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...e ora parliamo di Kevin

Titolo originale: We Need to Talk About Kevin
  • 2011
  • T
  • 1h 52min
VALUTAZIONE IMDb
7,4/10
175.539
LA TUA VALUTAZIONE
POPOLARITÀ
1940
364
...e ora parliamo di Kevin (2011)
The mother of a teenage boy who went on a high-school killing spree tries to deal with her grief -- and feelings of responsibility for her child's actions -- by writing to her estranged husband.
Riproduci trailer1: 48
5 video
99+ foto
Psychological DramaTragedyDramaMysteryThriller

La madre di Kevin cerca di continuare a volere bene al figlio, nonostante quest'ultimo compia azioni sempre più violente e riprovevoli.La madre di Kevin cerca di continuare a volere bene al figlio, nonostante quest'ultimo compia azioni sempre più violente e riprovevoli.La madre di Kevin cerca di continuare a volere bene al figlio, nonostante quest'ultimo compia azioni sempre più violente e riprovevoli.

  • Regia
    • Lynne Ramsay
  • Sceneggiatura
    • Lynne Ramsay
    • Rory Stewart Kinnear
    • Lionel Shriver
  • Star
    • Tilda Swinton
    • John C. Reilly
    • Ezra Miller
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    175.539
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1940
    364
    • Regia
      • Lynne Ramsay
    • Sceneggiatura
      • Lynne Ramsay
      • Rory Stewart Kinnear
      • Lionel Shriver
    • Star
      • Tilda Swinton
      • John C. Reilly
      • Ezra Miller
    • 565Recensioni degli utenti
    • 376Recensioni della critica
    • 68Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 3 BAFTA Award
      • 26 vittorie e 66 candidature totali

    Video5

    U.S. Version
    Trailer 1:48
    U.S. Version
    United Kingdom
    Trailer 1:40
    United Kingdom
    United Kingdom
    Trailer 1:40
    United Kingdom
    Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now
    Clip 2:49
    Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now
    "I Am the Context"
    Clip 1:22
    "I Am the Context"
    "An Acquired Taste"
    Clip 1:49
    "An Acquired Taste"

    Foto189

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 183
    Visualizza poster

    Interpreti principali45

    Modifica
    Tilda Swinton
    Tilda Swinton
    • Eva Khatchadourian
    John C. Reilly
    John C. Reilly
    • Franklin
    Ezra Miller
    Ezra Miller
    • Kevin, Teenager
    Jasper Newell
    Jasper Newell
    • Kevin, 6-8 Years
    Rocky Duer
    Rocky Duer
    • Kevin, Toddler
    Ashley Gerasimovich
    Ashley Gerasimovich
    • Celia
    Siobhan Fallon Hogan
    Siobhan Fallon Hogan
    • Wanda
    Alex Manette
    Alex Manette
    • Colin
    Kenneth Franklin
    • Soweto
    Leslie Lyles
    • Smash Lady
    Paul Diomede
    Paul Diomede
    • Corrections Officer, Al
    Michael Campbell
    • Corrections Officer
    J. Mallory McCree
    J. Mallory McCree
    • Prison Boy
    • (as J. Mal McCree)
    Mark Elliot Wilson
    • Eva's Lawyer
    James Chen
    James Chen
    • Dr. Foulkes
    Lauren Fox
    Lauren Fox
    • Dr. Goldblatt
    Blake DeLong
    Blake DeLong
    • Young Suited Man #1
    Andy Gershenzon
    Andy Gershenzon
    • Young Suited Man #2
    • Regia
      • Lynne Ramsay
    • Sceneggiatura
      • Lynne Ramsay
      • Rory Stewart Kinnear
      • Lionel Shriver
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti565

    7,4175.5K
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    Recensioni in evidenza

    7cyndriana

    I failed to deeply connect with the story

    It could have been excellent, but to me it was just good enough. I feel let down by all the reviews saying how difficult to watch the movie is. I didn't find it difficult to watch. At all.

    Because to me, the movie barely scratched the surface, it could have been much more than what it ended up being. Everything was hinted at but nothing was really said. I expected to see the stages of atrocities committed by Kevin, but it was just different scenes all making the same exact point, there was no gradual progression. Therefore, the 'biggest atrocity' that happens in the movie didn't feel believable or interesting to me, at all.

    Eva was a greatly portrayed character, and I like the fact that they didn't just paint her as a bad mother but as one who's simply trying her best. She felt very real to me. But like for Kevin, I feel that her character only scratched the surface and that we could have been given more insights into her thoughts and feelings. Her husband (and father of Kevin), however, felt completely useless to me. We are given some insights into their marriage and relationship, but given the title of the movie I expected the father to take a greater place in the story.
    9stamper

    A fantastic film by a great director

    We need to talk about Kevin is easily one of the most harrowing films I've ever seen and left me completely empty. Lynne Ramsey succeeds where so many others dealing with a similar subject matter have failed, as she abstains from sensationalism and bloody detail. Instead she focuses in on character and relationship development and breakdown.

    Tilda Swinton gives a truly great performance and even though the main thread of the story is clear almost from the start, she and the rest of the terrific cast manage to keep the viewer glued to the screen.

    One of the most interesting facets of the film was that it showed how much power children can hold and execute over adults if they are given the opportunity.

    We need to talk about Kevin is quality from start to finish and deserves to become a classic. I'm looking forward to seeing many more films by Lynne Ramsay.
    9dharmendrasingh

    Bad Mother or Evil Seed?

    This is quite simply one of the best films of the year. Even the book's author, Lionel Shriver (a woman) praises the film, calling it 'a brilliant adaptation'. Being a first-time dad, the story fascinated me. What happens if you don't love your own child... and they know it?

    Tilda Swinton, not normally a favourite of mine, is exceedingly good as Eva, the mum uninterested in maternity. Gravid when she least wants to be (she's career-minded), out pops Kevin, her little Damien. You know from the moment she refuses skin-to-skin things are not going to bode well.

    She has no idea how to deal with a baby. Her idea of subduing him is to stand next to a pneumatic drill to drown out his relentless screaming. Kevin grows up knowing he is unloved and demonstrates this through devilish behaviour towards Eva.

    Gradually Eva, if not embraces motherhood, then at least gets better at it. Perhaps this is due to her giving birth to her second child, a girl, who Kevin of course hates with a passion. Or maybe the idea of being a mum sinks in, along with the realisation that a career is not the most important thing in life.

    Eva's betterments do nothing to placate Kevin: he gets worse. Eva's attempts to complain are met with ridicule by the father (John C. Reilly), who thinks she is delusional. Years of unintentional, but sometimes intentional, neglect take their toll on Kevin, and the film's tragic conclusion seems inevitable.

    The origin for Kevin's behaviour has polarised audiences. Did Eva create a monster by failing to form a bond early on? Should she have sought help from professionals if she felt she wasn't coping? Or was Kevin simply a bad seed; an innately evil child who no one could have cured?

    Now that I've had the chance to reflect, I think it's unfair to judge son or mother. I'd be surprised if Ramsay wanted audiences to do that. What would be the point? The film is a starkly brilliant exploration of a failed relationship and the consequences that has on a family and an entire community.

    If Swinton can win an Oscar so easily for her role in 'Michael Clayton', she should be celebrating her second win now. It's one of those performances which needs months of detoxification and psychoanalysis to move on from. Her acting is matched by new-kid-on-the-block Ezra Miller, who plays her lovelorn son. He brings to his role a controlled ferocity we are not used to seeing. His portrayal works, apart from his first-class acting, because he's not the stereotype. To look at him, you would say he was handsome and ingenuous. But looks are deceptive.

    It's hard for people to be repulsed by films nowadays, but there are scenes which will shock. So rare is it to see this kind of film. They vanish as quickly as they appear. I implore you to see this if you can. You'll be moved if not entertained.

    www.moseleyb13.com
    8ferguson-6

    Cupid's Arrow

    Greetings again from the darkness. The Brady Bunch, this isn't. It's also not the place to look for helpful parenting tips. In fact, the story revolves around Eva, a woman (Tilda Swinton) who apparently didn't want to have a child ... at least not at this time, and certainly not THIS child. If you have seen The Omen, you probably gave thanks that you didn't have a child like Damien. At least we knew Damien was the spawn of Satan. Eva's son Kevin, is instead a good old fashioned psychopath. One who has an inherent need to cause pain and misery for his mother.

    What a pair Eva and Kevin make. From day one, Kevin seems to sense his mother's lack of joy in parenthood. And he seems to have a genetic disposition of making her pay. As with many psychopaths, his above average intelligence makes him even more dangerous. He is tricky enough to keep his dad (John C Riley) clueless as to his nature, while causing much doubt in the dad's mind as to the stability of his wife.

    My favorite part is actually how director Lynne Ramsay structured the storytelling. It goes beyond non-linear and actually bounces throughout three key periods: Kevin as a baby/toddler, Kevin as a 6-8 year old (Jason Newell), and Kevin as a teenager (Ezra Miller). Each age is progressively more frightening and disenchanting, and the film begins with what is an undetermined catastrophe. This event is slowly revealed over the course of the movie, though we witness events leading up to it, as well as the resulting fallout.

    There are a few scenes where Eva is scrubbing the exterior of her house in an attempt to remove the red paint that was purposefully splattered. As a viewer, we understand that she has blood on her hands and she seems resigned to the fact that she is now a social outcast, even a pariah. We spend much of the movie in Eva's jumbled thoughts as she tries to piece together what has happened and why. Of course, there is no answer. The title explains what was missing all along. There was no communication and no willingness to confront the problem ... a psychopathic son. To say they all paid the price is an understatement.

    This film has a very limited audience, though my claim is that Ms. Swinton was quite deserving of an Oscar nomination. She wears defeat like a mask and lives in isolation better than most could. Even the music is offbeat and unusual in its use ... thanks to Radiohead's Jonny Greenwood. As filmmaking, this is high art. As storytelling, it's a bit muddled and quite a downer.
    hamid-r-goodarzi

    How did Kevin become a monster?

    We have to talk about Kevin is a movie by Lynne Ramsay who has shown that he knows cinema and knows the language of cinema. This film is an abstract film and a unique tragedy of a woman on the verge of collapse. An attractive collage of color, light, pop music, red motifs and abstract images well created by the director. Although the film is weak in characterization, especially for the character of the father, but thanks to the good direction, the film is strong and interesting.

    Some friends say that the film asks the audience many questions and puts them in different situations, but it does not tell or give anything to the audience, and I reply that this is exactly pure cinema. The film raises important concepts that people should talk about, such as violence and its origin, unwanted pregnancy and its effects, inappropriate attachment patterns, the role of parents, the institution of the family and the role of society, attention, and more. The film also blends time well with its structural pattern and keeps the audience in time, present and past at the same time. At the end, the film raises this important question: How did kevin become a monster?

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Shot in 30 days.
    • Blooper
      When the red paint is shown on Eva's house and car, she wipes it off the car and it is also seen being washed off by wipers and later the rain, both indicating it is water based paint and not dry, but later she is seen sanding it off her house, implying it is permanent.
    • Citazioni

      Eva: You don't look happy.

      Kevin: Have I ever?

    • Curiosità sui crediti
      There are no opening credits.
    • Connessioni
      Featured in Breakfast: Episodio datato 16 maggio 2011 (2011)
    • Colonne sonore
      Mule Skinner Blues
      Written by Jimmie Rodgers & Vaughn Horton (as George Vaughn)

      Performed by Lonnie Donegan

      (c) 1931 Peermusic International Corp. (USA)

      Courtesy of Sanctuary Records Group LTD

      Under license from Universal Music Operations LTD

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    Domande frequenti22

    • How long is We Need to Talk About Kevin?Powered by Alexa
    • Is Kevin a psychopath?
    • What is the first song as Eva drives?

    Dettagli

    Modifica
    • Data di uscita
      • 17 febbraio 2012 (Italia)
    • Paesi di origine
      • Regno Unito
      • Stati Uniti
      • Spagna
    • Siti ufficiali
      • Official Facebook
      • Official site (United States)
    • Lingua
      • Inglese
    • Celebre anche come
      • E ora parliamo di Kevin
    • Luoghi delle riprese
      • Buñol, Valencia, Comunidad Valenciana, Spagna(La Tomatina, tomato festival)
    • Aziende produttrici
      • BBC Film
      • UK Film Council
      • Footprint Investment Fund
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 7.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 1.738.692 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 24.587 USD
      • 11 dic 2011
    • Lordo in tutto il mondo
      • 9.807.372 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 52 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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