Harry Brown

This is a dark film about an underside of living in London. It brings together a variety of people who live in public housing projects called sink estates, and the underworld culture of drugs and crime. Apparently, London has problems with its "social" housing projects and high crime. Pictures on the Internet show the poor conditions of some of the projects. It reminds me of our American experiment with large public housing projects in the 1960s. I saw some of the burned, dilapidated and destroyed public housing projects in Washington, D.C. in the late 1960s. They were abandoned buildings less than five years old.

"Harry Brown" centers around a senior whose wife has just died, and a fellow senior. The two friends meet each day to play chess in a neighborhood pub. Both men live in "the estate" complex. We see Harry's apartment, and it looks quite nice. From the exterior, the large apartment building looks fine. But, below and around the complex teens lurk and hang out in gangs, occupying a pedestrian tunnel, doing and dealing drugs, and harassing and intimidating couples, women and children. These young criminals – those we see up close already have juvenile records and more – also live in the estate. We see that their apartments aren't as nice or well kept. Later in the film, we see Leonard's apartment when Harry goes to look over his things. It's been ransacked and burned.

Harry and Len go about their lives in old age and retirement not bothering anyone. But, both have fear of the gangs and hoodlums who have directly taunted and threatened Len. The story involves police efforts to clean up the area, and a young police woman who investigates the murder of Len.

I won't describe the plot further, but just observe that this film is fraught with emotions – from the characters in the film and from our viewing it. We are only human when we are moved with anger at the young thugs. We see their senseless disregard and disrespect for people. It's difficult not to want their civil rights stripped so that the police can round them up and jail them for years. It's apparent to any viewer that that would save lives – many of their own in time, and of countless other innocent victims and bystanders. Detective Inspector Alice Frampton is a check on the righteous indignation of Harry and others who would take the law into their own hands to rid the neighborhood of its scourge. Many of we viewers might be in that group as well. Yet, Frampton is conflicted later by what she sees and experiences.

This is a film to make us think about right and wrong, justice and injustice, security and gang rule and fear. And, the one obvious message that comes across clearly is that a culture of drugs destroys everything good and beautiful and innocent around it.

Michael Caine is excellent as Harry Brown. All the rest of the cast of this film are very good. One must be braced to endure constant vulgarity and crude behavior during much of this movie. In a drug culture such as this, man seems to revert to his most barbaric, primitive self. This isn't entertainment, by any stretch of the imagination. It is a type of film that all people should see from time to time. The vast majority of us living in the western world don't live in conditions or places like this. But, we should know that it exists, and how it must be for innocent people to live in fear most of the time – in free countries. Whether they intended it or not, the producers of this film have given a strong testimonial of support for the war on drugs.

This is the known story of a man become into vigilante . An elderly ex-serviceman and widower , Harry Brown , (Michael Caine) looks to avenge his best friend (David Bradley)'s murder by doling out his own form of justice . As a retired man turned vigilante and taking the law into his own hands as judge , jury and executioner. As every man has a breaking point . Harry turns the one-man vigilante when his friend is attacked , beaten and then stabbed to death in an underground passage carried out by furious band formed by some ominous punks . Then he stalks the slums of London and takes the law into his own hands, searching vengeance on crooks, hoodlums, druggies , muggers, pimps , making the neighborhood safer and bumping off delinquents and street scum . Meanwhile , police officers D.I. Alice Frampton (Emily Mortimer) and D.S. Terry Hicock (Charlie Creed-Miles) are investigating the deeds and Police Superintendent Childs (Iain Glen) orders a major arrest operation believing the recent violence is related to a gang war. The late-night raids on the neighbourhood result in a massive riot .

This interesting picture has suspense , emotion , intrigue , thrills and lots of violence . It's certainly thrilling , though the morality may be questionable , even in this time, as the spectators were clearly on the Harry Brown's side . Michael Caine with his usual top-notch acting displays efficiently his weapon such as ¨Harry the Dirty¨ and killing mercilessly nasties . Michael Caine saw a lot of himself in the character of Harry Brown, e.g. they're both combat veterans , as Harry is a Marine who served in Northern Ireland, Caine served in the British Army during the Korean war , and Caine lived in the same area that Brown does , it was things like these that drew him to the film . Secondary cast is frankly excellent such as Emily Mortimer , Charlie Creed-Miles , David Bradley , Iain Glen , Sean Harris, Ben Drew and special mention to Liam Cunningham as Sid Rourke . This is Daniel Barber's nice feature debut , he's now shooting ¨The keeping room¨ with Hailee Steinfeld , Sam Worthington and Brit Marling .

This exciting and above average film belong to ¨Vigilante genre¨ whose main representations are ¨Charles Bronson's Death Wish¨ , successful crime thriller that created the Vigilante genre with Bronson as the main star such as ¨Death wish II¨ ¨Death wish III¨ , ¨Death Wish 4 : The crackdown¨and ¨Death Wish: The face of death¨ and , of course , ¨Clint Eastwood's Dirty Harry¨ movies , such as ¨The enforcers¨, ¨Sudden impact¨ and ¨The dead pool¨ . Furthermore , other notorious movies on the ¨Revenger¨ genre that achieved their splendor in the eighties are the followings : ¨Exterminator¨ I and II with Robert Ginty ; ¨Vigilante¨ by William Lusting with Robert Foster , Fred Williamson ; ¨Walking the edge¨ by Norbert Meisel with Robert Foster and Nancy Kwan ; ¨Dark Angel¨ with Betty Russell ; ¨Steele Justice¨ with Martin Kove ¨; ¨The Punisher¨ with Dolph Lundgren , ¨Joe Don Baker's Walking tall¨ saga ; ¨Lorenzo Lamas's Snake eater¨ saga , ¨Arnold's Raw Deal¨ , ¨Stallone's Cobra¨ and many others .

I recently reacquainted myself with Harry Brown which I hadn't seen for 7 or 8 years, to find that the past decade has been kind to it. It seems even better now, than when I first saw it and thought it was pretty good then. Harry Brown represents a fine debut feature film from director Daniel Barber and it is surprising to find he has only directed one other production since.

The story follows Harry Brown, a widowed, Royal Marines veteran who had served and seen plenty of action in Northern Ireland, living on a London housing estate plagued by youth crime. After a violent gang murders his friend, Harry decides to take justice into his own hands.

The story outwardly would seem to follow any number of revenge thriller templates, perhaps most obviously Death Wish. But Harry Brown is one of the most grounded depictions of conflicted vigilantism that I've seen. The set-ups are realistic and the outcomes believable, though undoubtedly exaggerated at times for dramatic emphasis. And make no mistake, this is a suspenseful, dark, but thrilling film, that carries both an emotional and physical punch.

In the title role Sir Michael Caine is sublime and completely in his element as the aged ex-warrior who is seemingly forced into actions that he thought he'd probably left behind decades previous. Imagine a rehabilitated, very senior, Jack Carter, who'd survived the events we saw in Get Carter. That sums up our Harry, who crosses paths with Set. Insp. Alice Frampton, who oozes genuine sympathy and condolences for his losses, but later suspects him of taking the law literally into his own hands. Emily Mortimer is excellent, as the talented detective, genuinely trying to make a difference in some of the worst of London's slum areas. One of the great strengths of the film are the dual storylines of both the protagonist and the police officer who feels a need to keep looking over his shoulder. There are also great turns from Game of Thrones alumni, Liam Cunningham, Iain Glen and David Bradley. Mention must also be made of Ben Drew, better known apparently as a rap singer called Plan B. He manages to personify an inherited evil in his role as gang leader Noel Winters.

Despite not really being an action movie, Harry Brown does feature a couple of quite electrifying set pieces; one involving a visit to a sordid drug den and another being the climactic aftermath to a riot in the housing estate central to the story. As mentioned above, there have been other films like this before, but none quite as believable. Daniel Barber has created a debut film that is maybe not for everyone, but is gripping from start to finish.

The pre main-credit sequence, shot to resemble mobile-phone footage, had the desired effect: the sense of shock from the capacity audience was palpable. The film then slows down to show the reality of Harry Brown's life as a pensioner on a South London high-rise estate . Showing his routine of walking to the hospital to visit his very ill wife, having to walk a long way round to avoid confrontation with an unseen group of youths who use an underpass as their base and his meetings with his old friend and chess partner Lenny in the estate pub. There aren't many other people walking about the estate, even in daylight, out of fear of the gun-carrying teenage gangs.

Michael Caine's performance as Harry Brown is wonderful. His timing is spot-on. Credit to director Daniel Barber for allowing him space to breathe and not be hurried. In fact the overall pacing is excellent. There is good use of the soundtrack with the lack of intrusive music adding to the reality feel of the film. The night scenes are beautifully lit as well with a good balance between just enough to see what's going on and making the lighting realistic: the night scene in the pub with the lights out, for instance.

This film has been compared to 'Death Wish' and 'Gran Torino', but those films haven't got this film's bleak, realistic look at how life is in these areas. There always remains a sense of watching a film, of entertainment, of it being 'Hollywood'. This is a lot more down to earth. This film has more in common with Mike Leigh's TV drama 'Meantime' and with 'Gomorra'.

This isn't an easy 'first-date' film but it is a superior Brit film, one of the best for many years. I'm glad to see that it has got some marketing push behind it and has generated column inches talking about the subject of these 'no-go' areas and society in general.

Shocking and brilliant.

Daniel Barber, so far I have never heard of this director which is normal, this is his first major flick. And what a great movie this is. it's a revenge flick but as real and brutal as it can get. It's funny that I as a horror geek was recommended Harry Brown. But I didn't regret it watching it and I must even say that I got goosebumps by some scene's. And people who know me do know that I can take the goriest pieces without a problem. But again, it is really the reality and the brutality that makes the movie and of course Sir Michael Caine. Admit it, he always has something macabre over him but he's now in his 70's (°1933)and still can deliver the creeps. His acting is surely an Oscar worthy. But also worth mentioning is Sean Harris. he really is believable, in fact all hoodies are believable and of course the language used and the dialect gives it also its reality. This is an all points an excellent movie. Not in Rambo or Arnie style with a lot of shooting but just a straight in your face flick, big thumbs up to the director, Sir Caine and the whole bunch involved.