charms of a hunky admirer (Jake Lacy).
There are myriad subplots, each involving variously unattached women and men. Some are affecting (a man grieving for his late wife) and some are misguided (a manic woman breaking down before a group of children at a book reading), but it all amounts to a brisk and enjoyable constellation of familiar rom-com elements – with just a few mild surprises thrown in for good measure.
The film's very title tells us this won't be a serious feminist essay, but as a soft-focused glance at the pariah world of singledom it does the job. At times it's even vaguely complex in its exploration of paradoxical human needs. It's also admirably restrained in its condemnation of sexually-active men. Yes, it's a chocolate box New York and the final message lands like a candy floss hammer, but fair play for populating the narrative with no clear villains.
Dakota Johnson is fine, even if she has the air of a dramatic actor shoehorning herself into comedy. That's no easy thing – De Niro's been trying and failing for decades. Alice is an everywoman, and the humour comes from the situations she finds herself in (e.g. tone-deaf attempts at casual flirtation; awkward parties where her three exes meet). Many of these situations are triggered by BFF Robin. Wilson is used to spectacularly indecent effect, although it's a pity it takes so long for the story to give her any depth beyond hedonism.
Mann's tussle with independence versus commitment would normally be the stuff of entire rom-coms; perhaps its relegation (along with threads) to smaller sub-slices is a tacit acknowledgement that How To Be Single is a greatest hits package rather than something bold or new.
Apparently this movie cost nearly $40m, although it's hard to see where the money went. It's aesthetically limited and stagey and it's no star vehicle. Still, it'll make its money back because it's the safest bet on the post-Valentine's schedule. A determinedly straightforward watch, from top to bottom How To Be Single aims to be a three-star movie and succeeds.
There are myriad subplots, each involving variously unattached women and men. Some are affecting (a man grieving for his late wife) and some are misguided (a manic woman breaking down before a group of children at a book reading), but it all amounts to a brisk and enjoyable constellation of familiar rom-com elements – with just a few mild surprises thrown in for good measure.
The film's very title tells us this won't be a serious feminist essay, but as a soft-focused glance at the pariah world of singledom it does the job. At times it's even vaguely complex in its exploration of paradoxical human needs. It's also admirably restrained in its condemnation of sexually-active men. Yes, it's a chocolate box New York and the final message lands like a candy floss hammer, but fair play for populating the narrative with no clear villains.
Dakota Johnson is fine, even if she has the air of a dramatic actor shoehorning herself into comedy. That's no easy thing – De Niro's been trying and failing for decades. Alice is an everywoman, and the humour comes from the situations she finds herself in (e.g. tone-deaf attempts at casual flirtation; awkward parties where her three exes meet). Many of these situations are triggered by BFF Robin. Wilson is used to spectacularly indecent effect, although it's a pity it takes so long for the story to give her any depth beyond hedonism.
Mann's tussle with independence versus commitment would normally be the stuff of entire rom-coms; perhaps its relegation (along with threads) to smaller sub-slices is a tacit acknowledgement that How To Be Single is a greatest hits package rather than something bold or new.
Apparently this movie cost nearly $40m, although it's hard to see where the money went. It's aesthetically limited and stagey and it's no star vehicle. Still, it'll make its money back because it's the safest bet on the post-Valentine's schedule. A determinedly straightforward watch, from top to bottom How To Be Single aims to be a three-star movie and succeeds.
This film tells the story of four women who are single, but have different ways to approach being single. Some of them want a relationship, while some of them want to remain single.
"How to Be Single" is not a step by step guide on how to remain single, as I thought it might be. It is actually quite a realistic take on the modern dating and relationship world. It shows some people are afraid of relationships, some people are desperate, while some people are inept at getting relationship.
The plot is sweet, bitter and bittersweet, reflecting what urban people go through in the dating world. I enjoyed watching it.
"How to Be Single" is not a step by step guide on how to remain single, as I thought it might be. It is actually quite a realistic take on the modern dating and relationship world. It shows some people are afraid of relationships, some people are desperate, while some people are inept at getting relationship.
The plot is sweet, bitter and bittersweet, reflecting what urban people go through in the dating world. I enjoyed watching it.
I'll be honest, I was dragged to this movie by a girl friend. I was tired of the rom com genre. I had seen it all before. Ill say this, this movie strips away all those clichés and goes in the opposite direction. What a lovely and funny R rated comedy with a lot of heart. There are so many charming moments that I cannot even explain them all. Rebel Wilson does her usual thing but here she perfects it and brings a certain edge to her performance. Its my favorite performance of hers. Dakota Johnson gives the best performance of her young career and Leslie Mann owns her roll. Its her funniest, saddest, and truest performance to date. Yes Im still talking about a raunchy comedy here. There is more to this movie than you might think. The men in the film are actually better written that most clichéd men in romantic comedies. Finally, the ending is just perfect for those single people out there.I advise seeing this with a friend and not with a significant other. **** out of 5 stars.
As suggested above, this isn't the kind of movie that I would watch but, after watching Dakota Johnson In several films and enjoying her work, I thought I would give it a go and I am definitely glad I did. To begin with, the plot line is brilliant showing the stories of several women and how they change emotionally and physically in some cases through the movie. These characters all have their own story arcs, their own personalities and their own ways of dealing with things which creates an interesting interaction when they run into each other. The actresses and actors that play some of the main characters are perfect, playing their roles to their full potential making them lovable and just downright hilarious. The film itself also has some interesting life lessons and things to live by throughout. The film is indeed funny and light hearted and I much recommend it to anyone who wants a good laugh.
Lo sapevi?
- QuizThe movie is loosely based on the novel of the same name by Liz Tuccillo, but differs significantly from its source novel. The novel centers around Julie Jenson, a single 38-year-old book publicist who travels to several places around the world to see how different cultures deal with single life.
- BlooperThe address given for the Wall Street law firm where Robin works would put it in the East River.
- Citazioni
[I've been thinking that the time we have to be single, is really the time we have to get good at being alone]
[But, how good at being alone do we really want to be?]
[Isn't there a danger that you'll get so good at being single, so set in your ways, that you'll miss out on the chance to be with somebody great?]
- Colonne sonoreIntoxicated
Written by Martin Solveig, Julio Méjia (as Julio Alejandro Mejia) and Matthew Toth
Performed by Martin Solveig & GTA
Courtesy of KOPG Limited/Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Cómo ser soltera
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 38.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 46.843.513 USD
- Fine settimana di apertura Stati Uniti e Canada
- 17.878.911 USD
- 14 feb 2016
- Lordo in tutto il mondo
- 112.543.513 USD
- Tempo di esecuzione
- 1h 50min(110 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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