The Unloved

Congratulations to first time director Samantha Morton and Channel 4 for showcasing this magically poignant portrait of a maltreated child suffering the indignities of Britain's under-resourced care system.

Star: Molly Windsor delivers a masterful evocation. The Unloved avoids the inherent pitfalls of such difficult subject matter.

Morton herself went through care, but this is no angry rant against her experiences, but an enlightening reconstruction of events exorcised through a perceptive and beguiling work of artistry.

Strong support from co-stars Robert Carlyle and Susan Lynch as Molly's estranged and troubled parents seeking personal redemption for the hurt caused and subsequent loss of their angelic daughter.

I can only hope this is not the only helmed piece Samantha Morton brings to this world, as she is indeed a talented voice in a world of increasingly entertainment driven indifference to the bigger issues which surround and impact upon us all. This cinematic picture should have been given a much deserved big-screen distribution.

Assured best new British drama since Red Ridding.

Samantha Morton's passion for this story is evident in the purposeful construction of the film. At first you will wonder what in the world is happening, but as the film develops you will start to understand that the lingering cuts are drawing you into Lucy's world. Molly Windsor does an incredible job of portraying the innocent little observer who is thrust into a wildly different world when she is forced to move into a group home. Still sleeping with her teddy bear she has to room with Lauren, a rebellious teen who takes Lucy along with her shoplifting, partying, etc. The film is a bit sad and doesn't really offer any solution and so you are left feeling sorry for Lucy and hoping she will not succumb to the temptations around her and last probably until she ages out of the system. Hopefully what this film can do is bring awareness to problems in the social service system not only in the UK, but everywhere and perhaps kind hearted people will be stirred to help these children.

This was so well-directed and acted that it seemed at times like a documentary. Avoiding any clichés and easy answers it was moving and compelling. Clearly Samantha Morton is going to be as great a director as she is an actress. The expressionistic filming style and the long static shots reminded me a bit of Lynne Ramsay's work, which is a compliment in itself! I wish it had been shown in cinemas, as it would have won many awards in my opinion. All the actors were great, as i said above so naturalistic that it seemed at times like watching a documentary. Great performances in particular from the little girl Lucy, and the troubled Lauren that she met whilst in the care home. Highly recommended.

Almost the British Florida Project. Good music choices. I'm a fan of the extended closeup without dialogue, and Molly Windsor was able to convey so much with her eyes in many of those. Recommend.

Saw this on Channel 4 tonight. 2 key words: Bleak & beautiful.

The acting during the bust-up at the Christmas Party was very realistic. The last continuous shot of the young girl on the bus home was very poignant. That image really stays with you.

If Samantha is reading this: Congratulations and well done on this great film. The subject matter was presented 'just right'. Coleen's music felt really natural (and, never forced). If you never direct again, that's fine, you can be very proud of this. I understand completely that this was something felt you had to do - rather than it being 'another gig' (like most directors).

Can you please provide details of all the music used in the film. The end credits text (font) was so small, I could barely read it! The subtitles didn't note every song, either. In particular, I'd like to know the name of track used at the Christams party - the one with the dance-off.

Thank you. All the best for the future :) HP