Conviction

After making decidedly wrong turns into rom-com in 2007's "P.S. I Love You" and historical biopic in 2009's "Amelia", Hilary Swank is back in her element as Betty Ann Waters, a working-class single mother of two whose fierce loyalty to her troublemaking brother Kenny knows no bounds, in actor/director Tony Goldwyn's time-spanning, fact-based 2010 drama. Written by Pamela Gray (she and Goldwyn also collaborated on 1999's affecting "A Walk on the Moon"), the inspiring, potentially melodramatic plot line often borders on incredulity, but Swank's trademark iron-jawed tenacity is on full display here. At the same time, it's a primarily economic performance teetering on lunacy as her character is tightly bound to Kenny since they shared a painful childhood due to the neglect of a horrifying mother.

In 1983, Kenny is convicted of the bloody murder of an elderly neighbor largely on the basis of testimony from two former girlfriends, both of whom claimed he confessed his actions to them. Neither Kenny nor Betty Anne can afford a good attorney, so she decides to become a lawyer even though she's a high school dropout. Also serving as one of the film's executive producers, Swank come back securely to the against-all-odds territory of Clint Eastwood's "Million Dollar Baby" (2004) by following Betty Ann's sixteen-year journey from her GED through college, then law school, and finally passing the bar – all while she was raising two boys and working part-time at a local pub. The ending is predictable from a mile away, but the journey is not. The introduction of DNA evidence provides a linchpin that spins the story close to Lifetime-level dramatics, especially when Betty Ann solicits the assistance of the Innocence Project, a nonprofit organization devoted to overturning wrongful convictions. Gray's screenplay is solid enough, and Goldwyn's direction is assured within the back-and-forth treatment of the timeline.

However, it's really the acting that is aces here. Beyond Swank's sterling work, Sam Rockwell brings an unpredictable furor and a surprising vulnerability to the showier role of Kenny. His rapport with Swank never feels forced, and the devotion of their sibling relationship is what really grounds the threat of hysterics in the film. The periphery is populated by a powerful squad of actresses turning in sharply etched work - Minnie Driver as Betty Ann's law-school friend Abra, whose comic spark highlights how pivotal her character is in representing the audience viewpoint; Melissa Leo ("Frozen River") as the malevolent arresting cop, whose secretive hostility provides the impetus for Kenny's conviction; Juliette Lewis as Kenny's dentally-challenged ex-girlfriend with a drunken confession scene that reveals the actress's long-forgotten raw talent below her usual giddiness; Karen Young in a brief scene as the unforgivable Mrs. Waters; and Ari Graynor ("Nick and Norah's Infinite Playlist") as Kenny's embittered grown daughter. It's the cast's cumulative work that makes this movie intensely watchable.

"Conviction" stars Hillary Swank, Sam Rockwell, Minnie Driver, Melissa Leo, Peter Gallagher, and Juliette Lewis in the true-life story of Betty Anne Waters, who becomes an attorney in order to free her brother Kenny of a wrongful murder conviction.

I saw Betty Anne profiled some time ago -- back then, I think she was still in law school.

Kenny Waters is convicted of the murder of Katharina Brow (since she was German, I assume the original last name was Brau) who was viciously knifed in her home. The crime occurred in 1980, when there was no DNA testing, and Kenny had the same blood type as the perpetrator. Several witnesses, including Kenny's wife and ex-girlfriend, testify against him.

Betty Anne, a mother with two children, makes the decision to go to law school in order to free her brother. At that time, she doesn't even have her GED.

Betty Anne comes up against wall after wall, gets divorced, and her children, probably more to help her than anything else, finally go to live with their father. She moonlights running a bar.

She contacts Barry Scheck (Gallagher) of the Innocence Project to enlist his group's help. Scheck needs evidence -- by then, it's been about 15 years since Kenny's conviction.

This is a powerful story because it shows, again, what the determination of one person can achieve, and how his or her passion can inspire others to help.

Hillary Swank is a gifted actress, and it's a shame that she hasn't gotten more roles like she had in Boys Don't Cry and Million Dollar Baby. She's natural but intense as Betty Anne, and she can really pull at the heartstrings.

Sam Rockwell as Kenny does a wonderful job, and the two have great chemistry together. You could feel his hopelessness, and his fear of being let down.

Everyone is good in this film, with Juliette Lewis as an ex-girlfriend and Melissa Leo as policewoman Nancy Taylor standouts.

The problem I have with this film is that, strip the movie of Hillary Swank and you've got a Lifetime movie. It just doesn't come off like a feature film in the way the story is told or in its focus. It's just a little bit left of cloying. Also, note to writers -- Kenny wasn't in jail, he was in prison. There's a difference.

Despite this, it's a wonderful story, all the more dramatic because it's true. And you can't get enough of its message: One person can make a difference.

Conviction finds Hilary Swank trying to overturn the conviction for murder of her brother Sam Rockwell who was tried and convicted of robbing a neighbor woman of cash and jewelry. In her effort Swank goes several extra miles to achieve her end.

The key in this film is the relationship of Swank and Rockwell. In a pinch they really feel they've got only each other. The film lays that out quite clearly with several flashback episodes showing their childhood and the neglect they had from their mother who was more interested in having a good time. The two kids learned to rely on each other.

Swank has her problems, she gets married and has two sons, and later is divorced from her husband and they share custody of the kids. Rockwell however is in and out of trouble for all kinds of petty crimes. And it's well known he did not get along with the victim. Later he's arrested and released for the murder/robbery and he earns the special interest of arresting officer Melissa Leo. Two years later she arrests him again because of additional evidence. Rockwell is tried and convicted and given a life sentence.

All of which does not faze Swank in the least. Few would do what she did, she put herself through law school just so Rockwell could be her first client. She even gets Barry Scheck of the Innocence Project to aid in her effort, but the leg work she has to do herself. Scheck is played here by Peter Gallagher.

In a year where Melissa Leo won an Oscar for Best Supporting Actress for The Fighter, she might well have gotten some consideration for her portrayal of Officer Nancy Perry. Quite frankly Rockwell is a complete jerk in this film, especially with his sexist remarks to Leo. But all it does is fuel her desire to see him in jail. Let's say Leo cuts quite a few corners and if it weren't for the new use of DNA evidence, Rockwell would still be in jail. At that it's still a long way from exoneration.

However the best scenes are between Swank and Rockwell. Swank is unshakably convinced of her brother's innocence and goes the extra light year to prove it. The two really do come across as brother and sister.

Conviction is quite the commercial for The Innocence Project and for Barry Scheck's legal talents. But most of all it's a story about family loyalty and blood bonds.

I've been wanting to watch Tony Goldwyn's 'Conviction' for a long time. Now movies like this have been done before. While there is the story of 'guilty until proved innocent' but what makes this one stand out is the authenticity with which the brother-sister relationship is portrayed. One doesn't see many Hollywood movies explore sibling relationships unless it's in the form of mockery like 'Stepbrothers'. There are but a very few exceptions like Kenneth Lonergan's beautiful 'You Can Count On Me'.

Swank and Rockwell are very convincing as sister and brother. Their on screen interlude appears very natural and this only makes Betty Anne's determination to prove her brother's innocence all the more believable. Needless to say, both actors are at their best and they are supported wonderfully by Melissa Leo (who plays a bent copper), Juliette Lewis (she seems to have mastered playing trailer-trash characters), Clea Duvall (the lying wife), Minnie Driver (the charming friend) and Peter Gallagher.

One can easily relate to Swank's Betty Anne struggling with the bureaucratic legal system and her drive to free her brother. Unless one has money or the right contacts, one can recognize the situations where Betty Anne is passed over from one administration to another.

'Conviction' is a compelling watch. It involves the viewer right from the very beginning and even though you can predict the ending, it's Betty Anne and Kenny's faith in each other that keeps you hooked.

In Ayer, Massachusetts, the siblings Betty Anne and Kenneth 'Kenny' Waters are very close to each other and they are neglected by their single mother and prostitute Elizabeth Waters (Karen Young).

In their come of age, Kenny (Sam Rockwell) is a troublemaker with a baby daughter hated by the local police department and Betty Anne (Hilary Swank) gets married and has two sons. When their neighbor is stabbed to death, the police officer Nancy Taylor (Melissa Leo) that has hatred for Kenny, arrests him and he is sent to court for trial.

Kenny and Betty Anne can not afford to hire a lawyer and Kenny is defended by a public defender. He is sentenced to life without probation, based on the evidence of his blood type and the testimony of his girlfriends Brenda Marsh (Clea DuVall) and Roseanna Perry (Juliette Lewis).

When Kenny tries to commit suicide in prison, his sister tells him that she will complete her elementary school and high-school to go to law school to reopen his case and overturn his sentence.

"Conviction" is the best courtroom drama of the Twentieth-First Century. The inspiring story of a waitress that decides to study to become a lawyer to defend her beloved and innocent brother that was sentenced to life without probation and release him after twenty years is one of the most beautiful examples of dedication, determination, devotion and fraternal love.

The top-notch performances of Hilary Swank, Sam Rockwell and Juliette Lewis deserved nomination to the Oscar. The tragic and ironic fate of Kenny six months after his freedom is not mentioned in the film that stops the journey of the Waters family in the best moments of their lives. My vote is nine.

Title (Brazil): "A Condenação" ("The Conviction")