Un remake della commedia "Due figli di..." del 1988, in cui due truffatrici squattrinate fanno una scommessa in cui chi perde dovrà lasciare la città.Un remake della commedia "Due figli di..." del 1988, in cui due truffatrici squattrinate fanno una scommessa in cui chi perde dovrà lasciare la città.Un remake della commedia "Due figli di..." del 1988, in cui due truffatrici squattrinate fanno una scommessa in cui chi perde dovrà lasciare la città.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 4 candidature totali
Tim Blake Nelson
- Portnoy
- (non citato nei titoli originali)
Celine Arden
- Cashier
- (as a different name)
Recensioni in evidenza
While not an academy award winning movie in any way, it was funny and refreshing like an old fashioned movie. Thank God no Marvel, or sex scenes or F words, or car crashes or special CGI effects. Wish there were more movies like this where you can enjoy a laugh without cringing or seeing another special effect.
Loved Anne Hathaway. Her accents alone are worth the price of admission. So enjoy a good old movie with a plot that is funny and performances that are arresting. Don't listen to the bad notices. Everybody wants to see blood and guts nowadays. What a tragedy.
It lacked oomph. We need so much now when the movies are of such high quality.
The acting was not the issue rather the script they had to work with. There were only a couple of belly laughs, and others that were funny but not hilarious.
The setting was fine as well. Some nice views were on show.
With comedies they have the opportunity to be ridiculous and far fetched with some superb lines thrown in for effect and to give good actors a chance to shine. A few twists and turns that you cannot see coming also helps. The actors were let down I think.
The storyline needed to be more complex. The very best comedies are multi layered and clever. This one lacked all that unfortunately.
There was little tugging of the heart strings as well. That can be omitted for a comedy but it helps as well.
In depth characterisation was not there either. I did not connect much to any of them.
There were a few surprises but I had guessed them or saw them coming.
Maybe keep it for a TV movie later on. It is not in the realm of the fine comedies!
I watched this at home on DVD from my public library, my wife skipped, she had a good e-book.
In a brief review, this same story, with a few changes, was the 1964 movie "Bedtime Story" with Marlon Brando and David Niven. Then the 1988 movie "Dirty Rotten Scoundrels" with Steve Martin and Michael Caine. And now in 2019 "The Hustle", the biggest change being two female characters as the scoundrels, the hustlers.
"Scoundrels" is one of my favorite movies, I have watched it at least a dozen times over the years, so for me watching "The Hustle" was mostly to compare how they handled similar scenes. While I like both Wilson and Hathaway their characterizations are clearly inferior to the analogous roles created by Martin and Caine. The biggest thing this movie does for me is reinforce how good "Scoundrels" is.
For anyone who has never seen "Scoundrels" this will likely be a good watch, suitably entertaining. For all who have seen "Scoundrels" this remake offers very little.
In a brief review, this same story, with a few changes, was the 1964 movie "Bedtime Story" with Marlon Brando and David Niven. Then the 1988 movie "Dirty Rotten Scoundrels" with Steve Martin and Michael Caine. And now in 2019 "The Hustle", the biggest change being two female characters as the scoundrels, the hustlers.
"Scoundrels" is one of my favorite movies, I have watched it at least a dozen times over the years, so for me watching "The Hustle" was mostly to compare how they handled similar scenes. While I like both Wilson and Hathaway their characterizations are clearly inferior to the analogous roles created by Martin and Caine. The biggest thing this movie does for me is reinforce how good "Scoundrels" is.
For anyone who has never seen "Scoundrels" this will likely be a good watch, suitably entertaining. For all who have seen "Scoundrels" this remake offers very little.
Sir Michael Caine once said "Rather than remake a good movie, remake a bad one, you can only improve it" Advice not taken in this instance. Lately Anne Hathaway has made a habit of making bad remakes or sequels of hit movies (Oceans 8, The Hustle). She has the talent to make good movies,But is making schlock like this.
I had zero expectations and it turned out to be a total laugh-a-thone. There are hilarious moments in the movie that overrun the sometimes flawed or absurd script. Starts mildly slow and it builds up pretty well half way through.
The ladies are very funny, Rebel Wilson is the female Zack Galifianakis!
8/10 and remember to watch the post-post credits scene!
'The Hustle' Stars React to Their IMDb Pages
'The Hustle' Stars React to Their IMDb Pages
We sat down with Rebel Wilson and Anne Hathaway to chat about their new film The Hustle, and to find out how well they know their own IMDb pages.
Lo sapevi?
- QuizBecause the film's PG-13 rating was originally an "R," Rebel Wilson had to go out and argue with the board that the film was no raunchier than similar comedies that had received PG-13 ratings.
- BlooperIn the beginning of the film, Josephine sets up a scam where she switches a fake bracelet for the one her mark is trying to sell her. This means they not only had to know which piece of jewelry he would try to sell that night, but also had to have access to it in order to recreate it well enough for 'only an expert' to know it was a fake (or his wife).
- Citazioni
Penny: My condition is 100% mental.
Thomas Westerburg: Hysterical blindness?
Penny: It's not that funny to me, Thomas.
- Curiosità sui creditiThere is a post-credit scene with Penny, Josephine Chesterfied and Enrique Escalera (the Guatemalan) at dinner, with more of Penny playing the family idiot.
- ConnessioniFeatured in WatchMojo: Top 10 Upcoming Comedy Movies That Might Suck (2019)
- Colonne sonoreLips Are Movin'
Performed by Meghan Trainor
Written by Meghan Trainor & Kevin Kadish
Courtesy of Epic Records, a division of Sony Music Entertainment
Licensed by Sony Music UK Entertainment Ltd.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Maestras del engaño
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 21.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 35.417.038 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.007.709 USD
- 12 mag 2019
- Lordo in tutto il mondo
- 97.409.779 USD
- Tempo di esecuzione
- 1h 33min(93 min)
- Colore
- Proporzioni
- 2.39 : 1
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