Midas Man

I've been a Brian Epstein fan for as long as I've been a Beatles fan so I was in part dreading this movie as much as I was looking forward to it . What I would say to anyone who is thinking of watching is give it a go. Not a perfect film by a long chalk, but they've managed to capture authenticity in abundance. JFL absolutely nails the lead role, he's genuinely a star in the making but the supporting roles seem really well thought out too. I had heard ( being a super fan) that there was trouble with the production, you'd never guess. I'd have liked a five hour tv series with the same production values as this film, that would have done Brian justice but as a film and a one off it's more than decent.

I know people who were there and I absolutely can't wait for them to see this on the big screen hopefully, although as I understand atm in the UK it's going straight to Amazon? That's a shame, I was lucky enough to see it on the big screen and maybe I'm biased but it's one of the most enjoyable films I've seen in months. The one thing no one can disagree with is Brian was loved and he should ge remembered as such. A bonafide legend. Go and watch this, download it or buy the dvd ( are they still a thing?) .

As a lifelong Beatles fan, I had to watch this film. To be honest, I was already familiar with most of the narrative but could not resist an in depth view of the passion and pain behind the driving force!

And it started well. The relation between Epstein and his 'boys' was well acted and drew me in. This was largely down to an excellent performance from Jacob Fortune-Lloyd. He manages to combine passion, eccentricity and brilliance - particularly in the first half hour.

But for me it then lost its way and became a bit rushed. There isn't really enough space to explore the contradictions that led to Brian's tragic demise. The absence of any Beatles compositions was a huge problem. The memorable intro to Twist and Shout at the Royal Variety Show needs erm Twist and Shout. The same goes for the final scenes with the broadcast of All You Need is Love which did not include the song itself.

It all fell short of its opening promise. I have to mention a special performance from Darci Shaw as Cilla Black. Her touching moment with Brian is the standout moment.

The story of Brian Epstein is a fascinating story, and I'm afraid this film disappoints. The breaking of the fourth wall works in some films, but not this one. I didn't mind Jacob Fortune-Lloyd as Brian, but Jay Leno as Ed Sullivan was a terrible choice. I thought the actors playing The Beatles were OK , except John Lennon was way too short. It was off putting.

I think most people who will watch this film would be aware of The Beatles, so their story didn't have to be told. It was Brian Epsein's story, and I don't believe his story was told. I have been waiting years for someone to make decent biopic about Brian Epstein, and I guess I'll have to keep waiting.

I was apprehensive about this film as a huge Beatles fan & I personally know people who worked with Brian Epstein.

But I thought the performance by Jacob was excellent. He captured every little nuance of Brian's character.

Eddie was great as Brian's dad Harry.

Emily as Malka was a bit weaker.

The film was also well written & it captured Brians life well.

Though I think his death & body discovery could have been played out on screen, it would have been more personal.

The costumes were perfect and captured Brian's fastidious fashion sense.

Only disappointment was John Lennon was way too short.

The story of The Beatles is so well known that finding a new angle on it is almost impossible, however, this film tries by telling the story from the point of view of their manager, Brian Epstein. It succeeds well early on, recreating The Cavern club, the Epstein music store, and the very first meetings, but then the story becomes ever so familiar; Beatlemania; Abbey Road and George Martin; breaking America; the Ed Sullivan show etc etc, with a smattering of Epstein's ups and downs and his complex private life, which is portrayed as ultimately lonely and in turmoil, particularly in trying to deal with his homosexuality when it was still illegal and taboo. Jacob Fortune-Lloyd does an excellent job as Epstein, with good or passable cameos of George Martin, The Beatles themselves, Cilla and others, but I felt just maybe a bit more of the really early story, less of the so well trodden saga, might have made this more impressive. The film also deals well with the problem (because of the cost of song rights) of not including actual Beatles music. Not a failure, and definitely worth a look.