VALUTAZIONE IMDb
6,2/10
17.242
LA TUA VALUTAZIONE
Una giovane ginnasta che cerca disperatamente di compiacere la madre esigente, scopre uno strano uovo. Lo nasconde e lo tiene al caldo, ma quando si schiude, ciò che emerge li sconvolge tutt... Leggi tuttoUna giovane ginnasta che cerca disperatamente di compiacere la madre esigente, scopre uno strano uovo. Lo nasconde e lo tiene al caldo, ma quando si schiude, ciò che emerge li sconvolge tutti.Una giovane ginnasta che cerca disperatamente di compiacere la madre esigente, scopre uno strano uovo. Lo nasconde e lo tiene al caldo, ma quando si schiude, ciò che emerge li sconvolge tutti.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 11 candidature totali
Recensioni in evidenza
Love it or hate it you won't forget this film in a hurry. On balance I think I sort of loved it for the most part.
It is bold and brazen in its approach, unafraid to be unapologetically weird. Alongside the striking imagery there are some interesting themes to pick through, particularly surrounding motherhood and social media, which added an interesting layer to the film.
The plot is as bizarre a plot as I've ever seen. It is full of disturbing imagery, cleverly worked set pieces, and just obscene ideas. Some of it didn't quite work for me but it was a gripping film from start to finish nonetheless. When it starts to feel a bit too out there it quickly whips you back in with a wild scene.
If you like your horror to be more edgy, surreal, and on the down right odd end of the spectrum, then you'll find a lot to enjoy with this one.
It is bold and brazen in its approach, unafraid to be unapologetically weird. Alongside the striking imagery there are some interesting themes to pick through, particularly surrounding motherhood and social media, which added an interesting layer to the film.
The plot is as bizarre a plot as I've ever seen. It is full of disturbing imagery, cleverly worked set pieces, and just obscene ideas. Some of it didn't quite work for me but it was a gripping film from start to finish nonetheless. When it starts to feel a bit too out there it quickly whips you back in with a wild scene.
If you like your horror to be more edgy, surreal, and on the down right odd end of the spectrum, then you'll find a lot to enjoy with this one.
Greetings again from the darkness. The exceptionally creepy creature leads us to believe this could be a terrific new addition to the creature feature genre. However, director Hanna Bergholm and screenwriter Ilja Rautsi expend so much time and energy on the metaphor aspect that we feel a bit bludgeoned by the end. Despite some wonderful horror elements, we find ourselves thinking, 'alright, already ... just stick with the creepy stuff!'
We open in a beautiful home with pristine design features, where a beautiful mother (Sophia Heikkila) is filming her beautiful family for her vlog, appropriately titled "Lovely Everyday Life." Of course, we all know what happens to perfect little families in movies - the façade cracks. We get our first taste of beautiful mother's not-so-beautiful true nature as she deals with the crow that flies in through an open window and destroys some of the beautiful decorations displayed in the home. Things get interesting when Tinja (a superb Siiri Solalinna), the 12-year-old gymnast daughter, recovers an egg from the intrusive bird's nest and "mothers" it until the egg (the metaphorical façade) cracks open after growing to an enormous size. Out pops a bizarre looking "baby" bird that Tinja names Alli, after the song her family sings.
It doesn't take long for Tinja (and us) to figure out what's happening. The bird not only assumes Tinja is her mother, but it also takes on the emotions that Tinja keeps bottled up inside so as to not upset her overly-demanding mother. See, mom is a former skater and projects her dreams of glory onto her daughter through gymnastics. We never even get the impression that Tinja enjoys the sport, and it's likely she does it because that's the only closeness she gets from dear old mom ... especially when compared to her little brother Mattias (Oiva Ollila) or dad (Jani Volanen). In fact, mom is so dominant over dad, that she's taken on a side lover in handyman Tero (Reino Nordin), who she admits to loving in yet another inappropriate moment with Tinja.
Soon the bird is acting out Tinja's private thoughts to extremes (a true monster in the closet), and no one is really safe. There are some creepy elements that tell us an excellent horror-comedy is in there somewhere. Watching Tinja sponge-bathe the creature and the replicant effects are both imaginative. Ms. Bergholm's film premiered at Sundance, and if anything, it's just a bit too ambitious with the metaphors. We can view this as a coming-of-age story for Tinja as she breaks the shackles of childhood for more independent thinking. And the most obvious interpretation is that of a mother so obsessed with perfection - especially as to how her family is presented to the outside world - that it requires an ugly incident (bird) as a dose of reality. This is clearly commentary on social media and how some become so committed to presenting and maintaining a certain image. As a horror-comedy, the film from Finland offers neither jump-scares nor laugh-outloud moments, but there is enough here for a decent midnight offering.
We open in a beautiful home with pristine design features, where a beautiful mother (Sophia Heikkila) is filming her beautiful family for her vlog, appropriately titled "Lovely Everyday Life." Of course, we all know what happens to perfect little families in movies - the façade cracks. We get our first taste of beautiful mother's not-so-beautiful true nature as she deals with the crow that flies in through an open window and destroys some of the beautiful decorations displayed in the home. Things get interesting when Tinja (a superb Siiri Solalinna), the 12-year-old gymnast daughter, recovers an egg from the intrusive bird's nest and "mothers" it until the egg (the metaphorical façade) cracks open after growing to an enormous size. Out pops a bizarre looking "baby" bird that Tinja names Alli, after the song her family sings.
It doesn't take long for Tinja (and us) to figure out what's happening. The bird not only assumes Tinja is her mother, but it also takes on the emotions that Tinja keeps bottled up inside so as to not upset her overly-demanding mother. See, mom is a former skater and projects her dreams of glory onto her daughter through gymnastics. We never even get the impression that Tinja enjoys the sport, and it's likely she does it because that's the only closeness she gets from dear old mom ... especially when compared to her little brother Mattias (Oiva Ollila) or dad (Jani Volanen). In fact, mom is so dominant over dad, that she's taken on a side lover in handyman Tero (Reino Nordin), who she admits to loving in yet another inappropriate moment with Tinja.
Soon the bird is acting out Tinja's private thoughts to extremes (a true monster in the closet), and no one is really safe. There are some creepy elements that tell us an excellent horror-comedy is in there somewhere. Watching Tinja sponge-bathe the creature and the replicant effects are both imaginative. Ms. Bergholm's film premiered at Sundance, and if anything, it's just a bit too ambitious with the metaphors. We can view this as a coming-of-age story for Tinja as she breaks the shackles of childhood for more independent thinking. And the most obvious interpretation is that of a mother so obsessed with perfection - especially as to how her family is presented to the outside world - that it requires an ugly incident (bird) as a dose of reality. This is clearly commentary on social media and how some become so committed to presenting and maintaining a certain image. As a horror-comedy, the film from Finland offers neither jump-scares nor laugh-outloud moments, but there is enough here for a decent midnight offering.
This was quite an interesting watch. The story slhas a compelling social commentary and there are a lot of themes in this allegory that are pretty heavy to take on. It's very impressive to think that this is the first film for the director as well as the main actor who plays the lead. While most of the cast play their odd roles well, the girl who plays Tinja was so good - she really makes you feel for her.
Aside from the undertones, the horror in this film was pretty bonkers. It tows the line between ridiculous and disturbing a little shakily but you're never bored.
I overall felt like the narrative bit a little more off than it can chew in all the things it was trying to tackle but maybe the ambiguity was the point. This film didn't awe me to the level that it did others but I certainly thought it was a unique one definitely worth a watch for horror fans.
Aside from the undertones, the horror in this film was pretty bonkers. It tows the line between ridiculous and disturbing a little shakily but you're never bored.
I overall felt like the narrative bit a little more off than it can chew in all the things it was trying to tackle but maybe the ambiguity was the point. This film didn't awe me to the level that it did others but I certainly thought it was a unique one definitely worth a watch for horror fans.
Hatching (2022) is a Finnish Horror movie my wife and I caught in theatres this weekend. The storyline follows a little girl who finds a unique crow and it's egg and decides to bring the egg home and nurture it through birth. She would never guess what comes out of the egg... Meanwhile her parents are going through a divorce and there's troubles at home.
This movie is directed by Hanna Bergholm in her directorial debut and stars Sophia Heikkilä (Invisible Heroes), Jani Volanen (Rumble), Oiva Ollila and Siiri Solalinna.
The storyline for this is very creative and unique. The characters are very well cast and the mother is portrayed perfectly by Heikkilä. The little girl was a bit annoying at times, but there's so much to like about this movie. The creature evolves well over time and they use great special effects to make it happen. The feeding scenes were ultra gross and hard for me to watch. The use of sound effects were excellent and made me cringe in many scenes. There's also some really good jump scenes and sequences that make you uncomfortable. There's a lot going on in this movie.
This is a fresh entry into the horror genre that I would consider a must see. I'd score this a 7/10 and strongly recommend it.
This movie is directed by Hanna Bergholm in her directorial debut and stars Sophia Heikkilä (Invisible Heroes), Jani Volanen (Rumble), Oiva Ollila and Siiri Solalinna.
The storyline for this is very creative and unique. The characters are very well cast and the mother is portrayed perfectly by Heikkilä. The little girl was a bit annoying at times, but there's so much to like about this movie. The creature evolves well over time and they use great special effects to make it happen. The feeding scenes were ultra gross and hard for me to watch. The use of sound effects were excellent and made me cringe in many scenes. There's also some really good jump scenes and sequences that make you uncomfortable. There's a lot going on in this movie.
This is a fresh entry into the horror genre that I would consider a must see. I'd score this a 7/10 and strongly recommend it.
A Finnish film about a young, Finnish girl growing an egg inside her household what turns later into a living nightmare. It has some good jumpscare aspects and horror elements in it as well. Stick around until the ending because I did not expect the ending to go that far. It is a good horror film overall.
Lo sapevi?
- QuizDebut role for Siiri Solalinna.
- BlooperAfter extensive gymnastics exercise (at about 17:38) a left hand is shown as very sore. Some day later (at about 27:00) when water is splashed from a bathtub the left hand looks perfectly fine.
- ConnessioniFeatured in WatchMojo: Top 10 Best Horror Movies of 2022 (2022)
- Colonne sonoreAa-aa Allin lasta
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Cría Siniestra
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.954.376 € (previsto)
- Lordo Stati Uniti e Canada
- 182.925 USD
- Fine settimana di apertura Stati Uniti e Canada
- 120.209 USD
- 1 mag 2022
- Lordo in tutto il mondo
- 508.211 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Proporzioni
- 1.85 : 1
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