Dramma familiare basato sul romanzo di prossima uscita di Rumaan Alam.Dramma familiare basato sul romanzo di prossima uscita di Rumaan Alam.Dramma familiare basato sul romanzo di prossima uscita di Rumaan Alam.
- Premi
- 1 vittoria e 12 candidature totali
Alex Barber
- Kid Beachgoer
- (non citato nei titoli originali)
Madison Jessica Bennett
- Kid Beachgoer
- (non citato nei titoli originali)
Sebastian Deerkop
- Beach Goer
- (non citato nei titoli originali)
Riepilogo
Reviewers say 'Leave the World Behind' delivers a suspenseful experience with standout performances from Julia Roberts and Mahershala Ali, and striking cinematography. The film's examination of societal themes, like technology dependence and racial tensions, is highlighted, though some find these elements overly pronounced. The ending sparks debate; some commend its ambiguity and realism, while others deem it unsatisfying and abrupt. Despite varied opinions, the film's tension and atmosphere are widely appreciated, making it a compelling, thought-provoking watch.
Recensioni in evidenza
After just a few minutes, we (wife and I) were pulled into the suspense and drama of this movie. For over two hours we followed the tense, taut events with several 'whoa!!' moments.
And then it just ended. With all the effort in building up the complex, intriguing plot, I can see how a definitive ending would be difficult or impossible to create. It felt like rather than make any attempt, they just chose an abrupt, inexplicable stopping point versus an actual ending. Many plot elements were developed and left hanging.
The first two hours I'd rate this an 8 or a 9. The last 10 minutes a 2 at most.
And then it just ended. With all the effort in building up the complex, intriguing plot, I can see how a definitive ending would be difficult or impossible to create. It felt like rather than make any attempt, they just chose an abrupt, inexplicable stopping point versus an actual ending. Many plot elements were developed and left hanging.
The first two hours I'd rate this an 8 or a 9. The last 10 minutes a 2 at most.
A prophetical nightmare about the inevitable consequences of our way of living in the 21st century.
A dysfunctional family with emotionally drained bonds between them, with patterns of social arrogance, mistrust and racism in their relation to another couple, each trapped in a doom-like situation, without a point of return to normal. The way they successfully describe the evolution of a global apocalypse here is disturbing, but absolutely true. It's likely that it won't come with a Big Bang, but with a whimper, a creeping process, which no one is able to understand or control, during everything looks like normal, but under the surface, invisible, everything has already changed with fatal consequences. The occuring events are enigmatic and the uneasiness resulting from that is perfectly shown by camera movements, montage of sequences and sound design.
Nature is out of balance, natural and technical ressources come to an end, our total slavish dependance on digital gadgets makes us vulnerable, a perfect target. Ignorance won't help us out. It's devastating that many of the viewers are already unable to get the crystal clear message of this movie. They prefer to continue, ignore and entertain themselves with stupid sitcoms.
That's what the end is telling us! And that's why they don't get it.
A dysfunctional family with emotionally drained bonds between them, with patterns of social arrogance, mistrust and racism in their relation to another couple, each trapped in a doom-like situation, without a point of return to normal. The way they successfully describe the evolution of a global apocalypse here is disturbing, but absolutely true. It's likely that it won't come with a Big Bang, but with a whimper, a creeping process, which no one is able to understand or control, during everything looks like normal, but under the surface, invisible, everything has already changed with fatal consequences. The occuring events are enigmatic and the uneasiness resulting from that is perfectly shown by camera movements, montage of sequences and sound design.
Nature is out of balance, natural and technical ressources come to an end, our total slavish dependance on digital gadgets makes us vulnerable, a perfect target. Ignorance won't help us out. It's devastating that many of the viewers are already unable to get the crystal clear message of this movie. They prefer to continue, ignore and entertain themselves with stupid sitcoms.
That's what the end is telling us! And that's why they don't get it.
This movie was a case of throwing some many angles against the wall to see if any of them stuck. None did! This, at first, drew me in with it's trailer. It claimed it was a thriller and I was intrigued. I've never been dissapointed from an Ethan Hawke, Julia Roberts or Kevin Bacon film performance. This movie, however, changed that! The concept, of this film, seemed interesting in an 'end of the world' way but there were so many different elements going on and none of them seemed to have any linear connection (Perhaps the chaos of the script was intended to be an enhancement of the chaos of the plot) anyhow if you're looking to be dissapointed in a movie this film is for you.
Facing the apocalypse in a unique way is not an easy thing to do in movies, but director/screenwriter Sam Esmail takes Rumaan Alam's 2020 novel and turns it into an unrelenting 2023 psychological thriller that captures the current extremist political landscape and isolationist world view with sharp acuity. No one real is explicitly mentioned, but so much of the threat presented in the spiraling plot felt not only relevant but palpable. It starts with a last-minute family vacation in a Long Island mansion and the two strangers who enter their lives. Julia Roberts plays an unapologetically mistrustful woman with familiar conviction, while Ethan Hawke does what he can as her laid-back husband. As the mysterious stranger, Mahershala Ali has to play it close to the vest, while Kevin Bacon has an effective turn late in the story. I could've done without some of the contrived camera angles and predictable music cues, but overall the film got me thinking what I would do under similar circumstances.
Started out with lots of promise for a thoughtful, tense thriller. But unfortunately that didn't come to pass. And unfortunately the ending didn't make up for the thin soup we were asked to digest for the previous hour and a half.
I can't even say the acting was terrific, because it just seemed so . . . Adequate. And the direction was off and on, with some really good moments but way too many closeups of faces just wordlessly. . . Looking.
Bless them all for trying but it just didn't hold my attention. Although I hung in there until what I hoped would be a revelatory and redeeming ending. But alas, no.
I can't even say the acting was terrific, because it just seemed so . . . Adequate. And the direction was off and on, with some really good moments but way too many closeups of faces just wordlessly. . . Looking.
Bless them all for trying but it just didn't hold my attention. Although I hung in there until what I hoped would be a revelatory and redeeming ending. But alas, no.
Lo sapevi?
- QuizThe picture of the waves in the upper bedroom changes during the movie. The tide is rising. Same applies for the black and white picture in the living room which resembles a changing Rorschach' picture.
- BlooperAiring on the television is the outdated Emergency Broadcast System (EBS). This was an emergency warning system used in the United States from 1963 to 1997, at which point it was replaced by the Emergency Alert System (EAS) which became operational on January 1, 1997.
However, it is against FCC regulations to use the EAS and its related tones in TV and movies. NBCUniversal was fined $530,000 in 2014 for airing an Olympus Has Fallen trailer that used real EAS alerts.
Its likely the movie used the old EBS alerts to get around that issue.
- Citazioni
Amanda Sandford: We fuck each other over all the time, without even realizing it. We fuck every living thing on this planet over and think it'll be fine because we use paper straws and order free-range chicken. And the sick thing is, I think deep down we know we're not fooling anyone.
- Colonne sonoreThe Rev3nge
Written by Joey Bada$$ (as Jo-Vaughn Virginie Scott), Powers Pleasant, Sucuki (as Tim Friedrich), Adam Pallin, and Gregor Sperzel
Performed by Joey Bada$$
Courtesy of Pro Era/Cinematic Music Group and Columbia Records
By arrangement with Sony Music Entertainment
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Leave the World Behind?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Dejar el mundo atrás
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione2 ore 18 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
What was the official certification given to Il mondo dietro di te (2023) in Australia?
Rispondi