Un contadino aiuta un uomo ferito che arriva con una borsa piena di soldi. Quando una banda arriva per i soldi, deve decidere di chi fidarsi. L'assedio rivela un talento che fa dubitare all'... Leggi tuttoUn contadino aiuta un uomo ferito che arriva con una borsa piena di soldi. Quando una banda arriva per i soldi, deve decidere di chi fidarsi. L'assedio rivela un talento che fa dubitare all'uomo fuggitivo e armato della sua vera identità.Un contadino aiuta un uomo ferito che arriva con una borsa piena di soldi. Quando una banda arriva per i soldi, deve decidere di chi fidarsi. L'assedio rivela un talento che fa dubitare all'uomo fuggitivo e armato della sua vera identità.
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- 3 vittorie e 1 candidatura in totale
Recensioni in evidenza
Well-written western, with an excellent central performance from Tim Blake Nelson as a farmer with more to him than meets the eye. Nelson is given top-flight support from Scott Haze and Stephen Dorff. I'm not so sure about the choice of Gavin Lewis, who plays Nelson's teenage son; he's less well cast, and feels urban in a way that the other actors in the cast don't.
It is a boy's night out, no question -- there aren't any female characters at all. Still, it's a nicely-made movie, carefully paced, with a tumultuous last reel.
It is a boy's night out, no question -- there aren't any female characters at all. Still, it's a nicely-made movie, carefully paced, with a tumultuous last reel.
Tim Blake Nelson is a great actor! An actor who does not rely on a pretty handsome face or a tall physical body (5'5"), but completely by his fantastic performance to play all the roles in his movies. He is such a versatile actor that could play almost any character in any movie.
The Ballad of Buster Scruggs (2018), O Brother, Where Art Thou? (2000) and Leaves of Grass (2009). The characters he played, all turned out to be so great, powerful, entertaining, and memorable. It's unbelievable such an ordinary person could find jobs in the cruel society of the Hollywood. His success only proved that as long as you're really talented in acting, you still can survive in that crucial environment.
Only a few Western genre movies that really interested me to watch, not just once, but several times:
Blazing Saddles (1974), Clint Eastwood's 1992 Unforgiven, The Ballad of Buster Scruggs (2018), The Salvation (2014) and, this 2021 Old Henry.
The Ballad of Buster Scruggs (2018), O Brother, Where Art Thou? (2000) and Leaves of Grass (2009). The characters he played, all turned out to be so great, powerful, entertaining, and memorable. It's unbelievable such an ordinary person could find jobs in the cruel society of the Hollywood. His success only proved that as long as you're really talented in acting, you still can survive in that crucial environment.
Only a few Western genre movies that really interested me to watch, not just once, but several times:
Blazing Saddles (1974), Clint Eastwood's 1992 Unforgiven, The Ballad of Buster Scruggs (2018), The Salvation (2014) and, this 2021 Old Henry.
I went into this one without even bothering to read the reviews and it blew me away.
Extremely well done, the acting from all involved was top notch, especially Tim Blake Nelson, who really showed he is a quality actor.
There is nothing over the top involved the story is just a story with the "good guys" coming out on top against the odds. Except who really knows who the good guys are.
Definitely a movie that could be watched more than once. It loses 2 stars for me due to the flashbacks, those were not really required and made the movie a bit confusing.
8/10 and highly recommended.
Extremely well done, the acting from all involved was top notch, especially Tim Blake Nelson, who really showed he is a quality actor.
There is nothing over the top involved the story is just a story with the "good guys" coming out on top against the odds. Except who really knows who the good guys are.
Definitely a movie that could be watched more than once. It loses 2 stars for me due to the flashbacks, those were not really required and made the movie a bit confusing.
8/10 and highly recommended.
A farmer defending an injured man from a posse has his true identity called into question.
From the opening director Potsy Ponciroli's offering, you know your not having to sit through another glossy looking made for streaming looking western. It has a filmatic look with wonderful cinematography from John Matysiak. It's centred around the homestead and every inch of location used, giving a feel of solitude and hopelessness. This with some old school editing by Jamie Kirkpatrick and Ponciroli's visual flare and attention to detail echo Pale Rider and is reminiscent at times of modern great westerns, emulating The Unforgiven, with touch of the classics.
Complimented by Jordan Lehning music Stephen Dorff leaves an impression as Ketchum and showcase why he should be making more quality films. Old Henry is clearly Tim Blake Nelson's vehicle, he gives a solid, steely performance. Throwing in a few twist Ponciroli with his writing hat on leans on the tropes of the genre while not shying away from the harsh reality of the Wild West that all accumulates to a satisfactory conclusion. Recommend.
From the opening director Potsy Ponciroli's offering, you know your not having to sit through another glossy looking made for streaming looking western. It has a filmatic look with wonderful cinematography from John Matysiak. It's centred around the homestead and every inch of location used, giving a feel of solitude and hopelessness. This with some old school editing by Jamie Kirkpatrick and Ponciroli's visual flare and attention to detail echo Pale Rider and is reminiscent at times of modern great westerns, emulating The Unforgiven, with touch of the classics.
Complimented by Jordan Lehning music Stephen Dorff leaves an impression as Ketchum and showcase why he should be making more quality films. Old Henry is clearly Tim Blake Nelson's vehicle, he gives a solid, steely performance. Throwing in a few twist Ponciroli with his writing hat on leans on the tropes of the genre while not shying away from the harsh reality of the Wild West that all accumulates to a satisfactory conclusion. Recommend.
Much about new low budget western Old Henry feels familiar to anyone that has ever watched a grizzled and humorless take on the American west but that never stops director Potsy Pociroli's well-shot and acted drama from being an above average affair that gets extra points for allowing the always great Tim Blake Nelson a chance to take charge in a rare leading man role.
Seemingly heading towards an inevitable conclusion based around Nelson's quiet and solitary farmer Henry taking in Scott Haze's wounded Curry who is being pursued by Stephen Dorff's Ketchum and his determined posse, Old Henry has enough surprises and well developed character arcs within it to be become a genre crowd pleaser that kicks off big time with a memorable final act/reveal that is sure to get audiences talking.
Picturesquely shot around various United States locales, Ponciroli's visually appeasing outing never lingers too long on its various elements also, as we try and uncover the secret behind Henry's past, Curry's mysterious presence and Ketchum's motivations and end goals that is all played out well by its talented group of performers with Nelson in particular as good as his been in years as the gruff and no fuss Henry.
No stranger to the Western genre with key roles in the likes of The Ballad of Buster Scruggs and hugely underrated The Homesman, the rugged face of the supporting actor who stole scenes in such noteworthy films as O Brother, Where Art Thou?, Lincoln and Syriana has rarely been given the chance in feature films to do the bulk of the work in front of the camera but he relishes the role his been given here by Ponciroli.
Neatly playing things cool throughout Old Henry's opening half, once we begin to gain more understanding about Henry's past and what has driven him to his life as a lowly farmer removed from the eyes of the wider population Nelson's smart turn really begins to pay-off with his understated but effective work here making this bloody western outing more than the sum of its parts where it may become more workmanlike with both Haze and Dorff not getting a lot too do in their respective roles but Nelson more than makes up for it in his memorable turn.
Final Say -
Many components of Old Henry feel overly familiar and unsurprising but Potsy Ponciroli and his leading man do enough to make sure that this low-budget but effective western offering is going to be sure fire hit with longstanding fans of the genre with the films rip-roaring finale ensuring the film ends on a high note also.
3 1/2 newspaper clippings out of 5.
For more reviews check out Jordan and Eddie (The Movie Guys)
Seemingly heading towards an inevitable conclusion based around Nelson's quiet and solitary farmer Henry taking in Scott Haze's wounded Curry who is being pursued by Stephen Dorff's Ketchum and his determined posse, Old Henry has enough surprises and well developed character arcs within it to be become a genre crowd pleaser that kicks off big time with a memorable final act/reveal that is sure to get audiences talking.
Picturesquely shot around various United States locales, Ponciroli's visually appeasing outing never lingers too long on its various elements also, as we try and uncover the secret behind Henry's past, Curry's mysterious presence and Ketchum's motivations and end goals that is all played out well by its talented group of performers with Nelson in particular as good as his been in years as the gruff and no fuss Henry.
No stranger to the Western genre with key roles in the likes of The Ballad of Buster Scruggs and hugely underrated The Homesman, the rugged face of the supporting actor who stole scenes in such noteworthy films as O Brother, Where Art Thou?, Lincoln and Syriana has rarely been given the chance in feature films to do the bulk of the work in front of the camera but he relishes the role his been given here by Ponciroli.
Neatly playing things cool throughout Old Henry's opening half, once we begin to gain more understanding about Henry's past and what has driven him to his life as a lowly farmer removed from the eyes of the wider population Nelson's smart turn really begins to pay-off with his understated but effective work here making this bloody western outing more than the sum of its parts where it may become more workmanlike with both Haze and Dorff not getting a lot too do in their respective roles but Nelson more than makes up for it in his memorable turn.
Final Say -
Many components of Old Henry feel overly familiar and unsurprising but Potsy Ponciroli and his leading man do enough to make sure that this low-budget but effective western offering is going to be sure fire hit with longstanding fans of the genre with the films rip-roaring finale ensuring the film ends on a high note also.
3 1/2 newspaper clippings out of 5.
For more reviews check out Jordan and Eddie (The Movie Guys)
Lo sapevi?
- QuizAmong the newspaper clippings is a story about the Lincoln County War. This was a conflict between farmers and ranchers in New Mexico during which landowners hired gunmen (known as "regulators") to serve as enforcers. Billy the Kid was among this group for a time.
- BlooperWhen Henry is using the shotgun against the man under the house you hear two empty shotgun shells hit the ground. The sound made is of plastic hulled shotgun shells which didn't come about until 1960. Back then shotgun shells would have either been brass, or most likely, paper.
- ConnessioniReferenced in Film Junk Podcast: Episode 837: Scream + Clerk (2022)
- Colonne sonoreMy Son
Written by Eddie Montgomery (as E. Montgomery), Noah Gordon (as N. Gordon)
Produced by Noah Gordon and Shannon Houchins
Performed by Eddie Montgomery
Published by Plowin' Ground Music (BMI), ZJS Music Publishing (ASCAP)
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Botteghino
- Lordo Stati Uniti e Canada
- 42.068 USD
- Fine settimana di apertura Stati Uniti e Canada
- 21.161 USD
- 3 ott 2021
- Lordo in tutto il mondo
- 77.463 USD
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Proporzioni
- 2.66 : 1
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