Salvation Boulevard

I grew up Southern Baptist and I thought this movie was laugh out loud funny. Of course, there was some predictable religious jokes. Lots of confusion & communication-based chaos with a karma-tic ending (though a bit trite). Actually saw this movie September 2010 at a early release film screening where we were able to review the film afterward. I hope they re-shot the ending, as the conclusion was a bit abrupt. Overall, it was a great laugh. Pierce Brosnan is EXCELLENT as Rev. Dan Day. Stand out performances by Greg Kinnear and Marisa Tomei as well. Not sure if this film will be a small release, but it's worth finding to see.

While this is not Casablanca, this is a great little sleeper of a film. Great cast, funny script, good production values, I'm just astonished it bombed at the box office.

The story of a preacher gone bad, a dead head turned believer, and a cast of character actors that are very well cast. It's a slapstick of a film, but we live in a world where that isn't enough.

The plot is right on the money, with with a series of turns and twists that entertain at every junction. I've never seen Pierce Brosnan as well cast as the Evangelical that goes astray. Greg Kinnear is superb in the role of the deadhead turned believer who has his faith tested. Ed Harris is perfect in the role of anti-Christ author, Marisa Tomei is just hilarious as the redeemer of Greg. Jennifer Connelly plays a very convincing wife who just can't believe that the pastor is in the wrong. Isabelle Furman plays a wonderful role in the daughter who is caught in the middle.

Great funny lines, incredibly fun acting. If you are looking for a fun night and need a video, this is it. I have to imagine this film might be more successful over time, and as people discover it. If you are a born again Christian, this might not be your cup of tea.

With all the hullabaloo about the giant Evangelical MegaChurches such as Orange County, California's Crystal Cathedral filling the media it is refreshing to find a film that joins in the parodies and reveals some of the many flaws in those organizations. What begins as a debate between Pastor Dan Day (Pierce Brosnan) and atheist Dr. Paul Blaylock (Ed Harris) in front of a vulnerable audience in which sits radical born-again Christian Gwen (Jennifer Connelly) and her ex-drugged out Grateful Deadhead dummy of a convert husband Carl (Greg Kinnear) rouses some hilarious lines, but when Day and Blaylock and Greg meet for after debate drinks and Day inadvertently shoots Blaylock in the head, the story goes downhill from there: Greg is talked into taking the blame for the shooting so that the 'miraculous' moneyminded project of building a wholly Christian City on the Hill (complete with medical school, law school, and of course a crystal cathedral, etc.) will continue to pad the coffers of the evangelical showtime of Pastor Day. Carl's bumbling attempt to correct his sins of the past provides the common thread is this flimsy film, a journey that involves an old ex-deadhead security guard Honey Foster (Marisa Tomei), a cameraman gone berserk Jerry Hobson (Jim Gaffigan), Greg's vulnerable daughter Angie (Isabelle Fuhrman), and Greg's scheming father-in-law Joe (Ciarán Hinds).

Based on Larry Beinhart's novel by the same name, the disjointed script is by newcomer Douglas Stone and writer/director George Ratliff. If the point of making this movie was to poke fun at the increasingly popular cults of the Mega Churches and their brainwashed followers then they have succeeded. But 'reason' (in the character of Ed Harris's character) is knocked off in the first few minutes of the film and from there the movie just rambles around with poorly differentiated characters about whom we couldn't care less. How a cast of some of our finest actors got caught up in this mess is a conundrum. The end result suggests a knockoff Coen Brothers movie gone bad. It is a trial to make it through the end of SALVATION BOULEVARD!

Grady Harp

"I am the anointed servant of God and I tell you to be silent!" Deadhead turned born-again-Christian Carl (Kinnear) is friends with the pastor of his local mega-church Dan Day (Brosnan) and is invited to accompany him to scientist Dr. Paul Blaylock's (Harris) house for a discussion. When a terrible accident happens Carl finds himself fingered in the incident and does everything he can to prove he is innocent. Things aren't always easy though. Having never seen a preview for this I was excited for this based off the cast alone. While I will say this is a good movie and a very dark comedy I was a little disappointed. The main flaw this had was that the movie had a good idea but had only ten minutes of it. There was a lot of repeating going on and a few scenes that seemed like they were only put in to increase the running time. I have to say that Brosnan and Kinnear played very similar parts to the ones they played in "The Matador" (which is a better movie) but it seems to fit them. It may sound like I'm bashing this movie. I don't mean to if that's how it comes off. I did enjoy it and laughed a few times but based off the cast I was a little disappointed (but after movies like "Tinker Tailor Soldier Spy" and "Son Of No One" I need to stop thinking just because the cast is great means the movie will be great.) Overall, a decent dark comedy that is worth watching but tone down your expectations. I give it a B-.

For one time that an American movie shows a bit of originality, it's finally destroyed by an awful production !

First, it's a acid comedy about faith which is always helpful for the audience instead to be brainwashed by silly blockbusters. In addition, for a french guy like me, it's a real opportunity as french producers just don't wan't to do movies about this kind of movies ! Next, all the characters are finely fleshed and the casting has found some great names to play them : Jennifer, cool and cunning James Bond n°5, grumpy Ed Harris and other known faces… Next, the thematic and its players are synthesized into a crazy story, full of surprises and funny twists !

Unfortunately, all this is lost in the production ! Like most American movies since 2010, this one abuses the famous ugly Blue / Orange color scheme ! The cinematography relies on those two disgusting choices and the props and wardrobes used them too. So we are left with a smurfs movie or too much tanned people living in a blue / orange world ! It's everywhere, every time for everything or everyone and the pleasure a good « Technicolor » movie is gone ! Thus, it's a pity that such bad taste is left unnoticed as it's become an anti-watching tool that kills too many good movies !