Blitz

A cop killing crim is giving the police the run around in old London town.

Blitz is a good movie that finally comes to life about 20 to 30 minutes in when we finally get to the main story. Once the chase is on with the odd couple partnership of tough rule breaking Tom Brant (Jason Statham) and gay straight laced Porter Nash (Paddy Considine) pursuing the cop killing criminal who's hungry for notoriety the Blitz (Aiden Gillen) the movie comes into it's stride. Before that we're inundated with so many characters it's a little confusing. What makes matters worse is that none of these side characters stories are ever really finished and the time wasted on them could have been spent giving a little more screen time to Porter Nash who is sadly underused.

Don't get me wrong though I enjoyed the film. Aiden Gillen is a brilliant bad guy, giving his character a Johnny Rotten swagger. I felt myself enjoying hating the Blitz and couldn't wait to see him get his just deserts but we could have done with getting a little more insight into his behaviour. Statham does a good job showing a little weakness now and then in his usually gruff demeanour. As I have already said Paddy Considine is great but not in it enough for my liking. London looks great and there is an exciting chase through the streets which is one of the high points of the movie.

I enjoyed the movie and would happily watch it again. It's biggest fault was trying to juggle too many story lines at once and unfortunately it dropped a couple of balls.

As fans of Jason Statham me and my girl saw this yesterday. I'm usually a fan of his over-the-top action films like 'The Transporter's', 'Crank 1 & 2' and 'The Mechanic'. I was surprised to see that this was something a little different from him. Well, a little different. Jason Statham is basically playing Jason Statham which is always good to watch in my opinion but here the film is played as a more grittier, realistic affair with lashings of violence and the occasional funny moment. Paddy Considine does well as the gay copper who teams up with Statham to try and napture a nutty killer who's targeting cops. Giving the films standout performance, Aidan Gillen plays the killer and is totally convincing in the role. It's not mind-blowing stuff but it's enjoyable and Statham fans will lap it up. ***/*****

This movie is an action packed thriller, one that should be enjoyed with a couple of beers in a man cave (with friends, of course). Some scenes are quite violent and gory, including depictions of dismembered body parts and brain splatterings. There are some hilarious moments that are perhaps more funny because the movie is otherwise quite serious. The main actor (Statham) plays his role well and has an edge about him that comes off as real. He had some nice banter with his homosexual boss, but thankfully there wasn't any suggestion of any sexual tension between the two (not because I'm homophobic, but because I think it would distract from the action too much.) The rest of the cast was average. The deranged killer was neither scary nor psychotic and I didn't get the feeling that he was really on a killing spree. I guess the bar of the deranged killer was set by the Joker from Batman. Overall, a good movie to watch once.

I fancied seeing a film on the way home from work today. When I arrived at the cinema this was the next film on. I went in cold, knowing nothing.

Funky title sequence, OK. Opening scene with Statham asleep on a couch – OK, so its one of those Jason Statham films, fine I can go with that; Hollywood action film with a perfectly watchable lead, nothing too challenging, just what I need to unwind after a hard day at the office.

It was at this point that the old memory cells started working and I remembered that I had read something about the film. Oh no, isn't this a British film, set in London? Yes it is. Oh dear. I don't want gritty, low budget, realism, I don't want east end gangsters, mockney accents and all too earnest attempts to be cool.

I was pleasantly surprised to find my fears unfounded. This is really quite a good film.

Someone is killing London police officers, Statham, a cop who doesn't play by the rules (is their any other kind?) is out to get him.

Statham does his Statham thing, and does it very well. The man is no Brando, but this is a very creditable performance. He is believable as his character, he does quietly menacing, he does humorous, There is also a fair bit of charm in his interactions with his boss. There are a few scenes where he enlists the help of a WPC (very well played small part – sorry can't remember the actor) to check computer records. I thought that the interaction between the two was very good and caused me to wish that we would see Statham in a more relationship based drama, rather than his standard action fare.

Aiden Gillen is very good as the deranged killer. He is obviously "not in his right mind" but Gillen's subtle performance and the breadth of emotions and he hints at keep him well clear of a pantomime "Psycho".

Paddy Considine is fine as Stratam's superior. Interesting to see the inclusion of this homosexual character where his sexuality has nothing in particular to do with the plot; he isn't a victim, there is no mincing, no angst he is just a straight (as it were) gay man. Very, very few incidentally gay people on the big screen.

Zawa Ashton was perfectly OK as a cop who became an addict while under cover for the drug squad. David Morrisey doesn't have much to do as the newspaper reporter whom the killer contacts to publicise his activities.

What surprised me about the film was how good it looked. The cinematography is excellent; nothing flashy, but at times quite beautiful. I have never seen London look so good on film. The fact that we were kept away from the usual tourist spots helped; no establishing shot here, sweeping up the Thames, taking in the London Eye, the Houses of parliament etc. No red London Buses (do they still have them?). Also, there was also no attempt to make the place look like America with aerial shots of skyscrapers etc. At the same time the film makers didn't go to the other extreme and have Albert Square, litter and kebab shops.

The action in the film is pretty low key in terms of spectacle, nothing blows up, nobody takes their shirt off. The violence is real rather than comic book stuff. For me, it comes across as real, rather than affected "gritty reality". (Now there's an oxymoron for you)

Now, I am not saying that this is a great film. It is an entertaining enough thriller, decently acting, with some very nice cinematography. I don't imagine that it will will a lot of awards. But, it does the heart good to see a half decent British film, that isn't trying to be American or (defensively) trying too hard to be British. We could do with a lot more.

Brant is a no nonsense copper. Frequently in trouble for violent conduct, he drinks hard, smokes where he likes and can't operate a computer and sees typing to be like cooking – women's work. He is pretty much on his last chance whenever someone start killing police officers. The killers calls himself Blitz and informs a journalist that he intends to kill 8 more officers; meanwhile Brant joins his boss Nash to try and catch the killer before he strikes again.

Bit of an odd film this; it sort of does enough to be entertaining but at the same time it seems to want to pull in a direction that doesn't really fit the material, while also rather fudging the darker drama that it also could have been. The end result is a bit of a muddle but it is solid enough to get by. The film starts with Brant taking on some yobs and then is followed by a scene of him being tough in the face of the department doctor – so far, so much to be expected. Unfortunately for the film, the rest of the plot doesn't really lend itself to this sort of cop – he feels like he would be more at home in more of an action movie. So when Brant is around the film is a little bit cheeky and a little bit tough, but otherwise it keeps taking odd paths. So for example the entire thread with Falls seems wasted – her drug use, her relationship, none of it seems to fit into the rest of the film.

This rather muddled feel also leads to the film not quite delivering in any specific way. It feels like it should be a tough-talking action movie, but yet it never becomes one. It feels like there are character-driven aspects to be had, but yet you never get to the heart of anything. It sort of does a bit of all of this well enough to get by – but this is what it is doing, getting by. The actors help it greatly, even if their presence may also have guiding the film down certain roads. I think this specifically about Statham who is a strength to the film while also being a possible factor for the confused approach. He does "Stratham" and does it well and kudos for a guy getting Hollywood money to be coming back to the UK to make movies. He is a real presence in the film but too much of it seems geared towards his performance when it should have gone other ways – he is still good, but he should have gone with the film, not the other way around. Considine must have signed on to a different script, because he literally does nothing here – such a great actor and he has a role that has so little to it that anyone could have done it. Gillen also seems to have a lack of material – he is OK but the film never lets him be more than who he is the first time we see him. Ashton is good as her struggling addict, but the film does nothing with her so her hard work is wasted. Morrissey has little to do – again I presume the script that he signed to was more intelligent that it turned out to be in the final version? Blitz is an OK film because the main plot is solid enough and Statham is grizzly enough to keep things going. However there is a lot of wasted potential here in the actors and in the various plot threads – it feels like they had more than just a basic police thriller in their script, made a better but more complex film but then ended up cutting it back to be a film that would appeal more to those coming to see a "Jason Statham film", even though bits of the previous film were still included whether they worked or not. Solid enough to fill the time, but somewhere in that editing room there is a much better film than this one.