Cella 211

Guerricaechevarria does it again, writing a brutal story of loyalty, friendship and guts.

The acting is great, well directed and well filmed. The characters are extremely real and believable.

In the end, everyone shows it's real face. Ethics and Character are put in a first plane, leaving uniforms, social class, education and every possible label behind. For some, it's every man for itself, and for others, it's justice or death.

This movie is extremely violent but not at a physical level, and delivers pure emotions throughout it's whole plot. It'll keep you at the edge of your seat for two hours, and leave you thinking about it for days.

Tense and intriguing Spanish thriller mostly located into a prison with exception some flashbacks about private life of protagonist (Alberto Ammann) along with his wife (Marta Etura) . Good film that shows realism and truth without falling into the clichés of the genre . This powerful and very well directed prison movie contains thought-provoking drama , thrills , chills , suspenseful and lots of violence . With an excellent cast , including sensational acting from the magnificent starring Alberto Ammann as a prisoner in a desperate attempt to survive the ordeal , suffering an emotional brutalization who causes an explosion of violence and of course a perfect Luis Tosar who steals the show as tough and violent Malamadre . The tale of two men on different sides of a prison riot , the prisoner nicknamed Malamadre (Luis Tosar) leading the rebellion and the young warden caught in the revolt named Juan Oliver (Ammann), who poses as an inmate in a desperate attempt to survive the violent events . The first day when Juan begins working on his new job as a prison warden , is caught in a prison riot . He then decides to impersonate another prisoner to save his life and to end the revolt . Later on , terrible deeds happen and fury and revenge emerge . As Juan trapped in a world that does not belong and forgotten his fateful fate , erupts into an explosion of self-defensive violence showed on some breathtaking scenes .

This exciting picture results to be an intense thriller that packs tension , straightforward intrigue , sober drama, and lots of violence . The film contains thrills and chills and is quite entertaining because being a laborious and intriguing suspense tale full of twists and turns . In the picture there are violence , drama , tension and a little bit of action in the final confrontation . The story contains a statement about inmate's mistreating , despair , betrayal and a strong criticism of the ruling class, unable to control a dangerous situation . Most part of the movie takes place into four walls of the jail involving and executing the preparatives of strict conditions demanded by the inmates . Highlighting the newcomer actor Alberto Ammann , giving a lesson in how he is able to withstand the weight of the flick and stand up to a great actor like Luis Tosar , making a memorable work as dreaded Malamadre , without falling into the prison movie clichés . Furthermore , an excellent support cast as the nasty informer Carlos Bardem (Juan Bardem's brother) and Antonio Resines as sadist and corrupt warden who uses unthinkable brutality . This is a perfectly realized and superbly crafted film .

Interesting and thrilling screenplay by Jorge Guerricaechevarria (Eloy De Iglesia's usual screenwriter) though full of offensive stereotypes and not faithful to deeds . Appropriate cinematography by Carlos Gusi (Torrente, Box 507) who photographs splendidly the cold interiors from Zamora prison . Adequate and atmospheric musical score by Roque Baños (Fragiles, Machinist, Sexy beast, 800 bullets). The motion picture was stunningly directed by Daniel Monzon , a former cinema reviewer , he undertakes a skill and fascinating filmmaking with some sensationalist touch though is also intensely manipulative against prison guards ; this is his main big success . He previously directed fantasy (Heart of warrior) , comedy (Biggest robbery never told) and suspense (The Kovak box). Rating : Good , better than average. The film will appeal to prison genre buffs and Luis Tosar fans.

Good movie, well worth seeing.

Great idea for a movie, apparently the Yanks are going to remake it.

I think that will be good too, if they polish this movie up well, it will be even better.

New scariest movie prison dude ever in the halfwit enforcer.

Fair bit of action, pretty tense at times, even the wife or girlfriend will enjoy it as it's very easy to follow, even with the subtitles.

Not for kids, but there is nothing in here teenagers haven't seen before.

Got to fill in some more lines ffs. Is that enough?

The family man Juan Oliver (Alberto Ammann) leaves his beloved pregnant wife Elena (Marta Etura) at home to visit the prison where he will start working on the next day as prison guard to make a good impression. During his tour with the guards Armando Nieto (Fernando Soto) and his partner, a stone falls on his head and he faints. The two guards carry him to the empty cell 211, but out of the blue, there is a riot led by the dangerous Malamadre (Luis Tosar) and Juan is left behind by the two guards. When Juan awakes, he pretends to be a prisoner to survive and is forced to meet Malamadre. The leader Malamadre uses three political inmates from ETA as hostages to negotiate with the authorities and Juan helps him to write the terms of the negotiation. Meanwhile Elena finds that there is a rebellion in the prison and heads to the spot trying to get information about Juan. When the situation outside the prison is out of control, the SWAT and violent chief of the guards José Utrilla (Antonio Resines) beat the crowd and Elena is wounded by him. When Juan discovers what had happened with his wife, he becomes closer to Malamadre and changes his behavior taking the side of the inmates.

Movies about prison are usually engaging, but "Celda 211" is spectacular and one of the best films about prison. The dramatic screenplay is realistic, with a story of friendship and pain using the background of the environment of a prison and ETA in Spain, and the tight direction is supported by top-notch performances. The unknown actress Marta Etura is so gorgeous and sweet that increases the impact of her incident. My vote is eight.

Title (Brazil): "Cela 211" ("Cell 211")

Concerning a rookie guard who must pose as a prisoner once a full scale riot breaks out, Cell 211 is an absolute gem.

Fiercely tense with a cracking pace, an edgy sense of urgency and some ugly scenes of brutality, it's also got some great and believable performances as well as some rather poignant scenes, as bonds are made between prisoners and our protagonist gets to see things from their perspective.

Yet the last thing Cell 211 is is generic. It has some refreshingly genuine left field unexpected twists and developments that keep you pretty much hooked, from its attention grabbing opening scene to its blistering conclusion. It also does a great job of keeping you in suspense as to whether or not our protagonist will be discovered, with the viewer left under no illusions what will happen to him if he is.

It's also got some very decent production values and mercifully refrains from that awful jump cut editing during the more chaotic prison scenes.

But best of all is its sheer unpredictability as trust me- after the hour mark, you really won't be sure how things are gonna turn out and will be hooked all the more.

Overall a great film and highly highly recommended. See it now, you'll be glad you did. 9/10, Sheer class from Spain.