Fallout

Literally felt like I was on the Truman show watching my own campaign. Whenever I had a criticism of them not implementing a facet of the game I was pleasantly surprised later on. Only thing I'm confused on are the water monsters? Are they murlurks? Don't remember them in the game but maybe I just don't remember. I seriously cannot wait for season 2 and then for this franchise to become 10 times what star wars became. There is seriously not as many imperfections as there are fingers on my hand. If they continue this series of bringing the greatest games to life they might just save the theaters🤣

Actually only thing that it doesn't have are your good guys and the bad guys. Motivations, goals, intentions, events, are left rather ambiguous or open to interpretation, thus people can see what people want to see, and one can only combine that with previous knowledge of Fallout, then to realize how overarching story has much more depth than it would appear..

Other than that, on the surface, where the show is much fun and also distracting, has pip boys, stimpacks, junk jets, unreliable narrators, several factions are introduced or slightly introduced, some hinted yet to be.., shortly said, has everything..

With all that, and with just a little bit effort and luck, season 2 will be another banger..

Actually very very good show. Nine-plus for me, at least. Actually does everything, or overwhelming-most right..

Walton Goggins mostly seems to appear and work with good stuff, and so here he is with Fallout, and the way he plays two characters one person, is just so good and fun, and serious and sad, all at the same time. Goggins is great, and The Ghoul is too.

Lucy, surprisingly isn't bossy, nor immediately successful in everything. Instead, she is likeable character, does the best she can with combination of her knowledge, skill, training, mindset, worldview, and how it all works in practice, faced with reality, while learning in the process.

Maximus is that guy that "does the right thing", or at least he believes so, while having that dose of "selfishness", which is just the trait of a Surfacedweller. He also idolizes the Brotherhood, gets disappointed on his first field mission, facing reality.

Interesting how Maximus and Lucy are going through similar arcs, also joined by previously Cooper Howard now the Ghoul, seen through character's flashbacks, which also serve telling some story, and connecting parts told..

Good stuff !

Probably the best video game adaptation so far, or definitely, and probably beyond so far. Also adapts and uses the source material in general very well.

True to Fallout games, the vibe is genuine, the feel is genuine, encompasses the essence, has the core of, and knows how to stay at the core. All combined, Fallout show is the definition of understanding the assignment.

Season 1 sets the story and puts things to motion, so the wait for ultimate resolution will be that of several seasons. In addition to that, Fallout isn't of those every-day shows, instead it's different and refreshing. Thumbs Up!

As someone who approaches big franchise adaptations-especially those based on beloved video games with a healthy dose of skepticism, I was genuinely surprised by how much Fallout exceeded my expectations. Rather than falling into the trap of shallow fan service or incoherent plotting, the series delivers a story that is both tightly woven and refreshingly witty. The writing is sharp, balancing dark humor and genuine emotion, and the show isn't afraid to poke fun at the absurdities of its own post-apocalyptic world.

The cast is uniformly excellent, but Walton Goggins' performance as "The Ghoul" stands out as a career highlight. He brings a unique blend of menace, charm, and vulnerability to the role, making the character instantly iconic and, for me, an all-time favorite. Ella Purnell's Lucy and Aaron Moten's Maximus are also strong leads, each offering their own perspective on survival and morality in the Wasteland.

One of Fallout's greatest strengths is its exploration of moral ambiguity. The show doesn't shy away from the ethical gray areas that define life after the bombs fall. Instead, it leans into the complex, often conflicting motivations of its characters-survivors, opportunists, and idealists alike-creating a world where right and wrong are rarely clear-cut.

Visually, the series is a feast for fans and newcomers alike. The production design is meticulous, capturing the retro-futuristic aesthetic and grimy charm that have defined the Fallout games for decades. From the rusted-out cars to the Vault-Tec jumpsuits and Pip-Boys, every detail feels lovingly crafted. The show is packed with Easter eggs and references, but never at the expense of storytelling.

What's most impressive is how accessible Fallout is for viewers unfamiliar with the games. I first watched the show with little knowledge of the source material, and found myself completely engrossed. After diving into the games, I was even more impressed by the show's respect for the lore and its clever integration of iconic elements-like bottle caps as currency and the ever-present threat of mutated creatures.

In short, Fallout is that rare adaptation that honors its roots while standing firmly on its own. It's a must-watch for fans and a fantastic entry point for newcomers, blending sharp writing, memorable performances, and a world that's as richly detailed as it is darkly funny. If this is the future of video game adaptations, I'm all in.