Il piccolo Nicolas e i suoi genitori

I love the "Petit Nicholas" books and René Goscinny is a personal god of mine, so I was very sceptical about this film. Especially because it's not "real-life" rather than a cartoon, whereas Jean-Jacques Sempés illustrations were essential to the charme of the books. But then the reviews were good and I gave it a try.

If you look at Goscinny's humour, it's almost reactionary. There's the fat guy, the rich kid, the dimwit, the four-eyed squealer, the easily- ired father, the just-a-housewife mother. And they all translate well onto film. Goscinny's humour stems from letting those characters interact predictably but creatively and with perfect timing, and this movie's makers managed to closely reproduce Goscinny's genius.

It's funny and escapist -- nothing more. Childhood as it should be. Sempé himself said that he created the childhood for little Nick he never had for himself.

This movie is amazing. It is not often that I go to see a foreign movie, but people had told me how good this one was so I just went. And I do not regret it.

The actors all seem to fit perfectly for their part. I found it hard to imagine how they were any different in real life. One gets kind of nostalgic, seeing those children in their school uniforms. The story is just wonderful, and it is really, really humorous, the entire audience laughed throughout the movie. It is not that kind of funny in the way normal Adam Sandler and those Hollywood movies are. It has something more to it, it is not, well, hollow (cannot really describe it). The way the director has got this set up, to see the world the way a kid sees it, to look into what's going through their mind, this is all just wonderful. I walked out of there with a little smile on, I was all fuzzy after having laughed so much.

I would really like it if my town would start showing more foreign movies like this one.

French people might understandably be disappointed by a theatrical adaptation of the beloved Petit Nicolas, a character so familiar from their childhoods, but as one who was never mesmerized by the original form of these character, I did not go into this with expectations.

But it's a fun little ride. The costumes, the décor and the acting are all impeccable--Valérie Lemercier is especially delightful. So, too, is the writing: the story is predictable, tidy, socially non-offensive and slightly fantastical--but self-consciously so. It is a tribute to and a mild, good-natured parody of 1950's aesthetic and moral values in filmmaking, and it works very well. Most contemporary period films delight in opening up the curtains on the skeletons of what they see as "repressed" past societies and in poisoning our sentimental collective memories with gritty filth (see « 8 femmes » for an excellent French example; "Titanic" for a classic Anglo-American textbook example).

« Le petit Nicolas » is just here to remind us of what we were once supposed to try for--and it makes us wonder if it wasn't in some ways better than what we have ended up with... without, of course, being too moralizing. It makes for a good little weekday evening pick-me-up.

I didn't watch lots of movies, but this is the sweetest movie I've ever seen. The whole story is about love among parents and kids, teachers and kids, and love between kids, parents, friends. It touches the tenderest part of my heart.

Every kid should be decently raised up that way. Your parents love you, but won't spoil you. Your teacher care about you, but won't push you too hard. Your friends support you, though sometimes they envy you, you always cover each others' ass, and have fun together no matter how stupid it looks like.

Despite the setting is in an old France that I don't know much about, the story would fits in any period of human history (except for war times). The sweet love, awkward moments, unnecessary worries, war between teachers and students together composed a harmonious symphony.

When you select this film to share with your family, you will get two things from it. First, you have selected a surprisingly fun film which can be enjoyed by everyone. Director Laurent Tirard has selected a group of adults and French school children who bring to life a most charming book entitled " Little Nicholas. " Secondly, it's the cute tale of a young school Boy named Nicholas (Maxime Godart), who's little life is perfect. His father (Kad Merad) and mother (Valérie Lemercier both love their son, but he is often confused by their squabbles. Upon learning his mother will soon be expecting another child, Nicholas mistakenly believes they will have to take him to the woods and leave him there. Encouraged by his school friends, Nicholas begins taking steps to either have his parents assassinated or kill his baby sister. The entire confusing scheme is set in motion while his parents are trying to make life better for their son. Including an incredible task given by the teacher to her students to create an essay on what the students would like to become when they grow up. A small wonderful story complete with incredible dramatic antics, social comedy and a dazzling display of child induced situations. Except for the French Dialog which is often translated wrong the movie is a delight for all. ****