A New York City, un caso di identità errata trasforma il tentativo di una coppia sposata di trascorrere una serata glamour e romantica in qualcosa di più elettrizzante e pericoloso.A New York City, un caso di identità errata trasforma il tentativo di una coppia sposata di trascorrere una serata glamour e romantica in qualcosa di più elettrizzante e pericoloso.A New York City, un caso di identità errata trasforma il tentativo di una coppia sposata di trascorrere una serata glamour e romantica in qualcosa di più elettrizzante e pericoloso.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 8 candidature totali
- Charlotte Foster
- (as Savannah Argenti)
Recensioni in evidenza
So yeah, basic premise, married couple looking for a little change (their friends are splitting up), go out to 'The City' (NYC of course) and to a very nice restaurant. In a move that could come out of a Seinfeld episode, they can't get a reservation so Carrel overhears a waitress calling for someone else for a reservation and he decides they should take it since they're no-shows. The "Tripplehorns", as it turns out, have some shady dealings with some bad dues with guns, and so the Fosters, our confused heroes, go on the run in the city. Whenever the movie focuses on the core plot of all of this, it's by the numbers stuff, save for a climax that ratchets up the absurdity of everyone involved (including good actors playing decent-to-mediocre baddies like William Fichtner and Ray Liotta).
It's when Fey and Carrel are allowed to play loose with the script that it strikes the iron. Their timing is impeccable, and they have chemistry together, which is crucial. And when they come across some other supporting characters, like Mark Wahlberg's (VERY) shirtless ex-military guy with all of his high-tech equipment, or the "real" Tripplehorns played by James Franco and Mila Kunis, there's further hilarity that ensues from the interactions and precise timing. That's all you need sometimes in a comedy that's based in formula, is two character to at least semi care about (and, perhaps more wisely than a Hollywood rom-com can be given credit for, it has painfully normal characters here, nothing too complicated), and who are funny in semi-funny situations. Even a ridiculous car chase where the Fosters hit a cab and the two are connected bumper to bumper through the streets is funny just because of the acting. Given the right mood and timing they could read a census report and get a few chuckles from the pauses and inflections.
So, if you're looking for something masterfully done, look elsewhere. If you just want to see two stars who are funny be funny almost despite some of the limitations in the script, Date Night deserves a chance. At the least you get to see the two show off their "skills" in a strip-club scene, and, did I mention Mark Whalberg doesn't have on a shirt?
The Fosters are a typical middle-income suburban couple with two hyperactive kids. One night, they decide to spice up their date night by going to The Claw, a posh Manhattan restaurant. Desperate for a table, they claim the reservation of a no-show couple called the Tripplehorns (a hilarious homage to the actress Jeanne!). Once that die was cast, the Fosters were then plunged into a night of mistaken identity, crooked cops, double-crossing crooks and blackmail. Of course with Carrell and Fey as the Fosters, this nightmarish scenario becomes a fun rollicking madcap all-night adventure!
Witty lines and zingy one-liners are thrown between these two, and the numerous name actors who make supporting appearances. These include the perpetually shirtless Mark Wahlberg (though that joke did wear thin after a while), and a gruff and dirty James Franco (whose shouting match with Carrell is classic!). The funniest scenes involve two hooked up cars in a frenetic car chase in downtown New York, and a psychedelic dance floor with a pole. Those two LOL scenes alone are worth the price of admission!
With the talents and goodwill of the two lead stars, I am pretty sure "Date Night" will be liked by most audiences. There are a couple of scenes with heartfelt discussions about married life as well in there. This is indeed a perfect movie for a fun date night.
"Date Night" is a movie about a couple, named the Fosters, who are running in the biggest rut of their life. They want to spark it up, and decide that one night they will change up the routine.
Date Night has many of the traits I enjoy in a comedy with a good balance of laughs and sentimental value.
The diner scene is adorable and Felt rather realistic. I could feel the relationship the Fosters were experiencing, if that's a proper way to decribe that. Kudos, to the writers for masterfully writing some emotional dialog.
Overall, Date Night is a very enjoyable film.
"Date Night" is a funny and entertaining film with a non-original storyline about a mistaken couple that works. Steve Carell and the beautiful Tina Fey are hilarious in the roles of the suburban couple that has a night of adventure for taking the reservation of another couple in a popular restaurant. I believe most of the couples married for a long time will easily understand the situation of Phil and Claire. My vote is seven.
Title (Brazil): "Uma Noite Fora de Série" ("An Outstanding Night")
Lo sapevi?
- QuizThe erotic dance between Steve Carell and Tina Fey was improvised, but to make them feel awkward in character, director Shawn Levy shouted obscenities to them while behind the camera.
- BlooperDuring the scene in Times Square you can see a background extra take a photo of the actors and film crew, followed by a crew member who walks towards them to usher them away.
- Citazioni
Phil Foster: I say, we sit back and relax and enjoy a spread of their finest fruits of the sea.
[opens menu]
Phil Foster: Or, I will just suck on a napkin. Holy mama, look at these prices.
Claire Foster: [scroffs] If we are gonna pay this much for crab, it better sing and dance and introduce us to the Little Mermaid!
- Curiosità sui creditiThere are outtakes at the beginning and the end of the end credits.
- ConnessioniFeatured in The Rotten Tomatoes Show: 2012/The Messenger/Fantastic Mr. Fox (2009)
- Colonne sonoreBlitzkrieg Bop
Written by Joey Ramone, Johnny Ramone, Dee Dee Ramone and Tommy Ramone
Performed by Ramones (as The Ramones)
Courtesy of Sire Records
By Arrangement with Warner Music Group Film & TV Licensing
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Una noche fuera de serie
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 55.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 98.711.404 USD
- Fine settimana di apertura Stati Uniti e Canada
- 25.207.599 USD
- 11 apr 2010
- Lordo in tutto il mondo
- 152.263.880 USD