Ironclad

Firstly I am quite realistic about my expectations when a historical movie is made. Real history does not generally run smoothly nor is it engaging enough to fit conveniently into a 2 hour movie, so I refuse to nick-pick a screen writer for adding a little poetic license into a script or for the costume designer who doesn't have the time or resources to get the actors "just right".

With this in mind, I found the story enjoyable and it ran more or less historically and at a good pace, I was certainly never given enough pause to consider boredom. The fight scenes were very good and I agree with other criticisms on the reviews about the shaking camera making it extremely hard to concentrate on what was happening.

There was plenty of blood, limbs and sliced heads to appeal to the gore fest/action fans but it seemed to accurately reflect the face of medieval warfare with its close and gruesome nature.

The cast were a list of well known and respected actors, all of whom put in a good display with what they were given with Paul Giamatti's rant about the divinity of Kings being especially engaging.

Overall its not a classic nor will it win awards, but for a couple of hours action based escapism it is certainly worth the effort of watching and is far superior to a number of bigger budget Hollywood contemporaries.

Ironclad is directed by Jonathan English who also wrote the story and co-adapts the screenplay with Erick Kastel and Stephen McDool. It stars James Purefoy, Brian Cox, Derek Jacobi, Kate Mara, Paul Giamatti, Jason Flemyng, Mackenzie Crook, Jamie Foreman and Vladimir Kulich. Music is scored by Lorne Balfe and cinematography by David Eggby.

1215 and having been forced to sign the Magna Carta, King John (Giamatti) enlists an army of Danish mercenaries and plots revenge against all involved. As John lays bloody waste to the South of England, a small band of rebels led by William d'Aubigny (Cox), plot to defend the Southern stronghold of Rochester Castle in the hope they can delay John long enough for the French army to arrive from the sea to depose him.

The history, as is often the case in movies of this ilk, is sketchy and exaggerated, we are in true cinematic granted licence here as Rochester Castle is defended by less then 20 men and a couple of gals (in truth there was a considerable army defending Rochester). Yet Ironclad's sheer willingness to blend historical and period notices with blood and mud is very appealing to the swords and shields genre fan. The recreation of 13th century England is most impressive, as is the adherence to the brutality of the times. Armour and swords do clank with aural sharpness, quickly followed by blood and dismemberment; the body horror is certainly not in short supply throughout the running time. The colour is deliberately muted to capture a realistic feel, and although the shaky-cam technique used for the fight scenes (is this now written in the historical epic director's 101 handbook?) will irritate many, it does aid the grit and grue atmosphere that director English goes for. In fact he has achieved much with only a modest budget.

A splendid cast has assembled for the production, all thankfully attired with thought from the costume department. Purefoy cuts a fine rugged figure of machismo, brooding for all he's worth as he battles not only the enemy, but also his own duel with his Templar faith. Cox is, no surprise, full of gusto and leadership qualities, and the likes of Flemyng (whore chaser as brave as a lion), Crook (ace archer) and Foreman (no fear thief) add considerable grungy brawn to proceedings. Charles Dance and Jacobi lend thespian support and Kulich is a towering presence as axe wielding leader of the Danes, Tiberius. Highlight, though, is Giamatti. True enough to say that as written it's a portrait of a vicious King we have seen plenty of times before, but Giamatti elevates this one to better heights with a glint in his eye and thunderous moments of anger. For his delivery of "I am God's right hand" speech this begs respect. His accent holds as well, always a bonus is that.

Where the picture falls down is with a script that contains duff passages of dialogue and the obligatory romance thread. Poor Kate Mara (stepping in when Megan Fox scampered from the production), it's a thankless role that basically asks her to turn the head of Purefoy's Templar Knight, hitch up her skirt and look wistful from time to time, while having Cox bellow out that John "is no more a King than the boil on my arse" hinders rather than aids the mood. But English and the makers get away with the missteps because it's such good rousing fun, a nifty blend of religion, politics and bloody war. The siege itself is very well orchestrated, as catapult engines bombard the castle, arrows penetrate the sky, men leap around on fire or scolded by hot oil, and there's interesting facts and tricks etched into the narrative too (burning of pigs a weapon of war?!). It may never quite reach the ambitions it sets itself, but in an era when swords and shields movies are in short supply, it's an entertaining and bloody romp for sure. 7.5/10

Even though historically inaccurate, I found this movie appealing, due to its gloomy atmosphere, raw characters and great fighting performances.

Filmed with low budget, the story focuses on a specific event, therein lacking certain depth and dynamics. Although poorly developed, the characters are well chosen and give the impression that they actually belong to that time and place. I especially liked how James Purefoy expressed the dark of his character.

The fighting scenes are realistic, brutal and very convincing, and it is a real drawback that the chaotic camera movement spoiled that which is best in this movie.

If you like raw medieval action, violence and gore, then this is the movie for you.

Bloody version based on historical events with overwhelming battles and great production values with James Purefoy as the fictional Templar knight Thomas Marshall , leader of a motley crew of tough , battle-hardened warriors/underdogs who try to defend a castle besieged by the army of the blood-crazed King John . In 13th-century England, some of the most important barons engaged in open rebellion against the King of England , as they have forced their cruel King John (Paul Giamatti who filmed his role in 7 days) to put his royal seal to the Magna Carta in the year 1215 . Magna Carta was the first document forced onto an English King by a group of his subjects, the feudal barons, in an attempt to limit his powers by law and protect their privileges .In return for King John's submission to his papal and universal authority, Innocent III declared the Magna Carta annulled, though many English Barons did not accept this action. Yet within months of pledging himself to the great charter , the King reneged on his word and assembled a mercenary army formed by Danish warriors (led by Vladimir Kulich in a similar character to The 13º warrior) on the south coast of England with the intention of bringing the barons and the country back under his despotic rule . As a small group of Knights (Brian Cox , Jason Flemyng , Jamie Foreman , Mackenzie Crook) commanded by Marshal (James Purefoy) fight to defend Rochester Castle against the nasty King John . Barring his way stood the mighty Rochester castle whose owner was the Baron Cornhill (Derek Jacobi married to Kate Mara) , a place that would turn the symbol of the rebel's momentous fight for honor and freedom .

The movie has great action sequences well staged with stylish and vitality , thrills , a little bit of romance and is pretty entertaining . Although is a little revisionist about characters , history and time when is developed the action in a dirty , gritty Middle Age . As the movie makes a big deal out of the supposedly deathly rivalry between John and the Templars , there wasn't one , the actual John awarded the Templars special privileges , including exemption from all taxation and extraordinary protection of their ownerships and in 1215, when this movie is set , the Templars let John use their headquarters , the New Temple in London, as a treasury . King John stayed there often, and stored the crown jewels and his top-secret documents there , as ¨Ironclad¨ has this entirely wrong . Stunning battles scenes illuminate the full-blown feats with a plethora of engaging action set pieces on the combats in which the heads and limbs are slice off here and there . Casting is frankly excellent . Special mention to treacherous , despised king John magnetically performed by Paul Giamatti as an evil and crazed ruler in a sensationalistic interpretation .Despite some critics' complete and utter distaste for the film , I found it entertaining , well-acted, and fast-paced . There are great action sequences including the battle against an impressive fortress and the final confrontation at the climax of the film . Impeccable and evocative cinematography by David Eggby . Magnificent and thrilling musical score by Lorne Balfe . In production a sequel also directed by Jonathan English (Minotaur) and Steven McDool who penned the story which will center on one of the few survivors of the Great Siege of Rochester Castle who is now fighting to protect his family's estate from fierce Celtic raiders .

The picture deals with historical facts about John Lackland who was king of England from 1199 to 1216. Few monarchs have been subject to such appalling publicity as John . Although by no means lovable , he was an able administrator and spent more time in England than his predecessor and elder brother Richard I but he was jailed by Leopold of Austria, returning from Crusades. Being dead king Henry II , then Richard Lionheart was crowned until the third crusade which was crowned John with no Land . The English domain over France will cause length conflict known the hundred years wars(1339-1453). Some barons began to conspire against King John in 1209 and 1212 ; promises made to the northern barons and John's submission to universal rule of the papacy in 1213 delayed a French invasion . Over the course of his reign a combination of higher taxes, unsuccessful wars that resulted in the loss of English barons' titled possessions in Normandy following the Battle of Bouvines (1214), and an ongoing conflict with the Pope Innocent III had made King John unpopular with many of his baron s. The 1215 charter , a seminal document that upheld the rights of free-men , required tyrannical King John of England to proclaim certain liberties , and accept that his will was not arbitrary, for example by explicitly accepting that no "freeman" (in the sense of non-serf) could be punished except through the law of the land, a right which is still in existence today.

Definitely shot in a Ridley Scott fashion this is an effective medieval pot-boiler with some moral vision and lots and lots of gruesome full-on combat scenes - without a doubt some of the more bone-crunching, blood squelching fights of recent memory.

Is a great movie? No. It never quite delivers on its promise, and though extremely competent it just can't quite produce that true magic that better films can. It is, however, a highly competent and interesting historical drama. I have some quibbles with costuming etc; but that kind of goes with the territory.

All in all, this is a full-on medieval siege account of the Siege of Rochester -it is well made is most respects and if medieval battles are your thing then you'll be into it.