Shrink

This movie has some very good elements going for it, but for me it never comes together in a nice crescendo. Kevin Spacey is very good in my opinion, with a more honest performance that isn't too much like his usual Spacey-ness (you know what I mean if you've seen him in other movies). The rest of the cast is fine too and there's a good bit going on in the movie.

The problem I had was that it seems like it takes forever for anything to happen (and it pretty much doesn't until the very end). There's SO much heavy dialogue followed by solemn stares by the characters that at first you don't mind it because you know it's an emotional film going in, but eventually you just get fed up and can't stop thinking when something, anything will take a dramatic turn.

Unfortunately it just didn't cut it for me. It's not a horrible film by any means, but not quite worth watching in my opinion. With some snappier dialogue or a tighter pace I probably would have really enjoyed it.

From PASTO, COLOMBIA-Via: L. A. CA; CALI, COLOMBIA+ORLANDO, FL

Certainly, despite going uncredited here, Los Angeles is a silent partner in SHRINK, since it couldn't possibly have been set in any other place on earth, where "Dysfunctional" seems to be more the norm than the exception, when it comes to family, as well as to interpersonal and intra-personal, relationships! SHRINK can mean many different things to many different people in many different situations. That's an answer many Shrinks would be absolutely intrigued by; especially our conflicted anti-hero in this Kevin Spacey vehicle!

For IMDb Reviewers SHRINK is just about as close to perfect as it gets: Writers, especially the "Screen-" variety, of every stripe abound: Ex-, failed, latent, undiscovered, washed-up, wannabes and hacks; they're all here. Hey! Aren't WE all writers? Wouldn't most of us love a crack at writing a screenplay with major backing? Acting, as well as producing, also find their way into SHRINK. Of course, the 800 pound Gorilla in the room here is Kevin Spacey, in a tailor-made, tour de force role as the somewhat self-absorbed, teetering-on-the-brink, grief-stricken, performance-impaired, celebrity Author/Shrink. His rendering merits 9*. Yet what surprises me most about SHRINK is the quality of the ensemble performance, by a relatively unknown cast.

WOW! Director Jonas Pate, (His 3rd go in the Director's Chair, his first in 12 years!) certainly managed to get the very best out of his cast! Keke Palmer (AKEELAH and the BEE, remember?) has morphed from elementary school girl to high school student, and turns in a gifted, natural-as-can-be performance. Remember her name...We'll be hearing it a lot in coming years! Dallas Roberts is exquisite as the Uber-neurotic agent/production exec. His "I'm Afraid of Everything!" monologue is Oscar-worthy! There are others who deserve mention, but I want to leave some things to you! A few flaws, but willing to overlook them. .. 9*.... ENJOY/DISFRUTELA!

The plot is probably realistic, but as nothing catchy is happening most of the time, it becomes annoying soon; well, there are some twists, but they are not surprising or so - bearing in mind the past or present behavior of the characters and the things happened to them. The number of characters is very big and the level of their interlocking is difficult to monitor at times. The cast is strong, but Kevin Spacey's character (Dr. Henry Carter) is still most elaborated and visible on screen; however, it is not among the best roles Spacey has performed. Moreover, there are also good small supporting roles (Robin Williams as Jack Holden, Robert Loggia as Dr. Robert Carter, Henry's father).

I presume it is well accepted in the U.S. where seeing a shrink is almost a regular element of life and success. But the topic and the types were uninviting to me - although I tend to like Sundance movies.

Shrink stars Kevin Spacey as Henry Carter, a psychiatrist who's fortune and fame just doesn't seem to matter any more after the loss of his wife. Now is the time to cope, and that is something that he just cannot deal with. Instead he goes into a downward spiral of self pity, denial, and drug use.

Basically it is going to take a lot for Dr. Carter to see what he is doing to himself. What unfolds is a Crash-like web of interweaving stories that end up coming together in the end. There is the agent, his taken for granted secretary, the up and coming movie star, the aging movie star, the drug dealer, the distracted and misguided teenager, the young, talented, and undiscovered writer, and of course, the shrink. I might have even missed a character or two.

This film means well. It has some good characters and a good direction of where it is going. The only problem is that it has too much going on. Films like Pulp Fiction and Crash have a lot of characters and subplots going on, but the material is so rich and powerful that is can support big twists, connections, and revelations. This film just doesn't have enough "umph" to get off the ground.

Spacey does a pretty decent job at portraying Dr. Carter. He is mostly deadpan and emotionless, with the exception of a few revealing scenes. Other than that he doesn't show off too much of his skill, just fulfills the role of his character. I was pleased with Robin Williams performance as the aging actor trying to find himself during a late mid-life crisis.

What would have made this film better would be to limit the number of stories going on, following just a few, or maybe even one. I think Spacey's conflict is enough to carry a film. It also would have given him more freedom to explore his character. There is a lot going on under the surface that we only get to see for a little while. I wanted more. I wanted something like in American Beauty where we get to see everything that the character has to offer. It's like watching the metamorphosis of a butterfly. Each stage is so defined and clearly labeled. Here we just see a few rises and falls, and that's about it.

It's a pretty run of the mill indie dramedy with a few laughs here, a few tears there, and nothing really outstanding going on otherwise. I wouldn't say avoid it, but I wouldn't go out of my way to find it. You will not need therapy after viewing this, that's for sure.

This is one of those oddball films that despite the fact that it boasts a fine cast,it somehow manages to slip between the cracks (at least in distribution terms). Shrink concerns a cadre of Los Angelas head cases,searching for some kind of better meaning in life. Kevin Spacey is Henry Carter,a successful psychologist,who has written a best selling self help book who's own life is crying out for meaning. His wife committed suicide the year before,and he seeks solace by medicating himself with Marijuana,and has all but given up on his own patients. Keke Palmer is Jemma,an angry high school student who is sent to Henry,but opts to hide out in the movies,day after day (she wants to be a film maker,herself). Mark Webber is Jeremy,Henry's friend,who is taking an interest in Jemma (but mostly as a friend). Add the likes of Saffron Burrows (Fay Grim,Time Codes,and not nearly seen enough in films as she deserves),is Kate,Henry's neighbor,and oddly enough,Robin Williams as Holdin,one of Henry's patients,and it all comes together in an uneven,but not unwatchable drama/comedy. Director Jonas Pate,moving up from producing and/or directing for television,makes the most of Thomas Moffett's script about screwed up Los Angelas arch types. Not rated by the MPAA,but contains pervasive pot smoking,raunchy language & adult situations.