VALUTAZIONE IMDb
6,7/10
20.364
LA TUA VALUTAZIONE
Quando JW diventa un trafficante di droga per mantenere la sua doppia vita, il suo destino diventa legato a due uomini: Jorge, un fuggitivo in fuga sia dalla mafia serba che dalla polizia, e... Leggi tuttoQuando JW diventa un trafficante di droga per mantenere la sua doppia vita, il suo destino diventa legato a due uomini: Jorge, un fuggitivo in fuga sia dalla mafia serba che dalla polizia, e il mafioso Mrado, che è a caccia di Jorge.Quando JW diventa un trafficante di droga per mantenere la sua doppia vita, il suo destino diventa legato a due uomini: Jorge, un fuggitivo in fuga sia dalla mafia serba che dalla polizia, e il mafioso Mrado, che è a caccia di Jorge.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 1 candidatura in totale
Matias Varela
- Jorge
- (as Matias Padin Varela)
Recensioni in evidenza
Had big doubts when I came. Had less doubts when I left and they were of another kind. But, big surprise, Swedish film industry has produced a gangster thriller which is on international level, although not the highest.
The business school student here is too fascinated by suburban immigrant mobster life. And he wants the money involved, so he gets into the racket. He's a solitaire in that kind of life, which of course (what did you expect?) is told in a cliché way, but the people you meet aren't just monsters, running the evil machine or being part of it. They are somewhat believable and so is the gloomy mood in this environment.
What happens is rather foreseeable, but it's anyway a quite intelligent movie about crime and criminals. It could have been much much worse.
The business school student here is too fascinated by suburban immigrant mobster life. And he wants the money involved, so he gets into the racket. He's a solitaire in that kind of life, which of course (what did you expect?) is told in a cliché way, but the people you meet aren't just monsters, running the evil machine or being part of it. They are somewhat believable and so is the gloomy mood in this environment.
What happens is rather foreseeable, but it's anyway a quite intelligent movie about crime and criminals. It could have been much much worse.
JW (Joel Kinnaman) is a poor economics student who is dabbing in questionable money making schemes while faking a double life with his rich acquaintances. He falls for the rich Sophie (Lisa Henni). Jorge (Matias Varela) has just escaped from jail. JW and Jorge is working for the Albanian drug lord Abdulkarim who is trying to put together a big shipment. Meanwhile Mrado (Dragomir Mrsic) is a Serbian enforcer. The Serbian are going to war with Abdulkarim but Mrado has a new responsibility in his daughter and he's planning a final score to get out of it all.
Mrado says that people start becoming greedy and scared. That's what I love about this story. Everybody is a bastard. Nobody is safe. JW thinks he's smarter than he actually is, and he never truly understands that he's expendable. I love how Jorge breaks it all down for JW, and the two men's complicated relationship. There are no angels here, just survivors.
Mrado says that people start becoming greedy and scared. That's what I love about this story. Everybody is a bastard. Nobody is safe. JW thinks he's smarter than he actually is, and he never truly understands that he's expendable. I love how Jorge breaks it all down for JW, and the two men's complicated relationship. There are no angels here, just survivors.
EASY MONEY is a highly effective slice of Scandi crime drama that blows the socks off the Hollywood competition. It's a film responsible for introducing new talent to the international scene in the form of lead Joel Kinnaman (who went on to be the new ROBOCOP) and director Daniel Espinosa (who went on to direct the Denzel Washington thriller SAFE HOUSE on the strength of this).
The story is a complex but watchable one that tells of various competing criminal factions seeking to control the local drug supply. The mix of amoral characters is what makes this film feel unique; the hero is anything but heroic, merely out to save his own skin, and thus has a kind of vibrant realism missing from all those goody two-shoes in Hollywood flicks. Plus, Dragomir Mrsic's Serbian hit-man is good enough to deserve a film all to himself, and really helps to add quality to the film.
Epinosa's direction is another strength as he forgoes the typical dark and dingy look of a Scandinavian crime flick and instead creates a bright, colourful and beautiful look for the film. I had the pleasure of seeing this in high definition and it really looks a treat. EASY MONEY isn't an action film or a thriller packed with suspense scenes, but the quality of the script and plotting mean you'll be glued to the screen as if it were. Bring on the sequel!
The story is a complex but watchable one that tells of various competing criminal factions seeking to control the local drug supply. The mix of amoral characters is what makes this film feel unique; the hero is anything but heroic, merely out to save his own skin, and thus has a kind of vibrant realism missing from all those goody two-shoes in Hollywood flicks. Plus, Dragomir Mrsic's Serbian hit-man is good enough to deserve a film all to himself, and really helps to add quality to the film.
Epinosa's direction is another strength as he forgoes the typical dark and dingy look of a Scandinavian crime flick and instead creates a bright, colourful and beautiful look for the film. I had the pleasure of seeing this in high definition and it really looks a treat. EASY MONEY isn't an action film or a thriller packed with suspense scenes, but the quality of the script and plotting mean you'll be glued to the screen as if it were. Bring on the sequel!
Easy Money (or Snabba Cash to give it its original Swedish title) was originally released in Sweden in 2010, a full three years before it reached the UK, by which time the sequel (snappily entitled Snabba Cash II) had already been out for a year in Scandinavia. Perhaps that at least ensures we won't need to wait too long to find out what happens to the surviving characters.
With three strands that entwine into a single story, Easy Money is a violent, at times bloody, peek under the tarpaulin that covers the Serbian mafia and its nefarious dealings with drugs and murder. JW (Joel Kinnaman) is a clean-cut law student with money issues until the opportunity to run drugs ends the former and resolves the latter. With a girlfriend, Sophie (Lisa Henni), from the right side of town and employers from the wrong side, his life becomes complicated and very tense. Caught between Jorge (Mateas Varela), a fugitive on the run from the cops and the Serbian mafia, and Mrado (Dragomir Mrsic) a mafia hard man, JW winds up in some very deep do-do indeed
Easy Money carves up the screen in a similar vein to this year's Dead Man Down but lacks the panache. Where as Colin Farrell's film had a certain smoothness to the violence, this is gritty and unfinished. It feels a little rushed at times but that's part of the attraction. You really don't want to mess with any of these characters. Ever.
It's very easy to like JW, even though everything screams that he's a fool who is willingly corrupting himself. It doesn't take a genius to work out there'll be serious consequences come the end of the film, but for whom? Kinnaman, who boosted his international profile with The Killing, is on excellent form here. Think Jonathan Rhys Meyers in Match Point only better. Much, much better.
The characters are rounded well enough for us to step back from them but not so much that they appear sculpted film characters rather than raw, unpleasant lowlifes who'll blow you away if it's ever a threat to their survival.
Easy Money is always compelling and the two-hour running time whizzes by in an instant. Alas, by sheer dint of it being in foreign language, it is unlikely to garner much of an audience in the UK and USA; I was the sole occupant of the cinema last night and, whilst it was a joy for me, it doesn't bode well for the chances of the sequel hitting Bristol.
For the philistines who are unable to watch and read the screen simultaneously, Easy Money is good enough to have been awarded an unnecessary Hollywood remake staring Zac Effron. I have nothing against Effron, on the contrary, he impressed me in The Paperboy last year, it's just that Hollywood does have a tendency to take excellent foreign language films and mutilate them. Disagree? Compare and contrast Let The Right One In with Let Me In, or The Girl With the Dragon Tattoo and its remake, or the Hollywood adaptation of TV's The Killing, or
When will Hollywood learn? Stop remaking the great films and TV series and take a look at those that should have been good but bombed. I'm not judging the remake of Easy Money before the cameras even start rolling but, take it from me, it's unlikely to improve on the original. It's certainly no date movie, but a gritty thriller that will happily consume any Friday night.
For more reviews from The Squiss, subscribe to my blog and like the Facebook page.
With three strands that entwine into a single story, Easy Money is a violent, at times bloody, peek under the tarpaulin that covers the Serbian mafia and its nefarious dealings with drugs and murder. JW (Joel Kinnaman) is a clean-cut law student with money issues until the opportunity to run drugs ends the former and resolves the latter. With a girlfriend, Sophie (Lisa Henni), from the right side of town and employers from the wrong side, his life becomes complicated and very tense. Caught between Jorge (Mateas Varela), a fugitive on the run from the cops and the Serbian mafia, and Mrado (Dragomir Mrsic) a mafia hard man, JW winds up in some very deep do-do indeed
Easy Money carves up the screen in a similar vein to this year's Dead Man Down but lacks the panache. Where as Colin Farrell's film had a certain smoothness to the violence, this is gritty and unfinished. It feels a little rushed at times but that's part of the attraction. You really don't want to mess with any of these characters. Ever.
It's very easy to like JW, even though everything screams that he's a fool who is willingly corrupting himself. It doesn't take a genius to work out there'll be serious consequences come the end of the film, but for whom? Kinnaman, who boosted his international profile with The Killing, is on excellent form here. Think Jonathan Rhys Meyers in Match Point only better. Much, much better.
The characters are rounded well enough for us to step back from them but not so much that they appear sculpted film characters rather than raw, unpleasant lowlifes who'll blow you away if it's ever a threat to their survival.
Easy Money is always compelling and the two-hour running time whizzes by in an instant. Alas, by sheer dint of it being in foreign language, it is unlikely to garner much of an audience in the UK and USA; I was the sole occupant of the cinema last night and, whilst it was a joy for me, it doesn't bode well for the chances of the sequel hitting Bristol.
For the philistines who are unable to watch and read the screen simultaneously, Easy Money is good enough to have been awarded an unnecessary Hollywood remake staring Zac Effron. I have nothing against Effron, on the contrary, he impressed me in The Paperboy last year, it's just that Hollywood does have a tendency to take excellent foreign language films and mutilate them. Disagree? Compare and contrast Let The Right One In with Let Me In, or The Girl With the Dragon Tattoo and its remake, or the Hollywood adaptation of TV's The Killing, or
When will Hollywood learn? Stop remaking the great films and TV series and take a look at those that should have been good but bombed. I'm not judging the remake of Easy Money before the cameras even start rolling but, take it from me, it's unlikely to improve on the original. It's certainly no date movie, but a gritty thriller that will happily consume any Friday night.
For more reviews from The Squiss, subscribe to my blog and like the Facebook page.
A really good action thriller with interesting characters. I do NOT think that they are plain stereotypes without Drott. On the contrary. You feel for them and it's easy to get engaged in their lives and all they experience.
The movie manages to bring forth some very sensitive moments as well as very brutal scenes with realistic violence. I especially likes the lighting when it comes to the technical part of Snabba Cash. I also liked the shots of some of the dialogue which i found innovative without being over the top. They made it very interesting to watch.
I usually look the other when it comes to Swedish movies but I really enjoyed this one.
I say watch it.
The movie manages to bring forth some very sensitive moments as well as very brutal scenes with realistic violence. I especially likes the lighting when it comes to the technical part of Snabba Cash. I also liked the shots of some of the dialogue which i found innovative without being over the top. They made it very interesting to watch.
I usually look the other when it comes to Swedish movies but I really enjoyed this one.
I say watch it.
Lo sapevi?
- QuizDragomir Mrsic is not a trained actor, but is actually a former bank robber.
- BlooperBefore the scene where Mrado is assaulting Jorge in the woods, JW is seen walking past Mrado's car. When he walks past the car you can clearly see the camera-team visible for a short second.
- ConnessioniFeatured in Maltin on Movies: Ice Age: Continental Drift (2012)
- Colonne sonoreU Got Me Good
Written by Jörgen Elofsson (as J. Elofsson), John Lundvik (as J. Lundvik), Erik Lidbom (as H. Lidbom) and nm10019610 (as C. Mason)
Performed by Sheri
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Easy Money
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 SEK (previsto)
- Lordo Stati Uniti e Canada
- 205.741 USD
- Fine settimana di apertura Stati Uniti e Canada
- 24.684 USD
- 15 lug 2012
- Lordo in tutto il mondo
- 8.444.544 USD
- Tempo di esecuzione2 ore 4 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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