Il club del libro e della torta di bucce di patata di Guernsey

Saw 'The Guernsey Literary and Potato Peel Pie Society' as a fan of period drama, as someone who is trying to watch as many films of the year as possible and who likes a lot of the actors in the cast. It's great enough seeing such talent on their own, and even more of a delight to have so much talent together.

The idea for the story was also very interesting and it was nice to see a film based in a fairly under-explored period of wartime history. The title was not hugely appetising though. Seeing the film with my sister yesterday, found 'The Guernsey Literary and Potato Peel Pie Society' to be a pleasant and well done if falling short of great film. It is engrossing enough and should have enough to appeal to a reasonable sized audience, it may appeal more to older audiences but those who want to know more about this period of wartime history or want to gain some knowledge of it should get something out of it.

Not a perfect film by all means. Will admit to having a good idea of, well actually knowing, how 'The Guernsey Literary and Potato Peel Pie Society' was going to end well before it ended, with the love-related aspect of the story being telegraphed a little too early.

Didn't care for the character of Mark. Despite him serving some point to the story, with a crucial part of the plot being resolved with his involvement, he was rather one-dimensional and didn't have much personality or anything to make one endear to him (he also behaves like a jerk later on). Within the period, he seemed a little out of place. The same goes for how he is played. Matthew Goode's part was also on the underwritten side but he was much easier to like.

Pacing at times could have been tighter, some draggy spots here and there.

However, there is an awful lot to like about 'The Guernsey Literary and Potato Peel Pie Society'. The production values and cast are the biggest selling points. It's a beautifully shot film with very handsomely evocative production and costume design that does give one a real sense of period.

Even better are the cast, with Lily James a charming and very rootable lead and Michiel Huisman cutting a handsome presence. Their chemistry is warm and tender. Tom Courtenay is understated and amusing, having one of the film's best lines near the end, while Penelope Wilton as the most rounded supporting character is heart-wrenching. Jessica Brown Findley is also strong.

Mike Newell does solidly directing, not exceptional but he skilfully stops 'The Guernsey Literary and Potato Peel Pie Society' from being too frothy or too intense. The script is thought-provoking, with some tension and a lot of emotion. The end credits were a lovely touch. A good job is done showing what living in the period and before was like while not being too one-sided. There is genuine emotional power here, with a back-story and main conflict, centring around the consequences of significant loss, that provides a lot of poignancy and hope.

One does feel the love and friendship between the characters and there are some nice revelations along the way in solving this intriguing story where one hopes for a happy outcome to the mystery/mission dominating it. The music, when used, is neither intrusive or too low-key.

In summary, good, pleasant and engaging film that could have been even better. 7/10 Bethany Cox

I loved this film!! Having read the book and it being one of my all time favourite books I was a little wary of the film, as they often don't do the book justice. However, this is an exception! I thought it was beautifully made and the casting was brilliant with great chemistry between them. The only thing that did let it down was one of, what I felt, was a larger plot from the book being left out. It would have made it complete to have the ending and how the ending happened stayed more true to book, but it was still a beautiful ending and would highly recommend to anyone!

There are so many levels on which one can enjoy the curiously titled The Guernsey Literary and Potato Peel Pie Society (2018)that describing the film is a challenge. Like many British period dramas, it has an epic quality in how it reflects on the world as it was in the 1940s. Sumptuously filmed and beautifully acted, it blends historical insight into a finely-crafted tale of mystery and romance.

Other than history buffs, most people would be unaware that German troops occupied the British Channel Islands of Guernsey and Jersey in 1940-45. Many Island children were evacuated to England just prior to the occupation and the invasion encountered virtually no military resistance. Under Nazi rule, many Islanders were sent to forced labour and concentration camps in Germany and all farm produce was confiscated for military use. The film opens with a group of Islanders out after curfew, having enjoyed an illicit roast pig and home-brewed gin even though strict food rationing was in place. Facing immediate arrest, they concoct an excuse about being members of The Guernsey Literary and Potato Peel Pie Society who have been enriching their minds while feeding on potato peels, as the Fuhrer would want. From this serendipitous moment, a local tradition is born.

Switching to 1946, we meet Juliet Ashton (Lily James) a successful writer living comfortably in London and pondering ideas for her next book. Pursued by a wealthy American suitor, she enjoys the giddy glamour of a British high society that is rebuilding after the war. A letter from a member of the Guernsey Literary Society excites her interest and she soon travels to the Island to learn more. She becomes enchanted with its idyllic village life and rural tranquillity and how each member of the Society has their own wartime story to tell. There is also a new romance simmering where least expected, as well as guarded secrets and strong resistance to a book being written about them.

This simple plotline understates the multiple sub-stories that are a montage of war-time Guernsey, including dark themes of Nazi collaboration, the trauma of children separated from families, and uplifting themes about how literature can bring people together across time and space. The original novel on which the film is based was framed around letters between Juliet and Society members, so the film's timeframes shift frequently but with seamless continuity. There are several charming exchanges about writers and novels that you would expect from lovers of literature. The filming aesthetic evokes the era with authenticity, while Lily James and the ensemble cast are superb.

Some might say that this story is told through a soft-focus lens, mediated through the gentility of Juliet's privileged life and self-indulgent curiosity about the lives of others. That may be so, but her narrative perspective accentuates the world of difference between war-time London and Guernsey. Without such insights, the story would be just a warm-hearted melodrama. But the film offers much more than that. It is an engaging detective story, a study of survival under wartime occupation, and a tale of friendship, romance, and love of literature.

Watched this on Netflix, primarily for the great cast. A beautiful movie about love and courage. A great script and the acting is superb. This is a hidden gem. A must watch.

One of my dreams is to visit Guersnay and the other islands that the Brits call the Channel Islands. I am fascinated by the history, landscapes and stories of those who visited them. Now another reason has been added - watching the 2018 film 'The Guernsay Literary and Potato Pie Society' by Mike Newall. The director of the ultimate British film in the genre of 'good feeling' (I mean, of course, 'Four Weddings and a Funeral') manages to turn a war drama combined with a story about the power of the written word and reading into another film that belongs to this genre in which he is an expert. The result is one of those films that separates the opinions of critics from those of the majority of the public. This time my opinions go hand in hand with those of the general public. 'Guernsay' (allow me to abbreviate the name) is a movie that I liked, I was interested in, I was excited about, I felt good after viewing it. That was the goal, wasn't it?

We are dealing with two stories. The outer one has as its heroine Juliet Ashton, a London journalist and writer, who entertains with a group of Guernsey residents during World War II a correspondence related to their passion for reading. The emotional and intriguing story of the group of simple people who find moral support in their love of books in the only English territory under German occupation causes her to travel after the war to the British island, located much closer to the continent than England, to meet them personally. She will find not only a group of people who survived the hard times of the war in various ways, but also a mystery about the disappearance of one of the members of the club. Gradually a story of heroism and betrayal, impossible love and social prejudice is revealed to her. In addition, her existence will be disturbed, including her love life.

Critics of the film blame it for clichés in the plot (almost everything that happens is predictable) and for creating the image of an idealized nice and sweet England that did not exist and does not exist in reality. Even if I accept these flaws, they seem minor to me compared to the charm of each scene, the emotional intensity of the story, the depth and psychological diversity of the characters. Of course, much of the deep impression that this film made to me is due to the impression the performances of the actors made on me. I should list them all, but I'll just name Lily James, in the lead role, a character one can't help but fall in love with, and Tom Courtney, the rebellious young man from the 'kitchen sink' movies, the British equivalent and contemporary of the French New Wave, now at the age of great roles that conclude an impressive career. 'Guernsay' is a film that I recommend to all those who believe in the power of books, who love historical films and romantic stories, and who love England. In fact, is anybody else left out? Maybe just a few movie critics.