The Stoning of Soraya M.

I can't remember the last time I had such a gripping and emotional experience in movie theatre. In the screening I attended there was audible sobbing and gasps throughout a large part of the film.

Sohreh Aghdashloo is excellent in her portrayal of the feisty Zarah. Newcomer Marzhan Marno is equally moving, and sympathetic in her role of the title character. I'll be surprised if come award time these ladies are not recognized for their work.

Though some have criticized the portrayals of the male characters as unbelievable I found them to be very accurate. Let's not pretend that sexism and religious hypocrisy are something new...even in our own society. These are men who abuse religious laws and principals for their own gain and too keep women subservient. However, the director does show other sides of these characters as well, struggling with their own beliefs and decisions (in private as to not show weakness in public).

The film is beautifully filmed as well, with the sweeping shots of the village landscape and the poetic images of chadors moving in the wind.

I never come on IMDb to write reviews, but 'The Stoning of Soroya M.' was such an intense and beautiful film that I had to spread the word. It deserves a much wider release than its getting, because its a breath of fresh air in a summer movie season full of inane comedies and action romps.

I almost didn't go see The Stoning of Soraya because of how graphic I heard it was, but I was invited to an early screening and it blew me away. It's shocking and hard, but I feel like everybody needs to see this movie to understand what these women are dealing with.

Of course we need to be active for women's rights and human rights everywhere, and I hope this will wake people up to it even more. All the physical violence in this movie is played out in emotional violence every day to many women in every country.

This movie is also absolutely beautifully shot with a great score-can't wait to see if it goes up for an Academy Award.

I watched this movie three days ago and it still haunts me and has kept me up at night. The title of the movie reveals how this story ends but nothing could have prepared me for the brutality depicted in the inevitable stoning scene. Many other reviewers have summarized the plot so I won't go into that, I'll just say that this movie NEEDS to be seen. This woman's story needs to be told. The world needs to know the reality of life for women in patriarchal societies, and this movie tells just one of the many stories of women who have endured the kind of treatment Soraya did.

To sum it up, this film broke my heart. The two female leads are such strong actors that you feel like you're experiencing the events with them. You feel their disbelief, their rage, their fear, their helplessness, their pain. When Soraya bravely walks to the spot where she knows she will die, when she sees the pile of rocks, when the first stone strikes her... and the next one, and the next one...you feel what she feels. Even though you know from the beginning what happens to Soraya you keep hoping that somehow the events unfold differently than they do. But they don't, and the result is absolutely devastating.

Be forewarned, this film presents a graphic depiction of a public stoning. It is brutal, cruel and extremely disturbing. The scenes will stay with you. But that is the point. The world needs to know what Soraya and countless women like her have experienced, because educating ourselves is the only way atrocities like this will end.

I saw The Stoning of Soraya M. a few months back at a screening, and it was so incredibly poignant that just watching the newly-released trailer brought tears to my eyes. Tears for the woman upon whom this film is based, and tears for many others like her, throughout the world, who have no voice.

The Stoning of Soraya M. is well-paced overall and does a fantastic job of bringing the audiences into Soraya's helpless situation, as we, just as helplessly, witness the malicious or cowardly decisions of others that will eventually lead to her demise.

The film treats Islam with sensitivity and in no way implicates the religion itself in the brutal practice of stoning. Shohreh Aghdashloo's character, a Muslim, decries the stoning as against the will of God.

It is important to note that the film accurately depicts a stoning, and is therefore not for the feint of heart, but seekers of truth and justice will appreciate the candor with which it portrays the gruesome nature of the heinous practice.

I commend Cyrus Nowrasteh, Shohreh Aghdashloo, and the film's producers for their courage in making this film. Thanks to you, "the world will know."

This is, almost from the start, a painful movie, which by the end becomes an absolutely brutal movie and is almost all the way through a very frightening movie. Set during immediate post-revolutionary Iran, religious fervour (which has little to do with religion and almost everything to do with fervour) is running rampant. In the midst of that maelstrom, an already abusive husband decides that he wants to divorce his wife so that he can take up with another woman. But then he realizes that he'll have to support her, and so he concocts a story accusing her of adultery - the penalty for which is stoning. We watch as the husband engineers rumours and innuendo against his wife; we watch as the whispers become shouts and as suspicion becomes rage; we watch as almost an entire village turns against a woman that they all seem to know is innocent but whom they nevertheless choose to condemn, almost as if this warped action will prove their worthiness to God.

It's a brilliant performance from Mozhan Marno as the accused and condemned Soraya. She knows that she's done nothing wrong; she has an almost naive conviction that eventually people will realize that. And yet it's clear that from the beginning this cannot be stopped. The momentum is too great; there's no way to put an end to it even if there was a desire to.

In the end this becomes very graphic and bloody. It does, indeed, offer a brutal depiction of a stoning, and it pulls no punches as we watch a bloodied Soraya slowly die under the barrage of rocks thrown at her. As a viewer, you're left with a queasy stomach in stunned silence. In a way, although obviously the movies are very different, this reminded me just a little bit of "The Passion Of The Christ" - the bloodiness and inevitability of the end. Those who are remotely uneasy about bloodiness in a movie will want to avoid the last half hour of this. It is not for the feint of heart.

The story is true - based on a book by a French-Iranian reporter played by James Caviezel. As the movie opens, he shows up in town on the day after the stoning needing his car repaired. The story is related to him and unfolds for us through the witness of Soraya's aunt (Shohreh Aghdashloo). As the movie ends, the reporter has to desperately escape the town as he's chased by a mob wanting to prevent him from smuggling the story to the outside world.

This movie achieves a delicate balancing act. It shows the dangers of religious extremism, but doesn't come across as anti-Islam. Indeed, Islam is portrayed fairly here, Soraya herself and her aunt being faithful Muslims, who point out to the men their betrayal of Islam in what they're doing. It would have been easy to turn this into an anti- Muslim diatribe. It managed not to turn into that, becoming a critique, perhaps, of culture, and of the ability for less than honourable people to use religion for their own unworthy ends. (8/10)