Ondine

According to the dictionary an 'ondine is a water nymph or water spirit, the elemental of water. They are usually found in forest pools and waterfalls. They have beautiful voices, which are sometimes heard over the sound of water. According to some legends, ondines cannot get a soul unless they marry a man and bear him a child. This aspect has led them to be a popular motif in romantic and tragic literature.' Another bit of background information that aids the viewer of this little rarity of a film, ONDINE, is the bit of folklore often referred to in the film - that Ondine is a 'selkie': 'In Irish folklore, there are many stories about creatures who can transform themselves from seals to humans. These beings are called selkies. The seals would come up onto rocks or beaches and take off their skins, revealing the humans underneath. There is no agreement among the stories of how often they could make this transformation. Some say it was once a year on Midsummer's Eve, while others say it could be every ninth night. Once ashore, the selkies were said to dance and sing in the moonlight. One of the most common themes found in selkie folklore is romantic tragedy. Selkie women were supposed to be so beautiful that no man could resist them. They were said to have perfect proportions and dark hair. They also made excellent wives. For this reason, one of the most common selkie stories is that of a man stealing a selkie woman's sealskin. Without her skin, she cannot return to the sea, and so she marries the human man and has children with him. She is a good wife and mother, but because her true home is in the sea, she always longs for it. In the stories, she ends up finding her sealskin that her husband has hidden, or one of her children unwittingly finds it and brings it to her. According to legend, once a selkie find her skin again, neither chains of steel nor chains of love can keep her from the sea. She returns to the ocean, usually leaving her children behind with their grief-stricken father'.

All of this information may seem redundant, but when a beautiful little film such as ONDINE, written and directed by the always excellent Neil Jordan, knowing the background helps support the manner in which the story is told and revealed. Syracuse (Colin Farrell) is a recovering alcoholic fisherman whose alcoholic wife has custody of his beloved daughter Annie (Allison Barry) who because of renal failure must be dialyzed frequently and spend her days in a motorized wheelchair while she awaits a kidney transplant. Syracuse focuses his life on Annie - until one day while fishing he brings up a beautiful girl in his nets, a frightened girl named Ondine (Alicja Bachleda, a brilliant Polish actress and singer from Mexico) who fears being seen by anyone. Syracuse protects and clothes her and secludes her in his dead mothers shack by the sea - until Annie discovers her, having researched everything she could fine at the library about the selkies. Annie decides Ondine is selkie who must bury her seal coat in the earth and thus gain seven years on land without having return to the sea. With this mixture of myth and reality the story moves along at a gentle pace: Syracuse frequents the priest (Stephen Rea) confessional (his only available semblance of an AA stabilizer in his small village), Annie and Ondine bond, Syracuse and Ondine fall in love (despite the myth's warning that every selkie has a husband), and the townsfolk begin to accept the strange happiness that has returned to Syracuse's heart. The plot then twists and the realities of the myth become known and the story progresses from a recreation of a mythical romance to the difficulties of a true romance.

The chemistry between Farrell and Bachleda and Farrell and Barry is extraordinary and palpable: they make the film sing. The haunting musical score is by Kjartan Sveinsson and the moody cinematography is by Christopher Doyle. Neil Jordan pulls all of these elements together into a film that will linger in memory - like the song Ondine sings. There have been novels, operas, ballets, and plays written based on this myth, but few capture its mystery the way this film does. It is a quiet little gem of art.

Grady Harp

An unsuccessful fisherman named Syracuse is shocked when he pulls up a strange women in his fishing nets. She can't explain who she is or how she got in the water, but she doesn't want anyone besides Syracuse to see her. Syracuse must attempt to unravel the mystery or who or what she really is while trying to patch up his relationship with his ex-wife and take care of his sickly daughter.

Ondine possesses a style all it's own. It successfully blurs the line between fantasy and reality until the audience doesn't really know where one ends and the other begins. But, at it's heart Ondine is really about relationships and finding hope in desperate situations.

You truly care about all the characters and this is achieved by excellent performances from all the leads. Especially Alison Barry who is an amazing child actress and absolutely inspired as Annie, Syracuse's ailing daughter. Annie is convinced that Ondine is a Selke and revels in living in a fantasy that is much easier than her own life. The chemistry between Colin Farrell and Alicja Bachleda is another high point.

Ondine is not without it's flaws though. At points the drama can seem forced and it was starting to lose me towards the end. The ending is a little crazy as well, but that is fairly easy to forgive when considering all that works in the movie.

Ondine is an extremely heartfelt story and deserves a lot of praise for originality alone. I believe it is certainly worth watching at least once and hopefully it will get the attention it deserves.

I know the myth of Ondine from the eponymous ballet. Let's just say this version is a bit more upbeat. Although there is a sense of foreboding through much of the film, this film's story of hope, love and belief is ultimately tender and optimistic.

The story begins when an Irish fisherman pulls up a young woman in his net. His daughter believes her to be a mythical creature, the young woman plays the role convincingly, and the fisherman just takes it day by day as most recovering alcoholics do, experiencing the young woman as a lucky charm and sexually entrancing...then danger begins to lurk. Ensuing plot twists further develop the characters, and their actions and fates are congruent with their personalities.

Colin Farrell is perfect for the role of an imperfect man who makes the best of adversity. Alicja Bachleda is convincing as a mysterious, frightened, resourceful but not entirely innocent creature. Alison Barry conveys strength not pathos in the role of a young girl who is more intelligent and thoughtful than her peers from a life spent in medical treatments.

I have watched just about every movie you can think off. Ondine is one of the best I have ever watched. The characters are intriguing and complex, the mystery of the silk leaves it all to the imagination. Simply marvelous acting from Colin Farrell and The beautiful and stunning Alicja Bachleda and great cast of supporting actors. 10/10 cinema photography and script is masterfully written. Ondine should have won an Academy Award. I think this movie shows the diversity of the role that Colin Farrell can perform. I was still thinking about Miami Vice for the first five minutes of the film but then his accent and role was flawless. Well done mate top performance and why wouldn't you accept the role with Alicja who holds the screen in her own right and she made the water look like she belonged there!

I respond well to movies with honesty and heart, and Ondine has plenty of both. Set in an Irish fishing town, you can also feel the love and respect of the filmmaker for the rugged and beautiful setting. The performances are excellent, with especially good work by the the young Alison Barry playing the part of Colin Farrell's daughter, who suffers from kidney failure and must undergo regular dialysis (reminded me of the early work of Dakota Fanning).

The film's "feel" is a bit darker than I expected, making the injections of wry Irish humor in Colin's confessions to the priest (played by Stephen Rea) even more enjoyable. The script keeps you wondering until very near the end, "Is this really a modern fairy tale, or is there a more earthly explanation?" The soundtrack is appropriately plaintive, with songs by Lisa Hannigan and others. I definitely plan to buy the soundtrack. Because this film is low-key and thoughtful, it probably will not receive the attention from audiences it deserves. But serious moviegoers should take the time to watch, enjoy and appreciate.