A New York City, un caso di identità errata trasforma il tentativo di una coppia sposata di trascorrere una serata glamour e romantica in qualcosa di più elettrizzante e pericoloso.A New York City, un caso di identità errata trasforma il tentativo di una coppia sposata di trascorrere una serata glamour e romantica in qualcosa di più elettrizzante e pericoloso.A New York City, un caso di identità errata trasforma il tentativo di una coppia sposata di trascorrere una serata glamour e romantica in qualcosa di più elettrizzante e pericoloso.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 8 candidature totali
- Charlotte Foster
- (as Savannah Argenti)
Recensioni in evidenza
So yeah, basic premise, married couple looking for a little change (their friends are splitting up), go out to 'The City' (NYC of course) and to a very nice restaurant. In a move that could come out of a Seinfeld episode, they can't get a reservation so Carrel overhears a waitress calling for someone else for a reservation and he decides they should take it since they're no-shows. The "Tripplehorns", as it turns out, have some shady dealings with some bad dues with guns, and so the Fosters, our confused heroes, go on the run in the city. Whenever the movie focuses on the core plot of all of this, it's by the numbers stuff, save for a climax that ratchets up the absurdity of everyone involved (including good actors playing decent-to-mediocre baddies like William Fichtner and Ray Liotta).
It's when Fey and Carrel are allowed to play loose with the script that it strikes the iron. Their timing is impeccable, and they have chemistry together, which is crucial. And when they come across some other supporting characters, like Mark Wahlberg's (VERY) shirtless ex-military guy with all of his high-tech equipment, or the "real" Tripplehorns played by James Franco and Mila Kunis, there's further hilarity that ensues from the interactions and precise timing. That's all you need sometimes in a comedy that's based in formula, is two character to at least semi care about (and, perhaps more wisely than a Hollywood rom-com can be given credit for, it has painfully normal characters here, nothing too complicated), and who are funny in semi-funny situations. Even a ridiculous car chase where the Fosters hit a cab and the two are connected bumper to bumper through the streets is funny just because of the acting. Given the right mood and timing they could read a census report and get a few chuckles from the pauses and inflections.
So, if you're looking for something masterfully done, look elsewhere. If you just want to see two stars who are funny be funny almost despite some of the limitations in the script, Date Night deserves a chance. At the least you get to see the two show off their "skills" in a strip-club scene, and, did I mention Mark Whalberg doesn't have on a shirt?
Don't get me wrong, I don't mean to complain about the plot. Its a standard comic flick and not some thriller. I don't expect a revolutionary story but I do expect a few good laughs from the movie which it definitely failed to give me. It mostly comprised of 10yr old kids' level jokes and a whole lot of overacting. But to be fair, I must mention the acting was terrible on almost everyone's part and not just the main star cast.
Maybe its just because of so many movies following the average-person-goes-super path, that this seems so boring and unworthy of spending 2hrs on, but the fact is that people expect more of such a great cast. From corny 1 liners to repeated jokes (Mark Wahlberg's shirt uhhh....), if the things were not overdone so much, the movie may not have been this bad. But nevertheless, I guess I went for this movie with way too much expectations due to the cast. Watch it if you love the leads and have time to kill for some so-so jokes. Don't expect too much & you may just come out without a frown on your face.....
Aside from the surprising cameos in this show, there aren't much surprises. This is one of those movies where there's a couple that's been in a somewhat fixed circle of boredom in their lives. Heck, even their regular date nights have been very predictable.
Steve and Tina are the Fosters; upon finding out that one of their closest couple friends are splitting up, they try to spice things up by having a date in the city. In a case of mistaken identity, their would-be date night winds up an action-filled, sometimes funny evening. Except for a few scenes, this movie isn't anything innovative; but it's still nice to see Steve and Tina play likable characters.
The producers of this flick know what they have in these two actors, and the movie is enough to give their comedic and acting chops (nothing like Steve's nice acting ability in Dan in Real Life) a little flexing. With this knowledge, I still recommend this movie to those who want to enjoy a little break from the action-3D-filled movies out there now. A little date with your significant other watching this movie would be good.
"Date Night" is a movie about a couple, named the Fosters, who are running in the biggest rut of their life. They want to spark it up, and decide that one night they will change up the routine.
Date Night has many of the traits I enjoy in a comedy with a good balance of laughs and sentimental value.
The diner scene is adorable and Felt rather realistic. I could feel the relationship the Fosters were experiencing, if that's a proper way to decribe that. Kudos, to the writers for masterfully writing some emotional dialog.
Overall, Date Night is a very enjoyable film.
Lo sapevi?
- QuizThe erotic dance between Steve Carell and Tina Fey was improvised, but to make them feel awkward in character, director Shawn Levy shouted obscenities to them while behind the camera.
- BlooperDuring the scene in Times Square you can see a background extra take a photo of the actors and film crew, followed by a crew member who walks towards them to usher them away.
- Citazioni
Phil Foster: I say, we sit back and relax and enjoy a spread of their finest fruits of the sea.
[opens menu]
Phil Foster: Or, I will just suck on a napkin. Holy mama, look at these prices.
Claire Foster: [scroffs] If we are gonna pay this much for crab, it better sing and dance and introduce us to the Little Mermaid!
- Curiosità sui creditiThere are outtakes at the beginning and the end of the end credits.
- ConnessioniFeatured in The Rotten Tomatoes Show: 2012/The Messenger/Fantastic Mr. Fox (2009)
- Colonne sonoreBlitzkrieg Bop
Written by Joey Ramone, Johnny Ramone, Dee Dee Ramone and Tommy Ramone
Performed by Ramones (as The Ramones)
Courtesy of Sire Records
By Arrangement with Warner Music Group Film & TV Licensing
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Una noche fuera de serie
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 55.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 98.711.404 USD
- Fine settimana di apertura Stati Uniti e Canada
- 25.207.599 USD
- 11 apr 2010
- Lordo in tutto il mondo
- 152.263.880 USD