The Trotsky

Leon Bronstein (Jay Baruchel) is a gawky teen who idolizes Leon Trotsky and wants to unionize his father (Saul Rubinek)'s business. He hounds leftist lawyer Frank McGovern (Michael Murphy) unless he agrees to help. He meets older woman Alexandra Leith (Emily Hampshire). He is convinced that he is the reincarnation of Trotsky and she is Leon's first wife Aleksandra. Mocking his Trotsky reincarnation, his father takes him out of boarding school and put into a Montreal public high school. Principal Berkhoff (Colm Feore) runs a tight ship and they soon become adversaries. Leon needs to find his Lenin and joins the student union. He finds fascism in detention and tries to unionize his high school.

This is chalk full of charm. It's very cute with the awkward Jay Baruchel. He is adorably delusional. He's never annoying even though his character is stubbornly uncompromising. It could use a more comedic touch with the writing. The socialist references may go over most of the general public and it's not wacky enough for one of those crude teen comedies. It doesn't really fall into an easy category and it doesn't help that it is so laden with Canadiana. When it does go into wacky territories, it doesn't really do it in a LOL fashion. However its heart is in the right place and like Alexandra, one can't avoid the Leon storm and accept his insanity.

Boredom and Apathy - that is what this movie is all about. (In my opinion)

The lead character Leon and his Trotsky obsession are actually symbolic of leadership. Trotsky dealt with apathy and boredom but found his means to manifest the phenomena of the Russian revolution. Leon must deal with apathy and boredom but will he become a leader?

The Odessa Steps dream sequences are a delightful and comical look into Leons head. The movie is worth seeing just for this!

I greatly enjoyed the skillful performances from each character. Their dialog is top notch and the director pulls this 'Trotsky' idea together nicely.

What is the fate of Leon - we will never know.

I enjoyed The Trotsky, most of it anyway. I liked the fact that it doesn't take its audience as complete illiterate and assumes that you would catch some of the historic references. I prefer that than having everything spelled out for me. Jay Baruchel is just creepy enough, without becoming really scary in his obsession with being the real Leon Trotsky. I was rather uncomfortable with the relationship with Alexandra; that was one of the drawbacks of the movie. I loved the portrayal of Montreal with the English and the French intermingling in conversation and everyday life - even if it's not at all the main point of the movie. My main critic would go to Geneviève Bujold, who plays a commissioner of the school board, or something like that. I don't think I've ever seen such overacting before. She was awful. I always heard people say how she was a great actress, well, I did not see that here. I could not stop thinking how bad she was every time she was opening her mouth. Even every gesture she was making was over the top. Anyways, she doesn't have a huge role, so it didn't really spoil the movie. All in all, I enjoyed it and I would see it again.

I watched "The Trotsky" for Jay Baruchel and I'm not disappointed - his acting is great. He's funny and smart at the same time and he can deliver these qualities in a pretty good way. This is a strong side of that movie but here's a weak one - the scenario is too flat and too overextended.

Idea is pretty simple, movie could be more hilarious and less pretentious but director lost that chance.

There isn't a lot of political stuff because story focused mostly on one guy, his behavior and way of thinking, which is very well-played by Jay Baruchel.

For me, as Russian, all that pseudo-Soviet stuff in the movie is okay however there's just a small bunch of real Soviet artifacts with no any meaning or explanation to watcher and I wonder if they can decode what all these songs or posters or what radio voiceovers mean.

The Trotsky is a teen-comedy with a hint of Goodbye Lenin's political satire and Charlie Bartlett's humour/plot. Although some of the acting seems mediocre, I enjoyed the film.

You don't need to understand the biography of Leon Trotsky, it explains it in a subtle way that is enough to enjoy the film, but doing research beforehand might be a decent idea.

Don't take this film too seriously, just enjoy it for what it is. It isn't like a normal film, it's sort of a modern teen-comedy about revolting against injustice, although the injustice is rather insignificant in the grand scheme of things.

Well-done, worth watching, but only if you have an open mind and enjoy quirky films about adolescent injustice.