Aggiungi una trama nella tua linguaTells the story of one day shared between a young boy and girl.Tells the story of one day shared between a young boy and girl.Tells the story of one day shared between a young boy and girl.
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- Star
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This is a sweet movie that grows on you as you watch it. I encouraged my friends to see it with me, and all of them enjoyed it very much as well. Its storyline is simple, but it is played out so flawlessly well that it is much better than many movies with more intricate plots. It's a thoughtful meditation on the lives of two lonely adolescents who, for a day, have the chance to experience a powerful connection between themselves and someone else, a chance, the movie makes clear, that neither of them have too often. As they traipse around the Perry Sound area, discussing everything from whether books are better than movies to their deepest fears, we have the privilege to see their friendship slowly, tentatively and very realistically develop. Watch this movie! It is an absolute treat.
Just saw Only for the second time and I am was just as moved as the first time I saw it.
The two leads, Elena and Jacob are totally believable as regular kids. At a time when children are becoming very self-conscious they provide raw performance that expose all sorts of embarrassing things to each other and the audience. The beauty of the story is found in the grace and ease that each character comes to accept the other for whom they are.
This beauty is supported by the wonderful cinematography that provides a magical landscape that children explore.
It is hard to imagine that many films will ever do as good a job of telling a story about this stage in childhood as Only does. It is just too hard to capture the actors between childhood and puberty. And it is equal has hard to avoid all the commercial clichés about how children should behave in film.
There is nothing in the movie to offend but the viewer must be prepared, like the children in the film to relax and just let things happen. The rewards for doing so are worth it.
The two leads, Elena and Jacob are totally believable as regular kids. At a time when children are becoming very self-conscious they provide raw performance that expose all sorts of embarrassing things to each other and the audience. The beauty of the story is found in the grace and ease that each character comes to accept the other for whom they are.
This beauty is supported by the wonderful cinematography that provides a magical landscape that children explore.
It is hard to imagine that many films will ever do as good a job of telling a story about this stage in childhood as Only does. It is just too hard to capture the actors between childhood and puberty. And it is equal has hard to avoid all the commercial clichés about how children should behave in film.
There is nothing in the movie to offend but the viewer must be prepared, like the children in the film to relax and just let things happen. The rewards for doing so are worth it.
I just saw the film ONLY in its Toronto theatrical release. Absolutely loved it. The film is gentle and loving and hopeful and magical and real. In the Q&A after the screening we learned that the film is 98% scripted and only 2% ad-lib but the actors are so natural that you really do leave the theatre feeling like you have spent the day with them. It reminds us about being 12 when we think that we are smarter than our parents but would rather roll around in fresh snow than talk about it. And that hint of a first love, when you meet someone who really gets you. The use of music is also perfect. The soundtrack is filled with Indie artists which rocks and rolls us through the film.
I just had the wonderful privilege of viewing this beautiful "captured moment" film. Everything about it just clicked and resonated exquisitely. From the painfully true performances from the film's young leads (a feat in itself) to the simple yet hauntingly emotive cinematography. Keeping it simple is the script's biggest asset, focusing entirely on the mundanely beautiful moments in life. It captured the awkward and boring moments of growing up in a small town. This was such an inspiring film, showing me not only the power of simple, personal storytelling but also in the digital medium itself. I was very happy to have gotten the chance to see this film and I strongly urge others to do the same if they have the opportunity. It's honest film-making to it's very heart.
I just got back from a screening of 'Only' and I must say, I was mightily impressed.
This quiet little film deserves all the accolades and praise bestowed upon it. For starters, the film's two young stars Jacob Switzer and Elena Hudgins Lyle come across so naturally that it's hard to believe the film was scripted - the story literally jumps from the faces and voices of it's 12 and 13 year old stars.
Kudos to all, especially for the two first-time writers/directors (long-time Canadian actors Ingrid Veninger and Simon Reynolds) who pulled off a deceptively simple little gem.
Another feather in the cap for Canadian film.
This quiet little film deserves all the accolades and praise bestowed upon it. For starters, the film's two young stars Jacob Switzer and Elena Hudgins Lyle come across so naturally that it's hard to believe the film was scripted - the story literally jumps from the faces and voices of it's 12 and 13 year old stars.
Kudos to all, especially for the two first-time writers/directors (long-time Canadian actors Ingrid Veninger and Simon Reynolds) who pulled off a deceptively simple little gem.
Another feather in the cap for Canadian film.
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- Colonne sonoreShooting Star
Performed by the Bebop Cowboys
Featuring Russell deCarle (vocals)
From the album "Canadian Dance Hall"
Music by Steve Briggs (SOCAN) © 2006
Lyrics by Russell deCarle (SOCAN)
Produced by Steve Briggs
www.bebopcowboys.com
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