Aggiungi una trama nella tua linguaIn the small town of Stone Cove, Maine, sheriff's deputy Dwayne Hopper is on the night-shift. He discovers Ronald Perkins in a holding cell. He's a local pharmacist and suspect in the disapp... Leggi tuttoIn the small town of Stone Cove, Maine, sheriff's deputy Dwayne Hopper is on the night-shift. He discovers Ronald Perkins in a holding cell. He's a local pharmacist and suspect in the disappearance of fourteen children over the past ten years, including Hopper's young son. Interr... Leggi tuttoIn the small town of Stone Cove, Maine, sheriff's deputy Dwayne Hopper is on the night-shift. He discovers Ronald Perkins in a holding cell. He's a local pharmacist and suspect in the disappearance of fourteen children over the past ten years, including Hopper's young son. Interrogating Perkins, Hopper learns that the mad pharmacist has built an army of brainwashed pe... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Raggedy Woman
- (as Roxanna Ravenor)
- Self
- (as Jim Hasani)
Recensioni in evidenza
This here wasn't that bad of an effort. Most of what works here are the films' use of the small-town atmosphere which is evident throughout the first half. The way the central mystery unfolds, from the central backstory of the child kidnappings that are plaguing the town and how the case affects him, set this off rather nicely with a creepy air and rattles on through the main half of the film which works nicely alongside the scenes with the daughter out partying with friends. Once it moves beyond that into a fantastic extended action/stalking sequence through the town where the deranged killers are showing to ravage the town in numerous high-energy affairs, from the attack on their friends at the remote hideout to the rescue at the motel as well as the small side-encounters along the way. This leads into the rather frantic and stellar sequence of the group trapped in the police station where the ferocity and cunning of the killers are put to great use for these scenes, the frantic barricade procedures to keep them out on the escape attempts that are failed spectacularly while all taking place inside the dimly-lit, claustrophobic location and a cramped, confined setting. Alongside the fine splattery gore, these here are what helps this one out over it's few minor problematic areas. Frankly, the biggest issue here is that the first hour of this is pure, unadulterated boredom merely through the continued insistence and focus on material not in the slightest bit interesting. Although this features a fine backstory about the history of the town and the killers, the rest of the film isn't exciting at all by the utterly inane side-plots which do nothing for this one. The troubled and fractured family life that takes up the majority of this one is insanely dull, as going through it all isn't that interesting with all sorts of cliched tactics to display this, from the alcoholic father, the unfaithful wife and rebellious daughter which has all been done so often there's nothing special about these characters and that leaves this one with an incredible mountain to overcome that is given an admittedly decent attempt to right it through the action later on. Likewise, that leads into the utterly idiotic idea later on where his judgment gets clouded unnecessarily into believing something that puts him in danger against his survival instincts. Had the beginning featured material we cared for, this one would've been really good.
Rated R: Extreme Graphic Violence, Graphic Language, Brief Nudity, a mild sex scene, violence-against-children and heavy underage drinking.
The whole film takes place at night, and director Craig Singer (who previously made the half-decent 'Dark Ride') makes best use of this as it gives the film a tremendous dark atmosphere that serves the central plot line well. It's basically a film of two halves; the first half focuses on the interaction between the two central characters - the cop and the prisoner. The best thing about the first half is the suspense and intrigue drummed up as we wonder exactly what is in the guy's basement - the sequence that reveals it is really well done. The second half is much more action packed and sees the maniacs let loose on the streets, and then we watch as the cop desperately tries to keep his family safe. The film is rather savage in the gore department - though to the director's credit, he's restrained with the gore and uses it only when needed - which ensures the biggest impact. The fact that the special effects are well done is also to the film's credit. The plot line flowing throughout the film regarding the officer's son is interesting; but soon gets silly. It also has to be said that many of the character decisions throughout the film are questionable. Still, this is an interesting effort and I would say if you only see one 'film to die for', make sure it's this one.
The gore "Perkins'14" is a sort of combination of the disturbing and sick Travis Betz's "Joshua (2006)" with any zombie movie. The result is disappointing since the attitudes of the lead characters are stupid in many times. The funniest part is when Janine asks her husband if he is all right. The guy has just found that he is a cuckold; his teenage daughter is a slut; and his beloved son has been abused for ten years and has become a monster. Further he has just seen many dreadful deaths and they are trapped in a basement under siege of powerful zombie-like creatures. Couldn't the writer have a more appropriate line for that moment? The conclusion is so imbecile that ruins the promising parts if this flick. My vote is five.
Title (Brazil): Not Available
Very paranormal, very intriguing and very violent. Things that you should embrace and not be fearful of. Having said that, I hope you don't mind the many flaws. I almost deducted one point of my rating because of how irrational one female ran off outside from a safe room almost near the end ... it was to move away from that location, but it didn't make actual sense. Apart from giving us (the characters) a reason to get outside and in peril again ... ah well, still decent enough for what it is, low budget horror
Lo sapevi?
- BlooperIn the first scene with Daisy and Dwayne in the kitchen, Daisy's headphones disappear and reappear throughout the scene.
- ConnessioniReferences Fronte del porto (1954)
I più visti
- How long is Perkins' 14?Powered by Alexa
Dettagli
Botteghino
- Lordo in tutto il mondo
- 103.054 USD
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1