VALUTAZIONE IMDb
6,3/10
9011
LA TUA VALUTAZIONE
L'appuntamento al buio di un guidatore di limousine inizia una racconto d'amore, tradimento, amicizia e grazia che gira attorno a due coppie newyorkesi di classe media.L'appuntamento al buio di un guidatore di limousine inizia una racconto d'amore, tradimento, amicizia e grazia che gira attorno a due coppie newyorkesi di classe media.L'appuntamento al buio di un guidatore di limousine inizia una racconto d'amore, tradimento, amicizia e grazia che gira attorno a due coppie newyorkesi di classe media.
- Premi
- 1 vittoria e 7 candidature totali
Rafael Osorio
- Ungainly Swimmer
- (as Ralph Osorio)
Recensioni in evidenza
This film is a tale of two couples in New York, whose love and betrayal unfold as their friendship progresses.
As a drama about the relationship between four people, you would expect the characters to be interesting, dynamic and simply alive. However, in "Jack Goes Boating", the characters are not sculpted or portrayed in the way that makes you care about them. None of them are interesting or sympathetic. There is little chemistry between the characters, seeing them in one room together is more like them having separate monologues about different topics. There is simply no connection between the characters, also between characters and viewers. The dialogs are bland and boring. The pacing is so slow that almost nothing happens in the 85 minutes of screen time. "Jack Goes Boating" to me is an abysmal failure.
As a drama about the relationship between four people, you would expect the characters to be interesting, dynamic and simply alive. However, in "Jack Goes Boating", the characters are not sculpted or portrayed in the way that makes you care about them. None of them are interesting or sympathetic. There is little chemistry between the characters, seeing them in one room together is more like them having separate monologues about different topics. There is simply no connection between the characters, also between characters and viewers. The dialogs are bland and boring. The pacing is so slow that almost nothing happens in the 85 minutes of screen time. "Jack Goes Boating" to me is an abysmal failure.
"You've never been in a relationship for any length of time. A lot happens."
Jack Goes Boating is a raw, hard to categorize directorial debut for Philip Seymour Hoffman, adapted from the play of the same title.
I guess if I had to assign it a genre, it would be indie drama. The story follows the hesitantly blossoming relationship between Jack (Hoffman) and Connie (Amy Ryan), and the rocky, established relationship of their friends Clyde (John Ortiz) and Lucy (Daphne Rubin-Vega).
Jack Goes Boating reminded me of Two Lovers in some ways. It involves flawed people making decisions that aren't always the wisest ones, and dealing with things in their past that make their current relationships more difficult.
Don't expect this to be romantic or cutesy, it attempts to go for the "realistic" angle, with all the problems and realities that come with real adult relationships. That's derailed a bit by the occasionally awkward dialogue and characters that aren't really as fleshed out as they needed to be. We don't get much of a sense of who they used to be or what their past was like, and that would have added to the movie immensely. It's somewhat difficult to put into context the characters as they are now, without that information.
Still, I think this was a pretty decent debut from Hoffman. He's clearly in the process of learning what works from the other side of the camera, and it's puzzling why they didn't adjust the odd, romance novel-like dialogue in some places, but overall, Jack Goes Boating hints at a promising future. There are some poignant moments that really stuck out, to me. Fans of Hoffman and Ryan (count me as both) should check it out.
Jack Goes Boating is a raw, hard to categorize directorial debut for Philip Seymour Hoffman, adapted from the play of the same title.
I guess if I had to assign it a genre, it would be indie drama. The story follows the hesitantly blossoming relationship between Jack (Hoffman) and Connie (Amy Ryan), and the rocky, established relationship of their friends Clyde (John Ortiz) and Lucy (Daphne Rubin-Vega).
Jack Goes Boating reminded me of Two Lovers in some ways. It involves flawed people making decisions that aren't always the wisest ones, and dealing with things in their past that make their current relationships more difficult.
Don't expect this to be romantic or cutesy, it attempts to go for the "realistic" angle, with all the problems and realities that come with real adult relationships. That's derailed a bit by the occasionally awkward dialogue and characters that aren't really as fleshed out as they needed to be. We don't get much of a sense of who they used to be or what their past was like, and that would have added to the movie immensely. It's somewhat difficult to put into context the characters as they are now, without that information.
Still, I think this was a pretty decent debut from Hoffman. He's clearly in the process of learning what works from the other side of the camera, and it's puzzling why they didn't adjust the odd, romance novel-like dialogue in some places, but overall, Jack Goes Boating hints at a promising future. There are some poignant moments that really stuck out, to me. Fans of Hoffman and Ryan (count me as both) should check it out.
Jack Goes Boating (2010)
Based on Philip Seymour Hoffman's transparent, penetrating performance, this movie will hold up in the future as well as it does now. But I think it will disappear for many years because it doesn't pull off anything sensational. And that's its strength. It's not a subtle movie, and in many ways it's a little too obvious pulling on heartstrings. But maybe that's okay turf for an interpersonal drama.
The tale of two couples who are friends and who are having various hopes and troubles together as both friends a lovers is an old one, but it must be the best of material in some ways because it's the best of material in life, love and friendship. Keeping it focused on two pairs of people is not just movie-making convenience (though it is that, too), but it's the truth of life sometimes, too.
This isn't an edgy story, and in some ways it's so mundane it would seem to totter into boredom. But Hoffman, as Jack, is too sympathetic and convincing to let the movie get away from him. He's a great actor, we all know that, and he's showing he's a good, if not inventive or brilliant, director as well. If there is a conventional structure--set up, hints at conflict, conflict, resolution--there is a restraint and economy to make it all make sense. A strong movie.
And it's impressive now if you're in the right mood, and will be impressive in thirty years, too, if we can keep track of it somehow. I think it is already slowly disappearing from view, so give it a good look.
Based on Philip Seymour Hoffman's transparent, penetrating performance, this movie will hold up in the future as well as it does now. But I think it will disappear for many years because it doesn't pull off anything sensational. And that's its strength. It's not a subtle movie, and in many ways it's a little too obvious pulling on heartstrings. But maybe that's okay turf for an interpersonal drama.
The tale of two couples who are friends and who are having various hopes and troubles together as both friends a lovers is an old one, but it must be the best of material in some ways because it's the best of material in life, love and friendship. Keeping it focused on two pairs of people is not just movie-making convenience (though it is that, too), but it's the truth of life sometimes, too.
This isn't an edgy story, and in some ways it's so mundane it would seem to totter into boredom. But Hoffman, as Jack, is too sympathetic and convincing to let the movie get away from him. He's a great actor, we all know that, and he's showing he's a good, if not inventive or brilliant, director as well. If there is a conventional structure--set up, hints at conflict, conflict, resolution--there is a restraint and economy to make it all make sense. A strong movie.
And it's impressive now if you're in the right mood, and will be impressive in thirty years, too, if we can keep track of it somehow. I think it is already slowly disappearing from view, so give it a good look.
Perhaps the best way to watch Seymour's movie is without knowing a word about it as I did, and being enchanted by the magic on this film filled with the lights and shadows that can be found in two love parallel stories. Four characters played deeply by all the actors/actresses that carry you to the cold and meaningless streets of any big city where any story can develop to show you that we are still human and in any corner you have feelings and emotions. Beautiful screenplay where you follow the characters growing,applying the quote that the only normal people are the ones you do not know very well (Frédérick Jézégou). Perhaps being mature when you start a relationship means you can see around to other's mistakes trying to avoid them. Although not quite sure if you will finally behave in the same way. Brilliant film worth to see and being surprised by big Philip Seymour who should have a whole shelf in his house filled with Oscars.
"Jack Goes Boating" is a relationship drama. A tale about life, love, romance, marriage, dating and life again. It's about Jack (Philip Seymour Hoffman) a very awkward man whose married friends Clyde and Lucy set him up with Connie (Amy Ryan), a very awkward woman. Connie mentions that she would like to go boating, when the weather warms up. Jack would like that.
The rest of the film is about Jack trying to show Connie that he likes her and hoping that she likes him. Their awkwardness is heartbreaking and real and really sets the stage for watching love grow and eventually going boating. Hoffman and Ryan have a great connection; a very refreshing couple.
The film brings slowness to a whole new level, until things come to a boil. Some scenes really show the theatre roots of this film, and I always love those. There have been a lot of recent well done films based on plays and "Jack Goes Boating" is up there with the best.
There are some very subtle and interesting remarks about what makes a relationship work. It was uplifting but in a very awkward way, but also refreshingly real and ultimately cute. "Jack Goes Boating" is very slow, and adult and raw, but I recommend it.
The rest of the film is about Jack trying to show Connie that he likes her and hoping that she likes him. Their awkwardness is heartbreaking and real and really sets the stage for watching love grow and eventually going boating. Hoffman and Ryan have a great connection; a very refreshing couple.
The film brings slowness to a whole new level, until things come to a boil. Some scenes really show the theatre roots of this film, and I always love those. There have been a lot of recent well done films based on plays and "Jack Goes Boating" is up there with the best.
There are some very subtle and interesting remarks about what makes a relationship work. It was uplifting but in a very awkward way, but also refreshingly real and ultimately cute. "Jack Goes Boating" is very slow, and adult and raw, but I recommend it.
Lo sapevi?
- QuizPhilip Seymour Hoffman reprises the role he originated on stage.
- ConnessioniFeatured in Richard Roeper & the Movies: Jack Goes Boating (2010)
- Colonne sonoreRivers Of Babylon
Written by Brent Dowe & Trevor McNaughton (as James A. McNaughton)
Performed by The Melodians
Courtesy of Universal Music Group
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
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- Jack'in Kayık Gezintisi
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Botteghino
- Lordo Stati Uniti e Canada
- 541.992 USD
- Fine settimana di apertura Stati Uniti e Canada
- 28.916 USD
- 19 set 2010
- Lordo in tutto il mondo
- 801.206 USD
- Tempo di esecuzione
- 1h 31min(91 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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