Wild Target (Una valigia per tre)

I thoroughly enjoyed this film and found the story to be original and funny throughout. Emily Blunt plays an extremely sexy con-artist who crosses paths with an up-tight Bill Nighy playing a professional assassin hired to kill her.

The characters are likable and well-cast. Bill Nighy and Emily Blunt strike up a modern day love-story that is unconventional and yet somehow totally believable. The family bond that is established with Rupert Grint as the adopted son worked very well and was charming.

If you want to see something different, interesting and funny then I really recommend giving this film a chance.

It is incredibly refreshing in this day and age to come across a comedy that doesn't rely on bathroom/sex humor, dropping curse words or stupid humor for laughs but actually presents an intelligent, smart, witty film with a great premise and even better character dynamic.

Wild Target is a clean cut, hysterical movie that is about an accomplished hit-man (Bill Nighy) who has been hired to take out a beautiful con-woman after she's outed for an art scam (Emily Blunt) but ends up becoming her protector instead. Rupert Grint plays the lovable role of Tony who ends up getting caught in the hijinks when he's in the wrong place at the right time - the dynamic between the 3 lead characters (played by Blunt, Nighy & Grint) is nothing short of entertainment. They become a sort of pseudo family unit that provides adorable moments and of course, laughs.

Eileen Atkins plays the hit-man's (Nighy)supportive mother who is proud of all the people her son has killed. Afterall, he was just following in his Father's (her husband's) footsteps and expects her son to produce a child that will take over the family business.

Martin Freeman plays the new hit-man hired to take out Blunt's character once Nighy, the original hit-man, becomes her protector and botches the job.

This movie is a great film that offers up genuine comedy throughout its entirety. My only gripe is that it was just an hour and a half long because I could have easily watched the 3 leads interact for another hour.

9/10 & I recommend this film to anyone who wants a good laugh and a smart movie.

I ended up seeing this title in one of those frustrating moments where my main choice of feature was either on at the wrong time, had not even been released yet or my friends just flatly did not want to see the same things as I, and so we ended up going to Wild Target as an inoffensive compromise. I was expecting it to be real cheesy and void of humour, especially after having seen the trailer. I was pleasantly surprised!

Okay, when one goes to the cinema with such low expectations, they can only but move in one direction, but nevertheless I have to commend the movie on several points. I thought all the one-liners would have been used up in the trailer (and those that I had seen had seemed tacky at best) but I guess the movie isn't about one-liners. Rather then relying on half cocked jokes, it pulls itself onto its own two feet using situational comedy, which gives it a real British flavour. I heard it compared to the humour of the old Earling Studio movies, which seems like a nice comparison. Actually, on doing a little research, I found that the original story came from a French movie (Cible émouvante, 1993). It's easy to tell from the zany characters, offbeat humour and introspective look on life that it was originally French in theme, but as a story it translates nicely onto a typically British backdrop.

Basically Victor Maynard, a cold hearted hit-man played by Bill Nighy (great performance as always - he's legend!) is a middle aged unmarried killing professional who is beginning to loose his touch. This becomes no more obvious when he fails to make a hit on the sensually beautiful Rose (Emily Blunt). Things start to get complicated for Victor when he finds, not only has he lost the killer instinct, but he also starts protecting her from the men sent to finish the job.

I'm not sure about the Rupert Grint character of Tony. He seems the most out of place in my opinion. I suppose Tony was added to feed in a further dynamic between Victor and Rose and their growing relationship, but for me, this relationship triangle was either not developed fully or just failed outright. Maybe it held more credence in the original French story, but in the English version at least, Tony really does feel like the spare tire as his presence seems unnecessary and the character's attributes hammy. By far the weakest link the movie.

Quirky and light hearted; it may only be a lighter shade of grey rather then a full blown black comedy (12A Cert in Ireland), but still a pleasant surprise if you come to stumble upon it.

What can I add to a great British comedy more than other's reviews? Well, it was fresh, fun, a touch of sexiness and simply fun. (I said it twice?)

We were 11 and if we were in US, I think we could file for a 3rd grade murder by suffocation! It was an instance in the movie when Bill Nighy said, "May I do your other foot!".

I can tell you guys that, 7 of my friends choked instantly on the buttered pop-corns and I, as the only person in the row, tears in the eyes, still breathing, had to take care of them all.

Coughing, tears in the eyes hitting their backs! Lucky we were not thrown out of the theater!

It is a fresh, British humor, Classy and Cool movie. Give it a try.

I thoroughly enjoyed this film and thought it was very entertaining. True, there were only a few laugh-out-loud moments, but it kept me chuckling away for most of the 90-odd minutes. I thought Bill Nighy's performance was spot-on and Eileen Atkins' role gave her plenty of scope for comedy moments. Rupert Everett and Gregor Fisher worked well together, and Martin Freeman was very good as Dixon. Although the plot was simple, the film was reminiscent of a lot of British comedies from the Sixties and Seventies, which was probably why I enjoyed it so much. It was also good to see something that wasn't shot in America and didn't follow the stereotypical plot lines that most American films seem to have as a matter of course.