VALUTAZIONE IMDb
7,2/10
5629
LA TUA VALUTAZIONE
Moth viene liberato sulla parola dopo aver trascorso del tempo in prigione per una ingiusta condanna per omicidio. Imprigionato poco prima del colpo di stato comunista bulgaro del 1944, si r... Leggi tuttoMoth viene liberato sulla parola dopo aver trascorso del tempo in prigione per una ingiusta condanna per omicidio. Imprigionato poco prima del colpo di stato comunista bulgaro del 1944, si ritrova nella Sofia totalitaria degli anni '60.Moth viene liberato sulla parola dopo aver trascorso del tempo in prigione per una ingiusta condanna per omicidio. Imprigionato poco prima del colpo di stato comunista bulgaro del 1944, si ritrova nella Sofia totalitaria degli anni '60.
- Premi
- 20 vittorie e 6 candidature totali
Zachary Baharov
- Moth
- (as Zahary Baharov)
Djoko Rosic
- Priest
- (as Djoko Rossich)
Recensioni in evidenza
This is the top of the Bulgarian film industry,I think.Not forever,but for the past 25-30 years.This is the Bulgarian movie,that has the biggest chance of winning ANY award worldwide.It's about the drama,the innovative story told by it,and the acting.The old school Bulgarian actors like Djoko Rosich for example,along with the younger actors,made a great masterpiece of the already brilliant script. My new favorite film,getting "The Shawshank redemption" off the top. Congratulations Bulgaria,you made me proud with your present achievement for the first time.You made me proud with your past only,but until I saw this! 10/10 from me!
One of the best new Bulgarian films. Dzift is a dark white film with cynicism, a fun sense of humor and a really well developed main character. The moth quotes are really interesting and can connect you to real life. The story at the beginning with the cheating wife that ended with the bigger the feces, the bigger the damage morally rather than materially was really interesting. The acting was good, cinematography was on point and the soundtrack was really good. It wasn't some full blown anti-communnist propaganda. The characters and stories throughout out the movie were really well done. After all it is definitely worth a watch.
It didn't have an Oscar nomination(for the best foreign language award) this year, still Zift is a crowning and epoch making epic movie for Bulgaria and Eastern/North-Eastern Europe. Hence, in the years ahead this movie will be mentioned often for its contemporary style, modern cinema language and creative editing.
Centering on a criminal, nicknamed as "Moth", the story is taken from a novel and is adapted to screenplay from its own novelist. Director Javor Gardev features Moth being a self-respecting and chivalrous Bulgarian, reflecting the character of his country under Communism. As such from the literary perspective, personification has applied to Bulgaria. Despite all of his relatives and friends leaving him alone, and his wife wounding his pride; he has never held his head down.
Not only the past of his country, the writer also reflects the present and the future of Bulgaria within the same literary perspective in a dark utopia, or a neo-noir(film-noir). The screenplay of Zift is very focused and detail-oriented on a simple storyline. The concept of the whole storyline is the sum of Moth's escape to freedom, his short-term memories, the stories he heard from his friends, how he is losing his last hope and how he dies. There we can realize obviously that the main purpose of the movie is not to tell, but is to impress. Director Gardev leaked impacts from Fellini's, Emir Kusturica's and Danny Boyle's cinematic methods. On the other hand, I don't include Frank Miller in this list; since Sin City and Zift has nothing in common but the cinematography. On the level of artistic value, Zift has more value than its comparisons.
Even though it's resembling several industrial box-office hits, the screenplay is truly original; considering that a novel writer has prepared the whole script from his own adaptation, you will see the total commitment of creating this epic by the production crew. There are scenes of violence, nudity, sexuality, perversity, immorality and enormity. Viewer discretion is strongly advised. It's only suitable for mature viewers and minor groups.
Centering on a criminal, nicknamed as "Moth", the story is taken from a novel and is adapted to screenplay from its own novelist. Director Javor Gardev features Moth being a self-respecting and chivalrous Bulgarian, reflecting the character of his country under Communism. As such from the literary perspective, personification has applied to Bulgaria. Despite all of his relatives and friends leaving him alone, and his wife wounding his pride; he has never held his head down.
Not only the past of his country, the writer also reflects the present and the future of Bulgaria within the same literary perspective in a dark utopia, or a neo-noir(film-noir). The screenplay of Zift is very focused and detail-oriented on a simple storyline. The concept of the whole storyline is the sum of Moth's escape to freedom, his short-term memories, the stories he heard from his friends, how he is losing his last hope and how he dies. There we can realize obviously that the main purpose of the movie is not to tell, but is to impress. Director Gardev leaked impacts from Fellini's, Emir Kusturica's and Danny Boyle's cinematic methods. On the other hand, I don't include Frank Miller in this list; since Sin City and Zift has nothing in common but the cinematography. On the level of artistic value, Zift has more value than its comparisons.
Even though it's resembling several industrial box-office hits, the screenplay is truly original; considering that a novel writer has prepared the whole script from his own adaptation, you will see the total commitment of creating this epic by the production crew. There are scenes of violence, nudity, sexuality, perversity, immorality and enormity. Viewer discretion is strongly advised. It's only suitable for mature viewers and minor groups.
Saw this at the Sydney Film Festival and was a little disappointed. Seemed to be a lot of hype surrounding this. Really liked the black and white photography and had high hopes after a nice opening. Unfortunately the movie lost me in the middle and never quite recovered.
I'd have to agree with one of the earlier posts. I think Gardev has definitely borrowed from other films and directors. Apart from that Todorov's screenplay doesn't quite work for me but I would love to read the book (the English translation is released next year). I found the little stories and anecdotes from minor characters to be intrusive and tiresome after a while and I don't know if the voice-over was that effective.
Thought the acting was fine and there were some amusing moments but overall I can't work out if this was supposed to be a thriller or black comedy, heist flick, noir potboiler or a bit of all of these.
I'd have to agree with one of the earlier posts. I think Gardev has definitely borrowed from other films and directors. Apart from that Todorov's screenplay doesn't quite work for me but I would love to read the book (the English translation is released next year). I found the little stories and anecdotes from minor characters to be intrusive and tiresome after a while and I don't know if the voice-over was that effective.
Thought the acting was fine and there were some amusing moments but overall I can't work out if this was supposed to be a thriller or black comedy, heist flick, noir potboiler or a bit of all of these.
Watching this innovative black and white noir thriller, I kept thinking that Frank Miller must have written it, so perfectly does it fit the sensibility of his Sin City comic book series. Innovative, not exactly original: one can indeed detect the influence of any number of famous noir flicks, most notably D.O.A. But it's executed so perfectly that I wouldn't want to complain. My wife said that the film was rich in allusions to Bulgarian life and culture which went right past me. She is definitely not a genre fan but she really liked this movie. Certainly the best Bulgarian movie I've seen since the magically-realistic anti-communist fable The Well.
Lo sapevi?
- QuizThe scenes set in the 1960s were shot in 35mm, the scenes set in the 1940s were shot in 16mm, and the scenes set earlier than that were shot in 8mm.
- ConnessioniFeatured in Balkan Spirit (2013)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Zift: En gangsters historia
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.200.000 BGL (previsto)
- Lordo in tutto il mondo
- 189.486 USD
- Tempo di esecuzione1 ora 32 minuti
- Colore
- Proporzioni
- 2.35 : 1
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