Livvagterne

The first episode makes you wonder where it's going. The second episode gives you hope. And after the third episode you're hooked: you just want to see the next one....

The series is well played, well made and pretty realistic - though there are some minor mistakes and 'over the top' scenes. Also a government service like the Protectors probably doesn't exist in any country, not in this form anyway. Well, so be it: I like it a lot, there's a lot of believable action, the characters are realistic and so are the situations. It is at least as good as 'the Eagle' (made by the same people) or that other great Danish series 'the Killing'. Don't know who made that.

Just go and see it when you can....you won't be disappointed!

I watched all 24 episodes of THE EAGLE, first - which was also excellent. When I finished, I was searching for something else on Netflix, hopefully as good, when I came across THE PROTECTORS. I smiled when I saw it was the same creating team (Peter Thorsboe, Mai Brostrøm)!! The first episode, getting to know all the many characters, was slow going, I admit. But starting with episode 2 I was COMPLETELY and totally HOOKED, spellbound even. I found both these Danish shows such a huge improvement over most U.S. television, which has become increasingly meaningless, mediocre and bloated. Whereas The Protectors has so many authentic characters -- you can't help caring about ALL of them. I hoped for something AS good as The Eagle -- and it was! It might even have been. . . BETTER?! Either way, BOTH are TRULY OUTSTANDING television, with the added bonus of providing a few interesting and wonderful insights into Danish and world culture. Bravo to a flawless cast and hugely talented crew! Unfortunately, I finished ALL 20 episodes over the course of ONE, glorious weekend. I just could NOT STOP watching them . . . and now there are no more. In future, I will watch absolutely anything and everything this same creative team puts together, probably more than once. Tusen Takk!!

A wonderful, underrated series which delivers in every aspect, if you like good acting and directing, well-paced action, interesting characters, inter-cultural issues, gray zones around political correctness and religious tolerance, and Nordic atmosphere in general.

Once you see the first plot line (4 first episodes) you really appreciate it and want to see more of it. The stories and characters linger on in your head after you turn off the screen, which is generally a good rule to ponder how memorable a show is.

The story starts from the recruiting training period of a team of elite special bodyguards and quickly evolves to their actual performance in the field. A few scenes are enough to set in the relationships, conflicts and personal stories. The Team Chief Leon Lensen, particularly, is superbly played by Thomas Gabrielsson, a very credible, nuanced character indeed. You will also see familiar faces from other Danish or Swedish series, such as Borgen or Bron/Broen as well.

In sum, a highly commendable series, which regrettably will not have a third season, as I hear.

Government bodyguards, recruited from experienced police officers and working to protect high-level targets against very real threats, in a world where nothing is quite what it seems. It's a great opening concept and a great addition to the police procedural genre. In the wrong hands this could be a disaster, but writers Thorsboe and Brostrom take on extreme but believable situations and then run a mile with them. It always twists along the way. Every time I thought I knew where it was going, the show would do something else. You never know where you're going next. And the people you meet along the way... wow. The core group of characters is played and written to perfection. They take a while to come properly into view, and once in view, they evolve constantly. They're dedicated, but there's no way they're perfect. Everyone's got problems, everyone makes mistakes, and it just makes them even better to watch. Even the minor characters, ones you see for only one episode, are all real people, with foibles, personalities and problems all of their own. The show is a little short on humour, and at times deals with some pretty heavy issues. Lighthearted escapism it is not, and if you want mindless fun then you're better off elsewhere. Some rather convenient shortcuts come in every now and then. It's the only thing keeping me from giving it a 10/10. This is a show well worth trying out, and I'm very surprised that it hasn't been more widely promoted outside of Denmark.

In recent years, I have been in the wavelength of Scandinavian crime films and series, particularly Danish and Swedish, but Livsvagterne had somehow slipped my mind. Forbrydelsen, Borgen and Bro/Broen, for example, have obtained more fame and media coverage. But, a for now, I have seen both seasons and I am happy I did, as it is a strong and intense creation where both human values and world politics have decent place within.

True, the first story focusing on new employees' preparation courses and indecisive Minister of Defence was just above average, but the next events and angles were as sophisticated as in other great Danish series: versatile characters, distinctive acting, multilevel plot, events n different countries, realistic approaches on difficult topics such as different religions/genders/ages, etc. Some solutions were predictable, but - nevertheless - it was pleasant and catchy to follow the persons and events leading to them.

Unlike other series, the one in question has less actors known internationally, no Mikkelsens or Coaster-Waldau or Nielsen, but this apparently due to the physique, age and skills required for a bodyguard (I recognised Thomas W. Gabrielsson and Ellen Hillingsø only in senior roles). Luckily, its quality and originality have been awarded: Livvagterne won an International Emmy Award from the International Academy of Television Arts & Sciences for best non-American television drama series in 2009. But still, I think, it should deserve more attention here in Europe, and could attract female audience as well, regardless of the main topic.