Una visione agghiacciante della casa di Saddam. Il mondo di Hussein prende vita attraverso gli occhi dell'uomo a cui è stata data una scelta; o sii il sosia del figlio sadico di Saddam, o mu... Leggi tuttoUna visione agghiacciante della casa di Saddam. Il mondo di Hussein prende vita attraverso gli occhi dell'uomo a cui è stata data una scelta; o sii il sosia del figlio sadico di Saddam, o muori.Una visione agghiacciante della casa di Saddam. Il mondo di Hussein prende vita attraverso gli occhi dell'uomo a cui è stata data una scelta; o sii il sosia del figlio sadico di Saddam, o muori.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 candidature totali
- Ali
- (as Mimoun Oaissa)
- School Girl
- (as Amrita Acaria)
- Amer
- (as Sarah Lee Zammit)
Recensioni in evidenza
But there is a serious drawback when someone watches this movie knowing that at the time of movie release in 2011, the main character and the author, Latif Yahia, was (and still is) glorifying the tyrant and calling on people to re-establish his era in Iraq. He actually has a YouTube channel filled with his political opinions and his shameless strange sympathy to the tyrant!! So whatever the author's claims about his political views, or about his own opinions of not having political views; he was not opposing the tyrant, and still not; he was one of the tyrant's followers and still is.
Now watching the movie knowing that the writer and main character stands there, it will make the audience uncomfortable and cautious to accept what's being told in this movie without questioning.
Aside from that, directing was weak in general, and the story is not as the original Arabic book (I Was A Son For The President), but a revised version of the English edition which was a revised version of the Arabic edition!
For example in the Arabic edition the main character was claimed to be a ranked army officer, in the movie he was just a soldier. In the original story it was claimed that the tyrant saw and examined his son's double for a few times, in the movie that wasn't happening. Now if this was a history book/movie then.. voila! There is a good definition for the person who says what he doesn't think and thinks what he doesn't say, and changes his saying/thoughts 3 times in a day...
The film starts off with Uday hiring a doppleganger of himself (Latif), to pass off as him publicly. Latif, hasn't really a choice, and is portrayed as having some morals, Uday is portrayed as a millionaire playboy, who is a murdering brute who gets off on violence, sodomy and rape. His only redeeming quality is his penchant for 80s British synth pop (?).
The film becomes increasingly outlandish. If it were a true story, then this could have been quite fascinating. I learnt nothing, and by the end had tuned out. It reminded me of the last king of Scotland, which I didn't enjoy either.
I thought it were unnecessary for Cooper to play both the leads. It felt unbelievable as both characters appeared unrealistically identical.
I knew nothing of the back story of Uday, a quick glance at Wikipedia describes him as quite the devil. That much the film gets right. There's some artistic license used at the end of the movie.
The depiction of Uday's psychotic character throughout the movie seems very real and does not spare or cheat the viewers any disturbing torture/abuse scenes. Some people might dislike this, some maybe even enjoy it.
That being said I liked the overall acting, both main and lesser characters did a good job. And on a side note: i found the movie sets and props were quite awesome.
btw: I can still remember the news of Uday's and Qusai's deaths back in 2003, but that meant little to me at that time. At least now i know.
The reality of Latif's life was that he became so entrenched in Uday's character that he practically became him. He became violent and even after he escaped with his wife and kids (not with a hooker on a horse) he continued to behave like Uday.
The acting was not great. The portrayal of Uday was over the top and not believable. Same with the constant backchat from Latif to Uday considering that an out of line comment is the reason Latif ended up getting shot in reality.
The film could have been an intelligent psychological drama instead of a dumbed blockbuster. Shame.
The actual truth and reality behind the film is washes aside for repetitive Hollywood storytelling which ends up making NO SENSE in several parts and is a true waste of time.
This film was recommended to me several years ago, now I have a week off work I decided to watch it. Since it finished I now longer have said friend on Facebook. You're deleted for your terrible taste you turd.
Lo sapevi?
- QuizThere is a reference to The Godfather in one of the first scenes where Latif is impersonating Uday. He acts as a double when entering and leaving an important meeting. When he leaves and is shot at by a young boy an orange cart is shown prominently with oranges falling. Oranges were present whenever death occurred or was about to in The Godfather and there was an orange cart featured when Don Corleone was shot at it.
- BlooperIn a lot of car scenes the driver is on the right side, but in Iraq the driver seat is on the left.
- Citazioni
Munem: Please be clear about this, Latif. Uday has chosen you. You belong to him. You have about five minutes to think about this. Before a car pulls up outside your house in Al-Adhamiya and your family, everyone one of them - your father, your mother, your sisters and brothers; is thrown into Abu Ghraib. God willing, they will die quickly. I've said too much. You have about two minutes left.
- ConnessioniFeatured in Breakfast: Episodio datato 10 agosto 2011 (2011)
- Colonne sonoreYou Spin Me Round (Like A Record)
Written by Pete Burns (as Peter Jozzepi Burns), Steve Coy(as Stephen Coy), Mike Percy (as Michael David Percy), Tim Lever (as Timothy John Lever)
Performed by Dead or Alive
Courtesy of Sony Music Entertainment UK Ltd
Published by Burning Music Ltd (PRS), Westbury Music Ltd
All rights on behalf of Burning Music Ltd
Administered by Warner/Chappell Ltd
All Rights Reserved
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Dettagli
Botteghino
- Budget
- 19.100.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.361.512 USD
- Fine settimana di apertura Stati Uniti e Canada
- 96.414 USD
- 31 lug 2011
- Lordo in tutto il mondo
- 5.728.213 USD
- Tempo di esecuzione
- 1h 49min(109 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1