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Parigi, 13Arr.

Titolo originale: Les Olympiades, Paris 13e
  • 2021
  • VM14
  • 1h 45min
VALUTAZIONE IMDb
7,0/10
11.006
LA TUA VALUTAZIONE
Lucie Zhang and Makita Samba in Parigi, 13Arr. (2021)
Four young people fall in and out of love (and sex) with each other while figuring out their lives in Paris.
Riproduci trailer1:35
2 video
99+ foto
CommediaDrammaRomanticismoRomanticismo erotico

Émilie incontra Camille che è attratta da Nora, che incrocia la strada con Amber. Tre ragazze e un ragazzo. Sono amici, a volte amanti, e spesso entrambi.Émilie incontra Camille che è attratta da Nora, che incrocia la strada con Amber. Tre ragazze e un ragazzo. Sono amici, a volte amanti, e spesso entrambi.Émilie incontra Camille che è attratta da Nora, che incrocia la strada con Amber. Tre ragazze e un ragazzo. Sono amici, a volte amanti, e spesso entrambi.

  • Regia
    • Jacques Audiard
    • J.B. Steele
  • Sceneggiatura
    • Céline Sciamma
    • Léa Mysius
    • Jacques Audiard
  • Star
    • Lucie Zhang
    • Makita Samba
    • Noémie Merlant
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    11.006
    LA TUA VALUTAZIONE
    • Regia
      • Jacques Audiard
      • J.B. Steele
    • Sceneggiatura
      • Céline Sciamma
      • Léa Mysius
      • Jacques Audiard
    • Star
      • Lucie Zhang
      • Makita Samba
      • Noémie Merlant
    • 26Recensioni degli utenti
    • 124Recensioni della critica
    • 76Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie e 17 candidature totali

    Video2

    Official Trailer
    Trailer 1:35
    Official Trailer
    Bande-annonce [OV]
    Trailer 1:31
    Bande-annonce [OV]
    Bande-annonce [OV]
    Trailer 1:31
    Bande-annonce [OV]

    Foto100

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 92
    Visualizza poster

    Interpreti principali50

    Modifica
    Lucie Zhang
    Lucie Zhang
    • Émilie Wong
    Makita Samba
    Makita Samba
    • Camille Germain
    Noémie Merlant
    Noémie Merlant
    • Nora Ligier
    Jehnny Beth
    Jehnny Beth
    • Amber Sweet
    Camille Léon-Fucien
    • Éponine
    Océane Caïraty
    • Stéphanie
    • (as Oceane Cairaty)
    Anaïde Rozam
    • Leïla
    Pol White
    Pol White
    • Père de Camille
    Rong-Ying Yang
    • Mère d'Emilie
    Geneviève Doang
    Geneviève Doang
    • Karin soeur d'Émilie
    Xing Xing Cheng
    • Grand-mère d'Émilie
    Fabienne Galula
    • Directrice centre d'appels
    Lilian Nze Nong
    • Chef téléconseillers
    Ornella Nzingoula
    • Une téléconseillère
    Tony Zola
    • Un téléconseiller
    Stéphanie Germonpré
    • Voix cliente
    • (voce)
    Léo Mira
    • Fille fête appartement
    Léa Rostain
    • Fille fête appartement
    • Regia
      • Jacques Audiard
      • J.B. Steele
    • Sceneggiatura
      • Céline Sciamma
      • Léa Mysius
      • Jacques Audiard
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti26

    7,011K
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    Recensioni in evidenza

    5Castorian

    Quite empty

    I was very disappointed with this movie. I like Audiard's work, he has made some excellent movies, and I was looking forward to watch this, but I found it empty, with all its supposed sexiness feeling quite shallow. The actors are ok, but their characters are superficial, and I couldn't care less of what happens to them. Even the black and white is not pretty. I think it was selected for Cannes 2021 only because of the reputation of Audiard.
    9anxiousgayhorseonketamine

    Audiart the Son has produced yet another minor masterpiece

    Serious vitality present in this piece probably just the lifeforce of the sexual drive of mankind

    Those millennials here live in a very bleak world ruled by necessity survival greed selfishness in a way which previous generations can only gawp at in disbelief

    It can be best summarized in the question "Is this what it has come to?" The answer is seemingly yes

    Relationships are commercial transaction or shadows of that; an ersatz for human interraction; what did we seriously expect after 40 years of Neoliberalism? A more caring way of relating .... these are folks who know nothing but precariousness of work and relationships; a subtle urban brutality is written in their daily wherever they look add to that the digital alienation which is the wallpaper and in some ways the blueprint of their lives .... nothing else could have come out of all this

    It is a beautiful depiction of this milieu this section of the population; the 13th Arrondissement of Paris looks more like Saõ Paulo or Shanghai than it does Paris

    The truly bilingual and bicultural reality of the main character here Émilie is awesome to watch the switching between the 2 worlds between Voltaire and Kong Fu Tzu without even a blink. All the actors here are excellent and Audiart the son has produced yet another minor masterpiece like The Prophet he made a few years back. Here it is a Parisian Love story for the 21st century.
    7AliAMN

    Brilliant

    At first, I thought it was going to be a threesome movie like "LOVE" I was wrong, but it felt good. I liked it. I think it was better than Hollywood melodramas!

    I liked the way it was made. B&W shots, simple soundtracks, and the storyline.
    7ferguson-6

    connections and breaks

    Greetings again from the darkness. Jacques Audiard is one of the filmmakers who has won my cinematic loyalty through his consistently thought-provoking and entertaining films. His five features since 2005 have all been excellent: THE BEAT THAT MY HEART SKIPPED (2005), A PROPHET (2009), RUST AND BONE (2012), DEEPHAN (2015), THE SISTERS BROTHERS (2018). This latest is a different kind of story for Audiard, and it's based on the stories from animator Adrian Tomine. Audiard adapted the screenplay with Nicholas Livecchi, Lea Mysius, and Celine Sciamma (writer and director of PORTRAIT OF A LADY ON FIRE, 2019). The result is a unique vision of modern-day love set in an area of Paris that is rarely featured in films.

    Audiard gives us a REAR WINDOW-esque opening that lands on a couple evidently singing naked Karaoke. We are then informed, "It began like this." Emilie (newcomer Lucie Zhang) is a tele-salesperson augmenting her income by renting out a room in her apartment ... well, it's her grandmother's apartment, but she is confined to a nursing home suffering from Alzheimer's. Emilie wants a female roommate and Camile is the first to schedule a showing. Only Camile (Makita Samba) isn't female. Instead, he's a handsome teacher working on his doctorate, and since there is a spark between he and Emilie, she agrees to let him move in. The attraction plays out as you would imagine, right up until Camile slams on the brakes and informs a frustrated Emilie that he has no intention of being a couple, and soon invites another lady friend over for an evening of intimacy. The micro-aggressions between Emilie and Camile escalate, and soon he moves out.

    Next we meet thirty-something Nora (Noemie Merlant, PORTRAIT OF A LADY ON FIRE) who is excited (almost giddy) to be headed back to law school. It doesn't take long for classmates to mistake her for a popular online sexy cam-girl named Amber Sweet. The mistaken identity and bullying cause Nora to drop out and return to her previous profession - real estate. It turns out the local office is being managed by Camile, who, disillusioned with teaching, is looking for a fresh start by helping out a friend. Nora sets the ground rules and the two maintain a professional relationship, right up to the point where they cross the line and become lovers.

    Audiard shoots most of the film in black and white, which gives it the timeless feel of so many French romantic dramas over the years. The difference here stems from the sexual dynamics and interconnected stories and characters all within Paris' 13th arrondissement. One of the terrific storylines has Nora cultivating a chat relationship with the same Amber Sweet (Jehnny Beth of the English rock band Savages) she was mistaken for. Personal grief plays a role with two of the main characters, while a dark family secret burdens another. This emphasizes how we each carry the past and it sticks with us regardless of the path we choose. The film also reinforces how there are invariably contradictions in how we see ourselves and our actual behavior. These characters may engage in casual sex, though by the end, it's clear each wants more than they are willing to admit. Things wrap up pretty neatly in the end, but the road travelled is a bit rocky.
    8shabanavdulaj

    Audiard is back!

    It's excruciating having on your laptop the video file for a film you're dying to see but not having the subtitles for it. - 2022 goal: learn French. - Today, someone, God bless his soul, uploaded the English subs for the movie, and I finally got to watch it.

    A beautiful film! A candid and unreserved look at love life in the early thirties, portrayed brilliantly by an - Merlant excluded - unknown cast. What I loved the most here was how the film floats around from one character to the other, detaching you in a way from them, but that worked so well in creating a cozy, calming atmosphere where you can enjoy the movie without getting too emotionally attached with any of them. Audiard takes you and puts you into a place where you can't "get hurt" by connecting too deeply or caring a lot for a character while at the same time telling a story that's supposed to do that to you. That alone, I think it's incredible to pull off, but Jacques managed to do so with flying colors. Here we got, essentially, the tearless, color-deprived version of last year's 'The Worst Person in the World' (plus through some "online dating" perspective into it). 'Paris, 13th District' was a comfortable watch for me, and I think it's a film I'll revisit because, again, I found it extremely relaxing. And with that, I don't mean there weren't moments I didn't have an emotional response to what I saw. The emotions are there, especially in the end. They just don't hit you like Hiroshima.

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    Trama

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    Lo sapevi?

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    • Quiz
      While announcing the selection of the film in competition at the Cannes Film Festival in 2021, Thierry Frémaux wondered what the French title - Les Olympiades - could mean. It is actually the French name of the Parisian district where the action takes place. It is characterized by a cluster of high-rises built in the 70s and known as the largest "Chinatown" in all of Europe.
    • Citazioni

      Camille Germain: Actually, I was in the room next door, reading Rousseau's "Confessions," and I was wondering if you wanted some yogurt?

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    Dettagli

    Modifica
    • Data di uscita
      • 24 marzo 2022 (Italia)
    • Paese di origine
      • Francia
    • Siti ufficiali
      • Official site (Japan)
      • Official site (United States)
    • Lingue
      • Francese
      • Mandarino
      • Inglese
    • Celebre anche come
      • Paris, 13th District
    • Luoghi delle riprese
      • Parc Montsouris, Paris 14, Parigi, Francia(city park)
    • Aziende produttrici
      • Page 114
      • France 2 Cinéma
      • Canal+
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 73.118 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 27.775 USD
      • 17 apr 2022
    • Lordo in tutto il mondo
      • 2.480.870 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 45min(105 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.85 : 1

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