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IMDbPro

La belle personne

  • 2008
  • Unrated
  • 1h 37min
VALUTAZIONE IMDb
6,6/10
8363
LA TUA VALUTAZIONE
Léa Seydoux in La belle personne (2008)
Guarda Bande-annonce [OV]
Riproduci trailer1: 39
2 video
9 foto
CommediaDramma

L'adorabile Junie inizia a frequentare lo stesso liceo di suo cugino Matthias dopo la morte di sua madre. Incontra i suoi amici. I ragazzi vogliono uscire con lei e anche il suo affascinante... Leggi tuttoL'adorabile Junie inizia a frequentare lo stesso liceo di suo cugino Matthias dopo la morte di sua madre. Incontra i suoi amici. I ragazzi vogliono uscire con lei e anche il suo affascinante e giovane insegnante di italiano.L'adorabile Junie inizia a frequentare lo stesso liceo di suo cugino Matthias dopo la morte di sua madre. Incontra i suoi amici. I ragazzi vogliono uscire con lei e anche il suo affascinante e giovane insegnante di italiano.

  • Regia
    • Christophe Honoré
  • Sceneggiatura
    • Christophe Honoré
    • Gilles Taurand
    • Madame de La Fayette
  • Star
    • Louis Garrel
    • Léa Seydoux
    • Grégoire Leprince-Ringuet
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    8363
    LA TUA VALUTAZIONE
    • Regia
      • Christophe Honoré
    • Sceneggiatura
      • Christophe Honoré
      • Gilles Taurand
      • Madame de La Fayette
    • Star
      • Louis Garrel
      • Léa Seydoux
      • Grégoire Leprince-Ringuet
    • 23Recensioni degli utenti
    • 35Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 4 candidature totali

    Video2

    Bande-annonce [OV]
    Trailer 1:39
    Bande-annonce [OV]
    The Beautiful Person
    Trailer 2:17
    The Beautiful Person
    The Beautiful Person
    Trailer 2:17
    The Beautiful Person

    Foto8

    Visualizza poster
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    Visualizza poster
    Visualizza poster
    Visualizza poster
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    + 2
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    Interpreti principali52

    Modifica
    Louis Garrel
    Louis Garrel
    • Nemours
    Léa Seydoux
    Léa Seydoux
    • Junie
    Grégoire Leprince-Ringuet
    Grégoire Leprince-Ringuet
    • Otto
    Esteban Carvajal-Alegria
    Esteban Carvajal-Alegria
    • Matthias
    Simon Truxillo
    • Henri
    Agathe Bonitzer
    Agathe Bonitzer
    • Marie
    Anaïs Demoustier
    Anaïs Demoustier
    • Catherine
    Valérie Lang
    • Florence Perrin
    Jacob Lyon
    • Jacob
    Jean-Michel Portal
    • Estouteville
    Martin Siméon
    • Martin
    Chantal Neuwirth
    Chantal Neuwirth
    • Nicole - la patronne du café Sully
    Louka Anargyros
    Thomas Anargyros
    Gabriel Attal
    Gabriel Attal
    Jeanne Audiard
    • Jeanne
    Thomas Ayouti
    Clément Bertommeau
    • Regia
      • Christophe Honoré
    • Sceneggiatura
      • Christophe Honoré
      • Gilles Taurand
      • Madame de La Fayette
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti23

    6,68.3K
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    10

    Recensioni in evidenza

    jm10701

    Lovely, melancholy, fascinating view of Parisian teenagers

    This is a lovely, deliberate, melancholy look into the fairy-tale lives of pale, beautiful, preternaturally graceful high-school students in Paris - a dreamy, pearly, wintry Paris on which the harsh sun never, ever shines.

    The Beautiful Person is so hypnotically beautiful that it drew me through the somewhat jarring adjustment I had to make from my placid late-middle-aged American world into theirs, which teems with sex and longing, but - Oh, my! - it was worth it. This movie is luxurious and delightful.

    Some of those who do not like it may be unwilling or unable to make such a cultural adjustment, but those who do will be rewarded. Earlier reviews here encouraged me to hang in there through the rough patches in the beginning, when I could not even tell who was who and doing what with whom. Those reviews also hinted that I might be slightly disappointed after Christophe Honoré's last movie, the remarkable Love Songs (Les Chansons d'amour). I was not at all. This is a sadder movie, but it is no less deeply satisfying.

    Like Love Songs, seeing this once is not enough: I need my own copy so I can watch it over and over. Also like Love Songs, I expect the pleasure it gives will grow richer with each viewing.

    Something nice I just realized: there are no drugs in this movie, hardly any alcohol (none at all among the kids), no vomiting, no farting, no bullying, no mindless cruelty or grossness of any kind. In other words: This is not an American movie for American teenagers. It is probably not even a realistic view of Parisian teenagers (even they must have a few pimples), but realistic or not it is a joy to behold.
    10jromanbaker

    A Perfect Film

    Sadly on this site we get mostly American reviewers, and the fact that this film is set in an enclosed world and not one of an ' ordinary school ' seems to elude them. Christophe Honore, in this one of his most perfect films took on a brave task and that is in treating Madame de La Fayette's equally perfect ' Princesse de Cleves ' into a story relevant to the 21st C. I believe his achievement works brilliantly. and his setting of a classroom for a 17th C. Court. He quite rightly makes this a place where letters replace emails, and I for one adjusted to this immediately. The hermetic universe of passions, intrigue and tragedy is given more focus by not being ' real ' in the sense that a modern French classroom most certainly is. This is his genius in achieving total involvement by concentrating on the conflict of emotions, and also giving both heterosexual and homosexual desires and sentiments equal status. I am not sure what Madame de La Fayette would have thought of that, but although unspoken in her world it must have been part of it. The acting was superb, and the casting to me as right as the concept. It saddens me that the education in the Anglo-Saxon world is not as in touch with Classical literature and Philosophy as it is still in French schools and that to my knowledge this masterpiece is not available on DVD in the UK. It is a loss among so many losses as we move further and further away from mainland Europe and a true understanding of a film as great as this.
    7imoyess

    Everyone is running away from something.

    She runs away from abandonment, he runs away from his misery, other runs away from disappointment, from fear. No need to be told in words. Sometimes it could reach the cruelty and frivolity, but that might be the charm of the movie too.

    If you get lost in translation, while watching this movie, it's because you didn't learn to the meaning of the words first. Not the kind of movie to start a journey with french cinema, but definitely a good one if you have already dived in the genre.
    lazarillo

    Pretty good actually

    After her mother's death, a pretty teenage girl (Lea Seydoux) moves in with relatives and attends school with her male cousin. She quickly gets embroiled in the dizzying affairs of her cousin's clique of friends and young teachers. There are straight affairs, gay affairs, straight love triangles, gay love triangles, bisexual love triangles, teacher-student affairs, teacher-student love triangles--really you need some kind of chart to keep track of it all. "Junie", the protagonist, first gets involved with "Otto", the shy odd-man-out in all these sexual shenanigans (perhaps because he's the only one with a decent haircut), but she soon finds herself drawn to the young Italian teacher (Louis Garrel), who is already involved with another student in the clique AND a fellow teacher.

    This kind of sounds like a French bedroom farce--especially a scene where one character drops a lurid love letter from his pocket and everyone thinks it belongs to the Italian teacher, leading to all kinds of misunderstandings. But this movie is actually very moody and gloomy--even tragic at one point. All these liaisons don't seem to leave anyone very happy. In that respect this kind of reminded me of Catherine Breillat film, but it also has a surprising lack of sex scenes (aside from one strange scene where Seydoux bares her breasts for her boyfriend in what looks to be a school hallway or the streets of Paris). It is also strangely anachronistic. It's a modern-day film judging from the occasional use of cell phones, but the characters still pass notes instead of text messaging. And I guess it must be perfectly legal in France for teachers to carry on with students because no one even remarks on it. (Of course, everyone here LOOKS like they're in their twenties). I guess France is just a different place--at least their movies certainly are.

    Seydoux is pretty good here even if her character is frustratingly opaque. She and Anais Demoustier (who has a small part in this and would appear with Seydoux again later in a similar film called "Le Belle Epine") might be the only girls prettier than their male co-star Louis Garrel, who has appeared in seemingly every other French film since making his mark in Catherine Breillat's 2007 film "The Last Mistress". It is Seydoux though who is perhaps on the verge of true international fame with a starring role in "Farewell, My Queen" and in the upcoming Cannes-winner "Blue is the Warmest Color". This is kind of strange movie for a lot of reasons, but it's also actually pretty good.
    6bjarias

    ..could all have been said in a fraction of the time

    ..yea.. she's a real winner... ..she teases and torments her 'friend' to his ultimate demise.. ..and with her other love interest, she feels very strongly about him, but must leave and go far, far away... for he is just too beautiful, and although he proclaims he loves her, in the end she knows he will ultimately leave her for another.. ..(and who decided to cast him in that role.. at times he looks and acts more like a student than they do).. ..all that, and a bunch of confusing side story lines, adding nothing at all to the main story.. ..the French have mastered these kinds of productions.. too bad in this one the efforts of a good number of talented young actors went to waste

    Trama

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    Lo sapevi?

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    • Quiz
      Christophe Honoré decided to make this adaptation of La Princesse de Clèves after French president Nicholas Sarkozy criticized the novel.
    • Citazioni

      Nemours: I'm in a total love-sick mess.

    • Connessioni
      Featured in Clash: Olivia: Hymen (2012)
    • Colonne sonore
      Way To Blue
      Written and Performed by Nick Drake

      Copyright Warlock Music Ltd administered by Kobalt Music Publishing Ltd.

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    Dettagli

    Modifica
    • Data di uscita
      • 12 settembre 2008 (Francia)
    • Paese di origine
      • Francia
    • Sito ufficiale
      • Le Pacte (France)
    • Lingue
      • Francese
      • Italiano
      • Inglese
      • Russo
    • Celebre anche come
      • The Beautiful Person
    • Luoghi delle riprese
      • Lycée Molière, Rue du Ranelagh, Paris 16, Francia(school)
    • Aziende produttrici
      • ARTE
      • Scarlett Production
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Lordo in tutto il mondo
      • 748.217 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 37 minuti
    • Colore
      • Color
    • Mix di suoni
      • Stereo
    • Proporzioni
      • 1.85 : 1

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