Ip Man

Oh man what a great movie, Just seen it and im stunned. This moves up to my number 5 top list of greatest Martial Arts movies ever. Ip Man was a great man in Chinese history and i can see why. This movie is so well directed and Donnie Yen suits great as a young Ip Man. Its so dramatic at times, you start sniffing your nose and gets sad and angry at the same time. Awesome movie which will be a true classic instantly. I Bought the two disc HK Special Edition and i will see the extras later today cause i will go to sleep now, if i can sleep. Cant wait for part 2. See this film in theaters or on DVD as soon as you can, you will not be disappointed. Kung Fu cinema is back and what a comeback. WOW!!

Ip Man (1893-1972) is the expert in the Wushu fighting style of Wing Chun, and is the master of the famous Bruce Lee. As there has never been any previous film record of Ip Man, this film produced by Raymond Wong and directed by Wilson Yip will be the very first.

The movie opens and dates back to 1935 Foshan, with the city bustling with activities and various schools of martial arts are seen busy with the practice of their craft. In the people's mind however there would be only one martial artist who is the best. He however would have no interest in opening a school to teach his art. He is Ip Man, played by Hong Kong action star Donnie Yen.

Our introduction to Ip Man began on the day when Master Liu (Chen Zhi-Hui) visits Ip Man at his residence when the latter is having dinner with his wife and son. Being the typical martial arts enthusiast that Master Liu is, he declined to leave when advised by Ip Man to come back at another time, choosing instead to stay and wait until Ip Man have finished his dinner. He is eager to test his skills against Master Ip Man. The mood here is not of hostility but of a light hearted and humorous fashion. Ip Man even invited Master Liu to sit and have dinner with his family when he spots him restlessly waiting by the living room. We see here the humble and modest character of the protagonist.

When the sparring finally got underway, it ended as swiftly as Ip Man's strokes suggest. Because in three strokes and a set of quick fists, he had Master Liu at his peril, well defeated yet without injury, as this was all but a friendly exchange in the spirit of martial arts. The essence of Ip Man's fighting style, Wing Chun, is characterized by its tall narrow stance with effectiveness demonstrated through speed and power. It reminds of the time when Bruce Lee had to slow his punches down during filming, as they were just too fast for the cameras back then to capture.

In the world of martial arts, with all its attractiveness, it also brings with it the competitive nature of those who practice them. With competitiveness taken the wrong way, things can go awfully wrong when all one wants to achieve is to have the other beaten so as to prove who the superior fighter is. A thug in Kam Shan-chau (Fan Sui-Wong) later arrives and challenges the various schools, defeating their masters ruthlessly, until he came face to face with Ip Man. Kam lost to Ip Man with a lesson he ought to have learn, only that he did not and left Foshan with only disgrace in his mind. The people celebrate as they hail Ip Man the savior who brought glory to Foshan by sending the thug away.

The fight ends but the story have only just began, and with it a change of mood from lightness to heavy because war has broken. The Japanese have seized Foshan.

What follows will be Ip Man's struggles and challenges as he has to make ends meet for his family in the dreadful time of adversity. It is here we see the true character of Ip Man, who has captured the hearts of the people of Foshan and their respect. This is most notable among his friends in Chow Ching-chuen (Simon Yam), his son Chow Kong-yiu (Calvin Cheng), and Crazy Lam (Xing Yu).

To mistake this film, as one of just good versus evil is easy because in a movie that has a hero, there must be a villain. There are a few characters here befitting of the role. We have the Japanese general, Miura (Hiroyuki Ikeuchi). We have the aforementioned thug, Kam Shan-chau. We also have police officer turned interpreter, Li Chiu (Lam Ka-tung) who appears to be a traitor. The film here however should not to be seen as a fight against evil but rather of the depiction of humanistic values that Ip Man himself would possess.

There are many meaningful messages encrypted in the various plots and subplots in this wonderful film that really is about virtues more than anything else. As producer Raymond Wong would suggest on why the production team had chosen to make this film, it is that of really making a kung fu movie that is authentic and real, moving away from past attempts at glorifying and stylizing violence on screen. The intention is to make a film that would reflect the spirit of Chinese kung fu, and what better than to portray it through the virtuous character of Master Ip Man.

I would have like to compare this film to Fearless aka Huo Yuan Jia (2006), starring Jet Li, which strings from a similar root, but at the very core, the approach is different. While Fearless is written in a more dramatic nature, with a more compelling story and edited with a creative dimension, Ip Man is honest and direct because that is who our protagonist is.

What stood out for me in Ip Man is when he ponders in introspection about what use his training and expertise in Wing Chun all his years would come to. It would appear that there is destiny waiting to be fulfilled. And he would also influence those around him with what he has and even lead those who have been wrong to do right despite the pressure of circumstances, because to the very basis, it is the right thing to do in humanity.

History means nothing if its lessons are not learned.

The film also stars the stunning Xiong Dai Lin as Cheung Wing-sing, Ip Man's wife, and I must also not forget to mention that the acclaimed Sammo Hung directs the action.

Directed by Wilson Yip (Killzone, Flashpoint) This movie is a "portrayal" of the famous Wing Chun master Yip Man, credited as being the guy that taught Bruce Lee kung fu.

The movie starts of a bit slow, and seems a bit awkward imo. The dialogue didn't really work on me, and I didn't quite feel the comedy or drama the dialogue was supposed to invoke. However, troublemakers enter the city and the fighting shall begin. When that part began, the movie immediately started to grow on me. The fighting is very well choreographed, and the stunts are really amazing. I am very interested in martial arts and fighting, and thus many movies loses me when I have to see a 300 pound muscular guy supposedly gets knocked out for 10 minutes by 1 jab from e.g. Jackie Chan or choked out by Angelina Jolie. However, in this movie the fight scenes are so amazing that I easily accept that a knee to the body can send a guy a flying across the room. The fighting is of course unrealistic (though not extremely so), but they somehow make it seem legit in this movie, and you actually start believing for the duration of the movie that Ip Man is capable of this stuff.

As for the cast, Donnie Yen is the one that stands out. He is a really great choice for Ip Man, with a very calm and intelligent charisma, and he shows in this movie that he is capable of being a diverse actor. The other actors did a fine job as well, most notably his wife (Lynn Hung) and General Miura (Hiroyuki Ikeuchi), considering their acting experience. The cinematography, soundtrack, costumes and art direction are all well done. They got some fairly experienced people for that, but not anyone "really" famous (except for the movie buffs perhaps), most notably Kenji Kawai and Kenneth Mak.

My main critique lies in the fact that this movie markets itself as a historical portrait, while this is clearly not so. Apart from the fight scenes that has probably never gone down in reality, we also have the portrayal of the Japanese. While they definitely did invade China and committed some atrocities there, I somehow doubt they had karate tournaments with Japanese vs Chinese. The movie also claims that the city population was reduced from 300k to 72k, which I somehow doubt, but I am unable to find any source that either disprove or confirms that statement. But since the movie is from China I guess a non-biased portrayal of the Japanese invasion is too much to ask. But the thing that bugged me the most was the final part of the movie, which show a fight scene with following events that I am 100% positive has never happened, but the movie actually try to claim that it did (obviously I can't explain the scene to you without spoiling).

So all in all a great movie. The plot meets the required amount of relevancy that is needed to keep you interested, but what really stands out is the fight scenes which is what lift this movie to great heights, and what I assume has secured it a place on the IMDb top 250 list. I greatly enjoyed the movie, but the fact that the movie tries to sell itself as being a historic portrayal really bugs me the wrong way and drags it down a point.

Ip Man is very touching and full of mildness,considering it's an action movie. Wisedom, courage, elegance, humour...all the mixed elements you surely will feel from Ip man and they will definitely move you. All actors have done a great job. I believe this is the best movie that Zhen Zidan has ever contributed. This time he is not only a warrior, but also a wise, gentle, and conscientious man, a good husband. People clapped hands and weeped from time to time. I have watched it for two times,and longing for the third time when the DVD is coming. You know, Ip Man did not ballyhoo before it is shown, but it undoubtedly becomes a huge dark horse. It is really worthy of watching it.

Ip Man has quenched our thirst of a real good martial art movie where we don't just watch man kicking asses but where we can appreciate the man's moral and virtues.

The movie flows well, from the view of the kungfu street of Fo Shan, to the introduction of Ip Man, and so on. Scene by scene are there in a well done play, and when someone had to display martial art act, they don't just throw bunch of minions out from nowhere to have him beating them all over. I think the scenario is well written.

Fight choreography is great. Different approach from what we usually see, people doing flashy flying kicks and sorts; since it is about wing chun, feet hardly ever leave the ground but it doesn't decrease the beauty and flashiness of the fights.

People may complain about bits that might not fit the real condition of those era. Well, I think producers have to make sure they made entertaining movies, not documentaries.

Last words, Donnie Yuen has always been a good martial art actor, he just never get the spotlight. And finally as Ip Man he gets to stand on where he deserves.