Aggiungi una trama nella tua linguaA romantic drama about a man and a woman who, due to a misunderstanding, have held a crush on each other for over 10 years.A romantic drama about a man and a woman who, due to a misunderstanding, have held a crush on each other for over 10 years.A romantic drama about a man and a woman who, due to a misunderstanding, have held a crush on each other for over 10 years.
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Yes when i was start to watching this drama i feel that this is romantic drama but watch 3-5 ep. I know vibes of the is not good (feels like iteawon class) mentality unhealthy. But it is not that bad or good. I mean the way girl lead do things is not good to watch ( but off course in real fife this happens) like 1 accident 2nd lead opportunity shoulders for cry then main lead comes back to his sentence yaaaahhhhh!!!! Ep8-15 my heart feels like it breaks and it fell so bad to me, these episodes need more content and story telling. Finally I enjoy this drama 6.5/10 bing watch. Lastly one thing they lack so much is in there friendship means seriously drama name is abour friend and friendship is not that good.
I've watched this entire series through to the end because I'm learning Korean, and it was definitely helpful in at least teaching me the phrases of "I like(d) you" and "I love(d) you" which are repeated throughout the show ad nauseum.
The show isn't all bad. I enjoyed the photography and the calligraphy depicted in the show. The side story of the young woman born poor with the boyfriend who would do anything for her is empathetic at least. There were some genuine touching moments in that regard. There were some nice comedic moments as well, but they were too seldom.
So, what isn't there to like about this series? It romanticizes toxic relationships/infatuations to the point where the viewer has to question why anyone would put themselves through 10 years of self-loathing wondering why the other person doesn't like them back.
I honestly could not root for the main couple let alone a love triangle that forces the male lead to confess his feelings due to jealousy. Even to the end, you can see how toxic the main relationship is, and it is disheartening.
I know there is still some taboo in Korea to discuss psychological and/or emotional problems. Perhaps, if they focused more on their personal growth apart, I would have found the series more engaging. For those who want to just cheer on an ill-fated Kdrama relationship, you can take a stab at this show. Thanks for reading.
The show isn't all bad. I enjoyed the photography and the calligraphy depicted in the show. The side story of the young woman born poor with the boyfriend who would do anything for her is empathetic at least. There were some genuine touching moments in that regard. There were some nice comedic moments as well, but they were too seldom.
So, what isn't there to like about this series? It romanticizes toxic relationships/infatuations to the point where the viewer has to question why anyone would put themselves through 10 years of self-loathing wondering why the other person doesn't like them back.
I honestly could not root for the main couple let alone a love triangle that forces the male lead to confess his feelings due to jealousy. Even to the end, you can see how toxic the main relationship is, and it is disheartening.
I know there is still some taboo in Korea to discuss psychological and/or emotional problems. Perhaps, if they focused more on their personal growth apart, I would have found the series more engaging. For those who want to just cheer on an ill-fated Kdrama relationship, you can take a stab at this show. Thanks for reading.
We start with Wooyeon, a girl who is hung up on a guy she had a crush on in High School, who rejected her and flew to US. The guy who rejected her keep hovering around her all the time acting like her boyfriend and giving her hopes all the time. It actually felt like he is playing with her feelings.
They only have a start in their "whatever relationship" when the second lead comes along. Who is the best guy anybody would ask for!
When it looks like Wooyeong is finally ready to move on, Lee Soo (her highschool crush) confesses his feelings as if to say he doesn't want her to be happy with someone who is actually better than him.
He always makes her cry and belittle her but the stupid female lead keep choosing him.
The thing is, these main leads have no chemistry at all between them and they both feel so cardboard when it comes to acting. Neither is good at portraying emotions. They just say their lines.
I honestly felt bad to the second lead as it felt as if he was carrying the drama on his shoulder. He deserves much better than this monstrosity.
Such a waste of time. And annoyed at the pathetic female lead.
They only have a start in their "whatever relationship" when the second lead comes along. Who is the best guy anybody would ask for!
When it looks like Wooyeong is finally ready to move on, Lee Soo (her highschool crush) confesses his feelings as if to say he doesn't want her to be happy with someone who is actually better than him.
He always makes her cry and belittle her but the stupid female lead keep choosing him.
The thing is, these main leads have no chemistry at all between them and they both feel so cardboard when it comes to acting. Neither is good at portraying emotions. They just say their lines.
I honestly felt bad to the second lead as it felt as if he was carrying the drama on his shoulder. He deserves much better than this monstrosity.
Such a waste of time. And annoyed at the pathetic female lead.
MTF pulls up a chair alongside a band of boozers & toast the twenties. Wu-Yeon, Yeong-Hui & Jin-Ju were fused 🔗by combat in the HS arena. Now it's 10 years post graduation, when everybody thinks they have it figured out, but virtually no one does. They're learning to navigate adult jobs, situations and relationships. The 3 girls have a lifetime bond from their early HS years, so when Yeong-Hui paired up with her BF, his friends came along as chasers to round out a 6-pack: 1 couple + 4 drinking buddies.
Wu-Yeon/Wu has a most-of-life crush on Su, who has declared them to be in friendzone🛑... more than twice, or thrice (or double on ice) for a full decade. Su drops into town & mixes her up, only to exit without leaving a gratuity. That forever leaves Wu forlorn & in need of liquid relief, which leads to slurpee vms on Su's phone. She's a serial drunk-dialer, & her friends are so hungover it. Su might be their friend, but he drags the party down.
This brings us to now. Su is back in town, and once again sends signals to Wu that appear encouraging (is it finally happy hour?), only to flip the table on her once more. Again. As soon as Wu moves on to someone else, Su suddenly declares💔feelings for.... Guess who.
Yeong-Hui/Hu is 1/2 of the couple mixed within the group. She and her BF struggle to face life's hardships and muddled family pressures, while trying to stay strong together. The only true struggle is that Yeong-Hui refuses to accept that the man she loves can truly accept her: She's too poor and her family is always in trouble: She will only drag him down.
Jin-Ju struggles with loneliness. Her life, without love, is a drag.
Like Su's tepid but oddly encouraging actions, the director and writer always give the viewer enough reason to order another round. When it seems slow, MTF is still oddly relaxing (I'll have another one like that, please). When the characters cause viewers to froth and gag over frustrating, micro-brewed behavior, a basis for the behavior will be tapped (usually related to pain), or the director's craft will show thru. At other times it almost seems that director, Choi Sung Bum (My ID Is Gangnam Beauty-7.5) wants the audience to get frustrated with these likable barflies. He wouldn't do that though, would he? It looks like a hearty "sure-nuff !" from the outside looking in, even with beer goggles. MrisChoi is creative with floaters and shots at the audience, daring us to lose our patience in the same way we do when we can't catch the bartender's eye on a busy night. We definitely want to shake and not stir some of these loiterers, particularly Hu, Wu and Su. It's a mercy that we can't reach into the TV and crack a bottle over their heads, smh.
Their stories dial-in to several themes, including:
☂ Scars from thoughtlessness
☂ Pain's effects on emotional health, incl toxic Parent-child relationships & self-inflicted wounds
☂ Surviving 1sided💘 - They all go through it
☂ Struggles in 💘 can emanate from faulty suppositions
☂ The sinking loneliness of selfishness vs the buoyancy of generous & committed 💘
MTF also offers paths to resolution: Love is opening, giving & accepting. Maturity is learning to be unselfish, even when it hurts. Especially then.
For a few episodes, it was difficult to tell if it was worth the wait for last call. There were a generous pours of quality exchanges, metaphors, quotes, ironies, basically the usual for the better Kdramas. The ones they do well are outstanding, if not superbly divine. 75% into the show, I had only been looking at it thru narrowed eyes in low light, waiting for the moment a glass would shatter and MTF would be easily swept away & forgotten. However, by ep15, I felt like a regular with the gang at the pour-it-all-out-house. Unexpectedly, real tears started flowing. Inner conflict overflowed next over the proper rating: 7? Am I looking at this thru the bottom of the glass? An absolutely stunning conversation put the answer into focus - MTF has buoyancy. It is refreshing, and it dazzles when it catches the light.
There's a spill of latent (submerged) emotions in MTF's examination of the 3 women and the challenges they stare down from across the table in their quest for: Love, financial independence, and the most elusive honesty-to-self. MTF opens their circle and invites the viewer in. Like with any relationship, the show leaves room to allow the viewers to drop in and raise a glass, even though we must hold back the urge to smash a soju bottle over some noggins.
This is more of a drama than a romance, and it is a worthy one. The cast is smooth and fluid; not a sour in the bunch. Ong Seong-Wu exhibits a truly great performance as Su. Be prepared for the slower cadence with anything that helps bring relaxation, and watch them blend, stir, and shake their lives.
QUOTES🗣
Words are like boomerangs. They come back at you. (Aigoo. HEAR, youngins!)
Emotions are determined by the person on the receiving end. (Isn't perspective & timing everything?)
I'm afraid you will use the wounds you received as a shield & grow up a warped adult.
Back views are the saddest
〰🖍 IMHO
🎬7.5 🎭7.5 🖋〰 8 (This is the writer's first credited work, so we've been promised future brilliance) 💓7 🦋5 🤔8 🌞5 🎨7 🔚8
Age 15+
Re-📺? ✅ yes
I've also done a spoiler review.
Wu-Yeon/Wu has a most-of-life crush on Su, who has declared them to be in friendzone🛑... more than twice, or thrice (or double on ice) for a full decade. Su drops into town & mixes her up, only to exit without leaving a gratuity. That forever leaves Wu forlorn & in need of liquid relief, which leads to slurpee vms on Su's phone. She's a serial drunk-dialer, & her friends are so hungover it. Su might be their friend, but he drags the party down.
This brings us to now. Su is back in town, and once again sends signals to Wu that appear encouraging (is it finally happy hour?), only to flip the table on her once more. Again. As soon as Wu moves on to someone else, Su suddenly declares💔feelings for.... Guess who.
Yeong-Hui/Hu is 1/2 of the couple mixed within the group. She and her BF struggle to face life's hardships and muddled family pressures, while trying to stay strong together. The only true struggle is that Yeong-Hui refuses to accept that the man she loves can truly accept her: She's too poor and her family is always in trouble: She will only drag him down.
Jin-Ju struggles with loneliness. Her life, without love, is a drag.
Like Su's tepid but oddly encouraging actions, the director and writer always give the viewer enough reason to order another round. When it seems slow, MTF is still oddly relaxing (I'll have another one like that, please). When the characters cause viewers to froth and gag over frustrating, micro-brewed behavior, a basis for the behavior will be tapped (usually related to pain), or the director's craft will show thru. At other times it almost seems that director, Choi Sung Bum (My ID Is Gangnam Beauty-7.5) wants the audience to get frustrated with these likable barflies. He wouldn't do that though, would he? It looks like a hearty "sure-nuff !" from the outside looking in, even with beer goggles. MrisChoi is creative with floaters and shots at the audience, daring us to lose our patience in the same way we do when we can't catch the bartender's eye on a busy night. We definitely want to shake and not stir some of these loiterers, particularly Hu, Wu and Su. It's a mercy that we can't reach into the TV and crack a bottle over their heads, smh.
Their stories dial-in to several themes, including:
☂ Scars from thoughtlessness
☂ Pain's effects on emotional health, incl toxic Parent-child relationships & self-inflicted wounds
☂ Surviving 1sided💘 - They all go through it
☂ Struggles in 💘 can emanate from faulty suppositions
☂ The sinking loneliness of selfishness vs the buoyancy of generous & committed 💘
MTF also offers paths to resolution: Love is opening, giving & accepting. Maturity is learning to be unselfish, even when it hurts. Especially then.
For a few episodes, it was difficult to tell if it was worth the wait for last call. There were a generous pours of quality exchanges, metaphors, quotes, ironies, basically the usual for the better Kdramas. The ones they do well are outstanding, if not superbly divine. 75% into the show, I had only been looking at it thru narrowed eyes in low light, waiting for the moment a glass would shatter and MTF would be easily swept away & forgotten. However, by ep15, I felt like a regular with the gang at the pour-it-all-out-house. Unexpectedly, real tears started flowing. Inner conflict overflowed next over the proper rating: 7? Am I looking at this thru the bottom of the glass? An absolutely stunning conversation put the answer into focus - MTF has buoyancy. It is refreshing, and it dazzles when it catches the light.
There's a spill of latent (submerged) emotions in MTF's examination of the 3 women and the challenges they stare down from across the table in their quest for: Love, financial independence, and the most elusive honesty-to-self. MTF opens their circle and invites the viewer in. Like with any relationship, the show leaves room to allow the viewers to drop in and raise a glass, even though we must hold back the urge to smash a soju bottle over some noggins.
This is more of a drama than a romance, and it is a worthy one. The cast is smooth and fluid; not a sour in the bunch. Ong Seong-Wu exhibits a truly great performance as Su. Be prepared for the slower cadence with anything that helps bring relaxation, and watch them blend, stir, and shake their lives.
QUOTES🗣
Words are like boomerangs. They come back at you. (Aigoo. HEAR, youngins!)
Emotions are determined by the person on the receiving end. (Isn't perspective & timing everything?)
I'm afraid you will use the wounds you received as a shield & grow up a warped adult.
Back views are the saddest
〰🖍 IMHO
🎬7.5 🎭7.5 🖋〰 8 (This is the writer's first credited work, so we've been promised future brilliance) 💓7 🦋5 🤔8 🌞5 🎨7 🔚8
Age 15+
Re-📺? ✅ yes
I've also done a spoiler review.
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Performed by Ha Sung-Woon
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