Cuckoo

Disappointment. It's made with such a serious tone, but the things that are happening are so silly and stupid that the whole theatre was laughing. If the director made it a campy horror movie, it would be fine but you can feel that Tilman Singer had absurdly high artistic vision for this. That movie really has an identity crisis - it wants to be a horror, family drama and some weird action movie but it's just unintentionally funny. The script is stupid and has weird twist that isn't fully explained, so the audience didn't really understood what's going on and WHY is that whole thing happening.

However when it comes to positives, it has interesting visual choices. I also adore that weird, surreal atmosphere and acting perfomances by Hunter Schafer and Dan Stevens. And overall, that movie was fun to watch even if the comedy in that movie was unintentional.

Is it worth watching in cinema? No.

Is it worth watching at home? Yeah, if ur looking for fun, dumb horror movie,

While its narrative and style feels incoherent, the interesting atmosphere, beautiful camera work, and bizarre stylistic choices does offer some genuine fun moments.

Tilman Singer's direction on the camerawork, atmosphere, and style does offer some fun in-sights with its narrative, concept, and the characters in the setting and environment. Including great sound designs and great performances from Hunter Schafer & Dan Stevens. Schafer's energy and Stevens chaotic devilish personality within his character was entertaining to observe. Including some solid dialogue moments.

The writing and concepts are interesting but unfortunately loses focus within itself and feels way too silly. There are clear tones that it's being approached as a B-movie or giallo horror approach but the movie does take itself a bit too seriously at times which makes it not understand what it wants to be at times. Including dull characters and pacing problems.

Nevertheless, it's still a decent German horror flick with some great moments but I wish it did feel more coherent.

"Cuckoo" follows teenaged Gretchen who begrudgingly moves to the German Alps where her father has been hired to design a new resort for proprietor Herr König. Once there, Gretchen takes a job running the reception area of the current (and decaying) resort lobby. After a series of odd occurrences, she finds herself being pursued by a strange cloaked woman.

I went into this film with tempered expectations, despite the fact that the trailers intrigued me, and I am happy to say that "Cuckoo" was a pleasant--albeit imperfect--surprise. Tonally and atmosphere-wise, writer/director Tilman Singer strikes gold. The Bavarian Alps locations are breathtakingly captured, and the set pieces (specifically the dusty, retro hotel lobby and bungalows scattered at the forested foot of a mountain) feel like a cross between "Twin Peaks" and Dario Argento's "Phenomena".

Script-wise, where "Cuckoo" works best is in its ability to keep the audience in a state of limbo and intrigue. The formula here is familiar: Protagonist comes to a new location; things are not as they seem. However, the parameters of utter strangeness that this story is stretched to really makes it completely unique and unlike anything I've ever seen. As it progresses, it veers into science fiction territory, and in moments reminded me of something like 1981's "Strange Behavior", a film about a teenager uncovering a strange plot in his small Midwestern town. "Cuckoo" similarly follows its own logic without reservation, and the outcome might be too much for certain tastes. As others have noted, I do think the film nearly goes off the deep end in the last act, as the plot threads established early on do not feel as though they fully coalesce.

While I did not find the film particularly scary, the strange cloaked mystery woman who serves as the chief antagonist here has some effective and bizarre appearances, and her overall getup (trench coat, boats, sunglasses) feels like something straight out of a giallo. Performances here are uniformly solid, with Hunter Schafer playing the rebellious but likable lead, and Dan Stevens as the strange resort owner. Jan Bluthardt is also great as a detective that ultimately ends up teaming up with Gretchen, and the two develop a quasi-buddy kinship. There is in general a consistent sense of humor throughout the film that most of these actors have the opportunity to tap into, and which makes the proceedings especially fun.

All in all, while I think the film could have benefitted from some tinkering in its last act, I nonetheless enjoyed "Cuckoo" for the mere fact that it is wholly original in more ways than one. The atmosphere and performances only give the film more bang for its buck, and the utterly strange places the story goes were more than enough to keep me intrigued. If you're hankering for a strange trip into the Alps, look no further. 7/10.

I went to the "Secret Screaming" screening of "Cuckoo" last night, though I was pretty confident, based on the fact it's already out in the US, that this would be the film that Cineworld were going to show. My feelings about the film remain mixed, even having taken a night to ruminate on it.

Following the death of her mother, Gretchen (Hunter Schafer) moves with her father Luis (Marton Csokas), Stepmother Beth (Jessica Henwick) and Stepsister Alma (Mila Lieu) to a cabin resort in the German Alps. The family are there to design an expansion to the complex, at the request of Herr Konig (Dan Stevens), the owner of the resort. Konig offers Gretchen a job working at the hotel's reception, but on the strict understanding that she must not work the late shift, and definitely won't cycle home through the woods at night.

Just because it's an easier place to start, I will say that I don't think I found "Cuckoo" particularly scary. There's an excellently framed set piece near the start of the film - that was unfortunately mostly featured in the trailer, and a couple of body horror moments that work, but it's really more of a thriller than a genuine horror film.

I will say that I imagine that a fair proportion of people will be shaken off by the film. It's not particularly accessible, being wilfully stylish and trippy and taking a while to get to its explanations - though if you stick with it, they are coming. Dan Stevens, always amazing, is back again (for this, my third film of his this year) and he's having a great time as the eccentric Herr Konig. Schafer (also, ironically in a third film of the year for me) carries the movie though, she's in every scene and manages to keep you onside despite her character doing some questionable things. She has some more dramatic scenes as the film progresses and her emotional (and physical) suffering is well done.

I suppose the best I can do is say that I don't regret watching "Cuckoo", which has enough scenes and moments to make up for the slightly unsatisfying whole. I'll never need to watch it again though.

I had high hopes for this movie. It starts off pretty well, slow paced, setting the isolated stage in a good way, odd characters and an eerie setting. I liked it. Then it started getting creepier and creepier and it felt like I was in for something good and different, and I was. Just not consistently the way I hoped for as it only lasted up to a certain point, and then it dropped the ball. Suddenly it felt like the movie didn't know what it wanted to be, as it went in different moods and directions.

It did try to get back on the creepy track here and there, but it was not enough. The illusion of a really creepy and eerie setting was over, and the rest was a rather bland mix of pointless motions which had me simply waiting for the end of the movie so I could go and do something else. It's a shame, I wanted it to keep on the way it initially did. That would have set it apart from other horror movies, but alas no, it wasn't meant to be. It just had to try to add some action into the mix, and not in a good way. The whole premise was explained and I lost interest in it.

One of the rules when making creepy and unsettling stories; do not explain! Do not! That ruins everything. I don't want to know what the monster or horror is, I want my mind to try to fill in the blanks. I don't want it explained to me. I can take the fact that I don't know what I just saw is, that makes the effect that much greater. The thing about not knowing what the evil really is, not knowing where it came from, that's a great part of the horror it represents. The fear of the unknown is as old as all living things and should not be ruined when making these movies. Once you explain it, it's over. How copywriters and directors misses this point again and again in movie after movie is completely beyond me. If you can avoid it, don't show the monster, but if you do, make sure it gets maximum effect and not for shock value. Ever since Alien there's not a monster in any movie that tops that one, so don't go over the top trying to beat it, because you won't succeed. In this one the monster worked, it was creepy as hell, even though we got to see it so it was well done in this circumstance, until they explained it. Do not ever explain the monster!

Just like the movie Smile, which also showed a great initial promise, this movie simply faded away into just another horror movie that explains a really good and mysterious premise and then ruins it because of it, that couldn't keep itself together, and so became just another easily forgotten movie. It is indeed a real shame as it showed such promise from start.

Perhaps the director will learn from his mistakes and do better next time.