RoboCop

In 2010, acclaimed director Darren Aronofsky (THE WRESTLER, BLACK SWAN) was originally attached to direct the ROBOCOP reboot. Frankly, I thought he was the right choice to reboot the once-popular franchise back in the late '80s. Unfortunately, he quits the project and Brazilian director Jose Padilha (ELITE SQUAD, ELITE SQUAD: THE ENEMY WITHIN) was brought in as his replacement. WHAT IS IT ALL ABOUT? When police detective Alex Murphy (Joel Kinnaman) is critically injured during a car explosion in front of his home, CEO of OmniCorp Raymond Sellars (Michael Keaton) sees him as a golden opportunity to make him feel alive again by turning him into "Robocop" -- a cyborg police officer which is touted as the future of law enforcement in America. However, OmniCorp doesn't realize that Murphy still has a personal vengeance in his mind to pursue the criminals who nearly caused him dead. THE GOOD STUFF Like the first two ELITE SQUAD movies, director Jose Padilha delivers the same raw intensity that gives ROBOCOP a quasi-documentary feel to the action sequences. Even though Padilha utilizes shaky camera-work, at least he doesn't make the scene so wobbly until the viewers unable to see what's really going on. The special effects are spectacular, while the costume design for the all-new Robocop in a black tactical body actually looks quite nifty. Swedish-American actor Joel Kinnaman (best known in the US for TV's The Killing) delivers an emotionally engaging performance as Alex Murphy and Robocop, while Michael Keaton steals most of the spotlight as the slimy CEO of OmniCorp Raymond Sellars and Gary Oldman gives a perfectly restrained performance as the sympathetic Dr. Dennett Norton. Other minor roles -- including Abbie Cornish as Murphy's wife, Clara; Jackie Earle Haley as the military tactician Mattox; and Samuel L. Jackson as the media host Pat Novak -- are all equally impressive. MOST MEMORABLE MOMENT(S) The brief but intense battle between Robocop and a small army of ED-209 during the climactic finale. THE BAD STUFF The biggest weakness in this ROBOCOP reboot is Joshua Zetumer's captivating but bloated screenplay. First of all, the story drags too much with Murphy's personal family matter with his estranged wife Clara (Abbie Cornish) and son David (John Paul Ruttan). Then there's the underwritten plot involving Murphy's personal vengeance against Antoine Vallon (Patrick Garrow), who is responsible for the car explosion. Even the so-called social commentary involving the "robo-phobic" issue quoted by Samuel L. Jackson's Pat Novak doesn't really say much that worth a debate. FINAL WORDS While the new ROBOCOP is far from a genre classic by any means, at least Jose Padilha's version isn't as bad as most people might have expected. Just put your mindset of the Paul Verhoeven's original 1987 version aside, and treat this as an entirely new movie altogether.

I am always wary of remakes of classic films but at the same time try and keep a clear mind in that just one day they might get it right.

I question if this is actually remake of Robocop or a new film with Robocop as our lead. Are there comparisons, well there is Murphy (Robocop) , Lewis (now male) and the bad guy. The role of the owner of the business is much different to that of the original.

The storyline is excellent and the transformation of Murphy to Robocop is explored much more deeply than in the original, however (and this is not a spoiler) you can guess which bit will be included in the conclusion. The emotional transformations are excellent as Robocop evolves . The scenes where the action kick in have kept the violence levels down compared to the original , which still has one of the best scenes ever with our melting man, but I still think this film has been lucky to achieve a 12a .

A good watch , is it better than the original said my 12 year old ? Genuinely I don't know , the original is great as it set the benchmark, this new version has more modern special effects and the telling of the story is better.

Whatever watch this.

Which is not to say it was necessary.

Indeed, of all movies made in the 80s, Robocop would have been considered as a very unlikely candidate to be remade at all. The original was a fantastic, gorefest, schlock-filled action hit and that toxic melt sequence lives long in the memory. To reboot it was nothing more than a money-making exercise, but if we overlook the morality of the affair, is the movie any good? Well, it isn't bad, put it that way. Like the original it's set in a dystopian future, and like the original it features Alex Murphy's remains brought back to life in a robot, but it changes a great deal about the story, not least Lewis' gender (Battlefield 4 players will recognise Irish's voice returning as Murphy's partner).

The plot focuses on the Dreyfuss bill which bans the use of robots for law enforcement in the US, because it's felt the absence of emotion makes them unsuitable, despite the success of their deployment everywhere else in the world. Samuel L Jackson's wildly OTT Novak obsesses over that on his night-time soapbox show the Novak Element, and fully supports Omnicorps' Sellers (Keaton) bid to get their product on the streets of the US, Detroit especially.

Murphy's Robocop (built by Oldman's Dr Norton) is a way around that, and thereafter it's a case of 'where it all went wrong'. That very cliché is used constantly but this isn't necessarily a bad thing.

Fans of the original movie should enjoy this, even if it feels slightly pointless. The visual effects are pretty extraordinary in truth, and the action sequences thoroughly enjoyable.

The first review on the page does make a good point - there is no one obvious outright bad guy - unlike the original's brilliant Kurtwood Smith, Murphy isn't up against a particular enemy. However the side issue here is that this kind of misses the point - the change in this movie is that a combination of Omnicorp, his killer, and one or two other characters leads Murphy to a pursuit of avengement. There doesn't need to be a big bad guy - just like video games don't always need a boss fight, movies don't always need a nemesis.

For me the way it's structured doesn't detract.

Fundamentally it's a different movie to the original, a homage which is frankly well made but goes in its own direction.

Whether you like that or not is up to you, but I have personally seen far worse movies.

Yes, they've gone and remade another classic. Whether you loved or hated the original Robocop movie in the eighties (and, let's face it... most of us loved it!), you'll find it difficult to deny that it was popular. And one of its major traits was how deliciously over-the-top violent it was. It contained numerous scenes of graphic violence and interlinked them with (no so subtle) social commentary, making it a sheer delight to watch (assuming your cup of tea was watching an indestructible cyborg brutally wiping out scores of scum-bags).

Now, twenty-five years later, it gets rebooted (not including the pretty poor showings which made up Robocop's sequels and TV spin-off show). And, the first thing you need to know, is that it's no longer an 'adult' movie. Due to the film-makers wanting to claw back as much of its budget as they could, they've gone and made it a PG-13/12 certificate. So, what we're left with is the cyborg-action equivalent of World War Z (a mainstream big budget zombie film with no violence or gore).

This is the major 'flaw' in the film (which most people seem to dwell on). It's fair to say that this reboot hasn't performed as well as the producers would have liked it to (I'll bet they were hoping this would be the springboard to launch a lucrative franchise off of). However, if you get over the die-hard fans and their shouts of disapproval because no one gets melted in a vat of toxic waste, you may actually enjoy it.

Yes, the action is greatly reduced, but what's there is still pretty cool. Plus the cast is excellent and what it lacks in fight scenes it makes up for in commentary on today's modern way of life and how much computers (and in this case robots) intrude and may well intrude with our day to day existence.

If you ask me which Robocop is better (1987 vs 2014) I would say the original, but simply because it was just that – the original. Plus I have never ending nostalgia for one of my favourite childhood movies. However, if you can put any bias you have to the back of your mind and look at this one as a completely fresh tale which simply borrows major plot points and situations from its source material, then you may just find an enjoyable movie in there somewhere.

Thank you for your cooperation.

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By 7, it really means a 7.5/10. Not sure what's with the negative reviews, but I enjoyed the movie very much. It's well-executed and the direction was clear and crisp. There's no distinct feel-good actions scenes because the pacing is kept constant throughout and I don't see why there's an issue with the pacing being that way. It's hardly flat, it's just a very honest, straight- flushed story-telling, and it fits the themes that are underscored by the movie. Alex Murphy is a reluctant hero and he's ultimately a father and a husband whose personal agenda serves as his existential core. I like how these themes are teased out and zoomed in upon throughout the movie. Also, there are some absolutely delicious production details and CGIs that are just absolutely feasts to the eye. Not to mention the superb cast and the wonderful performances. I think this is a honest and loyal reboot that will appeal to fans of Robocop who fell in love with the story precisely for the moralistic themes it explores.