Uno studente di scuola superiore di nome Light Turner scopre un misterioso quaderno che ha il potere di uccidere chiunque il cui nome è scritto all'interno delle sue pagine, e avvia una croc... Leggi tuttoUno studente di scuola superiore di nome Light Turner scopre un misterioso quaderno che ha il potere di uccidere chiunque il cui nome è scritto all'interno delle sue pagine, e avvia una crociata per eliminare il mondo dei criminali.Uno studente di scuola superiore di nome Light Turner scopre un misterioso quaderno che ha il potere di uccidere chiunque il cui nome è scritto all'interno delle sue pagine, e avvia una crociata per eliminare il mondo dei criminali.
- Regia
- Sceneggiatura
- Star
LaKeith Stanfield
- L
- (as Keith Stanfield)
Willem Dafoe
- Ryuk
- (voce)
Recensioni in evidenza
The original Death Note was a masterpiece, some of the legitimately smartest most well written television of all time so all these years later hearing it was getting the American treatment I was understandably concerned.
Sadly my fears were confirmed, all of them. It's as if the creators were given a 30 second explanation of Death Note and based a movie on what they were told.
The characters are simply nothing like the originals, the plot is a compacted mess, this simply isn't Death Note.
Light has gone from an arrogant, smart, cool calm and collected person to a weak screaming baby.
L has gone from a savant secretive quirky quiet child to an out in the open gun wielding threat spewing idiot.
Misa has become Mia and no longer a ditsy blonde bimbo but now a devious manipulative brunette.
The original plot? Forget about it, straight out the window and something that misses the point of the story altogether in to replace it.
I could rant about what an embarrassment this is for ages, I think I could quite frankly write a book on how much of a slap in the face to the fans this is but I'll resist.
But make no mistake, that's exactly what this is.
The Good:
Willem Defoe as Ryuk
The Bad:
An offensive cluster crap to fans of the original
Light Turner........really!?
Terrible representation of Light
Terrible representation of L
Terrible representation of Mia/Misa
Misa becomes Mia.....really!?
So........many..........changes to the rules of the Death Note!
So........many..........changes to the plot
The soundtrack during the big wheel scene.......really!?
Sadly my fears were confirmed, all of them. It's as if the creators were given a 30 second explanation of Death Note and based a movie on what they were told.
The characters are simply nothing like the originals, the plot is a compacted mess, this simply isn't Death Note.
Light has gone from an arrogant, smart, cool calm and collected person to a weak screaming baby.
L has gone from a savant secretive quirky quiet child to an out in the open gun wielding threat spewing idiot.
Misa has become Mia and no longer a ditsy blonde bimbo but now a devious manipulative brunette.
The original plot? Forget about it, straight out the window and something that misses the point of the story altogether in to replace it.
I could rant about what an embarrassment this is for ages, I think I could quite frankly write a book on how much of a slap in the face to the fans this is but I'll resist.
But make no mistake, that's exactly what this is.
The Good:
Willem Defoe as Ryuk
The Bad:
An offensive cluster crap to fans of the original
Light Turner........really!?
Terrible representation of Light
Terrible representation of L
Terrible representation of Mia/Misa
Misa becomes Mia.....really!?
So........many..........changes to the rules of the Death Note!
So........many..........changes to the plot
The soundtrack during the big wheel scene.......really!?
First time ever writing a review here. Had to do it now because I don't want people like me who enjoyed the original anime/manga to waste their time on this movie.
Firstly i didn't know this was a movie until it was released on Netflix. I'm not going into detail, but there is a reason its a long manga/anime and not a movie.
Anyway, the protagonist isn't interesting, L is not interesting and the plot is garbage. They took all the good thing from the original and butchered it and made another bad American adaptation.
Everyone involved in this movie should be ashamed.
Save yourself the misery and never watch this.
Firstly i didn't know this was a movie until it was released on Netflix. I'm not going into detail, but there is a reason its a long manga/anime and not a movie.
Anyway, the protagonist isn't interesting, L is not interesting and the plot is garbage. They took all the good thing from the original and butchered it and made another bad American adaptation.
Everyone involved in this movie should be ashamed.
Save yourself the misery and never watch this.
This movie was a mess. From a directional standpoint, to acting, to script writing, everything. The VFX is horrible in this movie. It's so low budget, you'd imagine it be a cheap TV show. Ryuk's forehead is too big and feels nonexistent within the mise-en-scene. Light Yagami is everything wrong, changed to a bullied kid to feel politically relevant and correct. He's just eccentric, over the top, and a creepy looking mofo. Mia is supposed to be Misa? She is changed to a typical short girl cheerleader who follows Light around. Also, why would anyone name their kid Light in America is beyond me. This movie was rushed. From the start, we already see the book falling down. There is no build up to this or tension, it just falls and it's one of the cheapest looking movie production props I have ever seen. The design is something you'd see from a fanmade film. Then, the title sequence. They got the colors right at first, but then they went with complete blue, when it should be red and a bit of purple. All of the dialogue is awkward and choppy. Terrible line deliveries from each actor, just overcooked and several mumbling moments. The deaths were immoral, stupid, and just goes to Final Destination B-movie horror territory. The writers they hired wrote Immortal, a terrible movie with Henry Cavill. So, it was doomed to suck to begin with. They hired Adam Wingard too who directed the overrated The Guest. He's just bad, they should stop hiring him. His camera tricks are cheap, choppy, and horrible to look at. Blair Witch was unwatchable, this one is almost too. Ugliest looking cinematography of the year, muddy, unsmooth, bad shot composition, and student film level. The music choice is pop/techno like music and it is all wrong. Death Note was Gothic, operatic, and heavy metal. The only thing they got right was Ryuk's voice.
2/10.
2/10.
I'm often on the defending party for films. I notice that many reviewers seem to complain much about any movie is released. That was the case with Alien: covenant, for example. That movie was far superior to this one.
Prior to the film, I watched in about three days the entire Death Note series. Because I really just got into it and don't plan on watching the anime again soon, I don't consider myself a fan (never watched animes before, by the way), but I reckon it was a very clever series. At times it had its cheesiness, but still worked pretty well.
When the source material is well written, I don't think that departing from it is the right choice. The Martian proved that, for instance. Changching the plot should be always for the benefit of it, and not to overly simplify the story and to take out some of it core aspects.
Death Note's film adaptation chose this second route. I have the feeling that they didn't understand at all what was the series about. The anime mostly focused on L and Light's intellectual fight, battles of tricks and making one and another be unsure about what his intentions are. Ryuk (who I thought would be a practical effect and not CGI, as instead it sadly proved to be) had more importance. Truth is, this movie had also a very low runtime in order to cover up the plot well, it might have needed an extra 40 minutes (so a 2h 30m film), but it would have needed an entirely different plot.
Instead, when the movie finished, it turned out to be just a rushed sequence of events, most of which seemed incoherent if seen next to the anime, which was a very clever story. Ultimately, the film settles for a needless and overly bloody gore feast. The speed of this film is so fast paced that, by when I arrived to the 1 hour mark, I could not believe that we had forty minutes left. And I came to realise that nothing that happened felt relevant to the whole storyline. Death note should have been adapted in a slightly slower paced film, and had minimal gore (most of people died by heart attack). That wouldn't mean that it had to be necessarily a boring film, or a non-R rated one. The themes of moral ambiguity and killing powers make it anyways a very dark story to tell.
The only positive note I could find in all of this is that sometimes both L and Light's actor delivered scenes which made me suggest that they where up to the roles, if the original anime was to be followed. L sometimes used the anime character's same line delivery, Light seemed capable of behaving as a bloodthirsty, dark and evil character. Sadly, the movie didn't allow the actors to perform their characters rightfully. Williem Dafoe's voice sounded exactly like the original Ryuk's. That said, Ryuk appeared for about 4 minutes, so there wasn't much there.
Ultimately, this is the perfect example on how an adaptation of a good source material can simply suck. I recall only Eragon being such an unfaithful, unrightful and almost offensive adaptation to a very clever and deep story.
Prior to the film, I watched in about three days the entire Death Note series. Because I really just got into it and don't plan on watching the anime again soon, I don't consider myself a fan (never watched animes before, by the way), but I reckon it was a very clever series. At times it had its cheesiness, but still worked pretty well.
When the source material is well written, I don't think that departing from it is the right choice. The Martian proved that, for instance. Changching the plot should be always for the benefit of it, and not to overly simplify the story and to take out some of it core aspects.
Death Note's film adaptation chose this second route. I have the feeling that they didn't understand at all what was the series about. The anime mostly focused on L and Light's intellectual fight, battles of tricks and making one and another be unsure about what his intentions are. Ryuk (who I thought would be a practical effect and not CGI, as instead it sadly proved to be) had more importance. Truth is, this movie had also a very low runtime in order to cover up the plot well, it might have needed an extra 40 minutes (so a 2h 30m film), but it would have needed an entirely different plot.
Instead, when the movie finished, it turned out to be just a rushed sequence of events, most of which seemed incoherent if seen next to the anime, which was a very clever story. Ultimately, the film settles for a needless and overly bloody gore feast. The speed of this film is so fast paced that, by when I arrived to the 1 hour mark, I could not believe that we had forty minutes left. And I came to realise that nothing that happened felt relevant to the whole storyline. Death note should have been adapted in a slightly slower paced film, and had minimal gore (most of people died by heart attack). That wouldn't mean that it had to be necessarily a boring film, or a non-R rated one. The themes of moral ambiguity and killing powers make it anyways a very dark story to tell.
The only positive note I could find in all of this is that sometimes both L and Light's actor delivered scenes which made me suggest that they where up to the roles, if the original anime was to be followed. L sometimes used the anime character's same line delivery, Light seemed capable of behaving as a bloodthirsty, dark and evil character. Sadly, the movie didn't allow the actors to perform their characters rightfully. Williem Dafoe's voice sounded exactly like the original Ryuk's. That said, Ryuk appeared for about 4 minutes, so there wasn't much there.
Ultimately, this is the perfect example on how an adaptation of a good source material can simply suck. I recall only Eragon being such an unfaithful, unrightful and almost offensive adaptation to a very clever and deep story.
The other reviews are massively not enthusiastic: Even though I'm a huge fan of the eponymous manga, it seems like most of the other fans are disappointed, as a sweet euphemism, by this adaptation. Turning a 10-hours Japanese cartoon into a 90-minutes Hollywood movie is obviously a tough exercise. But, according to me, the result is nevertheless correct. Morality: movie to be watched, and eventually appreciated, BEFORE the manga.
Lo sapevi?
- Quiz(at around 52 mins) Ryuk's manga design is seen in a book Light is reading at the diner.
- Blooper(at around 23 mins) When Light shows Mia the Death Note for the first time he asks her to read the last entry. The last entry should have been Anthony Skomal, not Kenny Doyle.
- Curiosità sui creditiThe closing credits are written in the same style as the Death Note instructions.
- ConnessioniFeatured in Chris Stuckmann Movie Reviews: Death Note (2017)
- Colonne sonoreReckless (Don't Be So...)
Written by James Reyne (as James Michael Reyne)
Performed by Australian Crawl
Courtesy of EMI Music Australia
Under license from Universal MUsic Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Death Note
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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What is the streaming release date of Death Note - Il quaderno della morte (2017) in Mexico?
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