Una coppia di cacciatori di tempeste rischia la vita nel tentativo di testare un sistema sperimentale di allerta meteo.Una coppia di cacciatori di tempeste rischia la vita nel tentativo di testare un sistema sperimentale di allerta meteo.Una coppia di cacciatori di tempeste rischia la vita nel tentativo di testare un sistema sperimentale di allerta meteo.
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Reviewers say 'Twisters' is a mixed bag, drawing comparisons to the original 'Twister'. Praise is given for its visual effects, Glen Powell and Daisy Edgar-Jones' performances, and updated technology. However, criticisms include lack of originality, shallow plot, and underdeveloped characters. Action sequences and special effects are well-received, but the film's pacing and lead chemistry receive varied feedback. Despite its flaws, 'Twisters' is considered an entertaining, though not entirely satisfying, experience.
Recensioni in evidenza
Recently saw the 90s version with the same title starring Hunt & Paxton which was an epic disaster thriller. It was better than this one in every sense be it casting, acting, emotional connect or gravity & intensity of scenes. One thing though seemed to have improved is the visual effects and why not, it's been 30 years since the previous one got released. It's the least they could have done.
Kate, a former tornado chaser is lured back to study a series of tornados expected to hit Oklahoma. Still haunted by a devastating encounter with a tornado during her college years, she crosses paths with fearless Tyler Owens, a modern day tornado chaser cum blogger and his awesome team. In 1996 version they had this alert system called Dorothy which was supposed to track the nature of the tornado. In this film they go next level to mitigate the tornado itself.
Daisy Edgar Jones looks great but disappoints with her portrayal of Kate. Her performance lacked the vigor and magnitude that Hunt's character had. Glen Powell carries the whole movie with his ever-charming role. Though this movie lacked the thrill that the other Twister had, maybe because of the better cast involved in the earlier installment, current version excels in the visual department. Those Tornados looked realistically awesome on the big screen.
Kate, a former tornado chaser is lured back to study a series of tornados expected to hit Oklahoma. Still haunted by a devastating encounter with a tornado during her college years, she crosses paths with fearless Tyler Owens, a modern day tornado chaser cum blogger and his awesome team. In 1996 version they had this alert system called Dorothy which was supposed to track the nature of the tornado. In this film they go next level to mitigate the tornado itself.
Daisy Edgar Jones looks great but disappoints with her portrayal of Kate. Her performance lacked the vigor and magnitude that Hunt's character had. Glen Powell carries the whole movie with his ever-charming role. Though this movie lacked the thrill that the other Twister had, maybe because of the better cast involved in the earlier installment, current version excels in the visual department. Those Tornados looked realistically awesome on the big screen.
I love disaster movies and Twister (1996) is one of my all-time favourites. It embodies the 90s, and although cheesy, it's a total comfort movie.
I was really excited for Twisters and the trailers looked like it would live up to the hype. Seeing this tonight I couldn't help but compare the two movies and feel disappointed. Twisters isn't bad, it's just bland.
Jan De Bont had a captivating style of directing with big aerial shots and practical action scenes that worked with the relatively new CGI back in '96. The cast was also stellar (especially Philip Seymour Hoffman, Cary Elwes etc). Twisters at times feels like a caricature of the previous film's characters but uninteresting and not particularly likeable. Daisy Edgar-Jones does a great job and there's decent chemistry between her and Glen Powell (albeit not to the same extent of Bill Paxton and Helen Hunt).
Mark Mancina's score was one of the best action scores of the 90s and I was really looking forward to at least a reference, but unfortunately we only get a generic score from Benjamin Wallfisch. I do rate the solid country soundtrack though.
What are the good things about Twisters? The set pieces are on point - especially the rodeo and finale in the town. The effects are amazing and there's a couple moments of spectacle. I think if you haven't seen (or aren't a huge fan) of the original, you'll probably appreciate this one a lot more.
I was really excited for Twisters and the trailers looked like it would live up to the hype. Seeing this tonight I couldn't help but compare the two movies and feel disappointed. Twisters isn't bad, it's just bland.
Jan De Bont had a captivating style of directing with big aerial shots and practical action scenes that worked with the relatively new CGI back in '96. The cast was also stellar (especially Philip Seymour Hoffman, Cary Elwes etc). Twisters at times feels like a caricature of the previous film's characters but uninteresting and not particularly likeable. Daisy Edgar-Jones does a great job and there's decent chemistry between her and Glen Powell (albeit not to the same extent of Bill Paxton and Helen Hunt).
Mark Mancina's score was one of the best action scores of the 90s and I was really looking forward to at least a reference, but unfortunately we only get a generic score from Benjamin Wallfisch. I do rate the solid country soundtrack though.
What are the good things about Twisters? The set pieces are on point - especially the rodeo and finale in the town. The effects are amazing and there's a couple moments of spectacle. I think if you haven't seen (or aren't a huge fan) of the original, you'll probably appreciate this one a lot more.
Twister is an absolute travesty, a cinematic disaster that not even its colossal budget could save. It's painfully clear that this film was cobbled together with the sole intention of squeezing every last dime out of impressionable teenagers, capitalizing on the nostalgia of the original classic. The sheer audacity of the filmmakers to slap a big, famous headline on this monstrosity is infuriating.
This movie has effectively tarnished the legacy of the original "Twister," dragging it through the mud with a lifeless plot, atrocious dialogue, and special effects that somehow look worse than what we saw in the 90s. They even had the nerve to cast actresses who are so dangerously underweight that they look like ten-year-old boys-it's not just unconvincing, it's downright disturbing.
They must think we're fools, but anyone with a shred of taste will see right through this cash-grab abomination. Avoid this movie like the plague; it's a gross insult to cinema and to anyone who loved the original.
This movie has effectively tarnished the legacy of the original "Twister," dragging it through the mud with a lifeless plot, atrocious dialogue, and special effects that somehow look worse than what we saw in the 90s. They even had the nerve to cast actresses who are so dangerously underweight that they look like ten-year-old boys-it's not just unconvincing, it's downright disturbing.
They must think we're fools, but anyone with a shred of taste will see right through this cash-grab abomination. Avoid this movie like the plague; it's a gross insult to cinema and to anyone who loved the original.
Twisters is odd because it's not really a sequel to the original Twister (1996), nor is it a remake. It's its own thing. And that's kind of a good thing. This film is highly predictable, which takes away a lot of the suspense, but it still manages to present a few exciting moments. Also, I expected the visual effects to far surpass the ones from the 90s, but they honestly seem about the same. And there are far too many characters for me to care about any of them individually, except for Glen Powell, who is a whirlwind of charisma. Even with all its eye-rolling moments, I enjoyed watching Twisters.
Twisters is certainly well made with a talented core cast. It is far from a bad film, but I found the story to be familiar and predictable as far as disaster films go.
I was happy to settle into something fun and entertaining; I don't think my expectations were too high, but I think Twisters was missing tension, which is a vital part of a film like this. At no point did I feel any of the central cast of characters were under real threat as they bounced between set piece stunts.
Glen Powell and Daisy Edgar-Jones are very watchable in the leads and Anthony Ramos does well to give dimensions to a difficult role. There are however, simply too many peripheral characters.
A large portion of the film's runtime focusses on the relationship between the two leads and, aside from Anthony Ramos, there is no time left to flesh out the rest of the supporting cast, who operate largely as comic relief.
I was happy to settle into something fun and entertaining; I don't think my expectations were too high, but I think Twisters was missing tension, which is a vital part of a film like this. At no point did I feel any of the central cast of characters were under real threat as they bounced between set piece stunts.
Glen Powell and Daisy Edgar-Jones are very watchable in the leads and Anthony Ramos does well to give dimensions to a difficult role. There are however, simply too many peripheral characters.
A large portion of the film's runtime focusses on the relationship between the two leads and, aside from Anthony Ramos, there is no time left to flesh out the rest of the supporting cast, who operate largely as comic relief.
Lo sapevi?
- QuizJames Paxton: The son of Bill Paxton, appears during the rodeo scene as the angry hotel guest.
- BlooperIn the movie, tornadoes kept popping up and catching crowds unaware.
In Oklahoma TV stations compete aggressively to offer the best severe weather coverage. When conditions are right for potential severe each station would have at least three - if not more - teams of trained spotters deployed, a helicopter for each station, and multiple forms of advanced radar to track storms.
While there are a number of amateur, academic and even weather-tourism spotters around, the majority of spotters would be affiliated with television stations, and citizens know to be following weather reports, resulting in significant advanced notice of approaching storms.
- Curiosità sui creditiThe Warner Bros and Amblin Entertainment logos have stormclouds in the background.
- Colonne sonoreSalio el sol
Written by Paul Irizarry, William Rivera, and Armando Rosario
Performed by Don Omar
Courtesy of Machete Music / VI Music
Under license from Universal Music Enterprises
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Dettagli
Botteghino
- Budget
- 155.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 267.762.265 USD
- Fine settimana di apertura Stati Uniti e Canada
- 81.251.415 USD
- 21 lug 2024
- Lordo in tutto il mondo
- 372.262.265 USD
- Tempo di esecuzione
- 2h 2min(122 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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