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Nicolas Cage in Il nemico invisibile (2014)

Recensioni di Metacritic

Il nemico invisibile

31

Metascore

12 recensioni · Fornito da Metacritic.com
  • 60
    The New York TimesBen Kenigsberg
    The New York TimesBen Kenigsberg
    The notion of an undercover agent with an untrustworthy mind is a great gimmick — and on a commercial level, Dying of the Light sometimes plays as just another high-concept vehicle for a comically overacting Mr. Cage. But Mr. Schrader’s vision is strong enough to rage against the hackier calculations.
  • 58
    IndieWireEric Kohn
    IndieWireEric Kohn
    While its bleak assessment of American intelligence operatives imbues the story with some modicum of topicality, the specifics never keep pace. The movie becomes a bland action-drama lacking the sophistication to deal with its weightier themes. As a promising endeavor hacked to pieces, the movie's fate mirrors its anti-hero's own failed ambition.
  • 50
    The A.V. ClubIgnatiy Vishnevetsky
    The A.V. ClubIgnatiy Vishnevetsky
    Not to say that the movie is a mess. Instead, it plays out as a more or less conventional direct-to-video-style thriller, distinguished by a handful of subtexts and images that might have been developed in a different version, but here register as mere quirks.
  • 40
    Village VoiceStephanie Zacharek
    Village VoiceStephanie Zacharek
    It's sort of a fascinating mess, a jagged, dark jumble of a thing anchored by Cage's anguished, moony-eyed obsessiveness. It's not bad enough to be fun, but maybe just bad enough to be intriguing.
  • 40
    New York Daily News
    New York Daily News
    The irony is that in the low-key but mildly absorbing “Light,” Cage comes close to making it work.
  • 40
    The DissolveDavid Ehrlich
    The DissolveDavid Ehrlich
    A legendary director’s unsullied cut of Dying Of The Light would almost certainly be more interesting than the version the studio is dumping into theaters, but it might have been a lot sadder, too.
  • 40
    Los Angeles TimesRobert Abele
    Los Angeles TimesRobert Abele
    Cage's loop-di-loop performance, the movie's surviving asset, at least hints at the themes of institutional illness and mortal decline that must have fascinated Schrader.
  • 12
    Slant MagazineChuck Bowen
    Slant MagazineChuck Bowen
    Paul Schrader's personality reveals itself in the film's joylessness, which is meaningless without the director's accompanying and occasionally poignant existentialism.
  • 12
    New York PostKyle Smith
    New York PostKyle Smith
    The writer-director of Dying of the Light is Paul Schrader, screenwriter of “Raging Bull.” The star is Nicolas Cage — Raging Tool.
  • 0
    The PlaylistKevin Jagernauth
    The PlaylistKevin Jagernauth
    The Dying Of The Light is forgettable, anonymous and at times almost amateur, and the product of a director searching for a new method of storytelling.
  • Visualizza tutte le 12 recensioni su Metacritic.com
  • Vedi tutte le recensioni esterne per Il nemico invisibile

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