Aggiungi una trama nella tua linguaAfter losing her unborn child, Madeline Matheson insists on carrying the baby to term. Following the delivery, the child miraculously returns to life with an appetite for human blood. Madeli... Leggi tuttoAfter losing her unborn child, Madeline Matheson insists on carrying the baby to term. Following the delivery, the child miraculously returns to life with an appetite for human blood. Madeline is faced with a mother's ultimate decision.After losing her unborn child, Madeline Matheson insists on carrying the baby to term. Following the delivery, the child miraculously returns to life with an appetite for human blood. Madeline is faced with a mother's ultimate decision.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 5 candidature totali
- Dr. Sohn's Secretary
- (as Karen von Staden)
- Veterinarian
- (as Mark Claxton)
- Grace at 5 months
- (as Tyler Kari Bzdel)
- Tracey - Talk Radio Host
- (non citato nei titoli originali)
- Meat Clerk
- (non citato nei titoli originali)
Recensioni in evidenza
I think another reviewer summed this up perfectly: "sloooow paced", "damn boring", "nothing but a short-story stretched to feature length" and "a real big disappointment". I'd love to see quotes like these on the box cover. But, of course, that doesn't happen.
Sure, the concept is cool... zombie baby. Baby drinks blood. Nice. But yeah, the first twenty minutes are boring and each scene just drags. I haven't seen the short film version, but I have to assume it's better. The editor could have cut this down to an hour tops. That would have been appreciated.
Much is made of Madeline's vegan and bisexual lifestyle, if for no other reason than to contrast with the meat-loving child. This is overdone... the vegan talk is drilled home, again and again. I have been known to overlook minor plot points, especially when drinking, but this film won't let you risk that because you'll be reminded repeatedly.
Director Paul Solet, in an interview with HorrorHound's Aaron Crowell, says the film is "definitely a study of the idea of violating the will of the universe". With all due respect to Solet, that's giving the concept too much credit. I fail to see the "will of the universe" presented at all, and this is hardly a "study".
If credit has to be given to anyone for an outstanding job, it's "fly wrangler" Flo, who is not given any recognition in the film's credits. The use of flies was perhaps the best effect, so this omission is saddening.
I appreciate that Adam Green (director of "Hatchet") decided to produce this, as he's the perfect person to help new horror talent through the door to Anchor Bay. But I wish he had more hands-on involvement, because his style is clearly absent. Solet, a childhood friend of Eli Roth, needed more Ladd, Green and Roth inspiration... sometimes a short story is just a short story.
I would put this title firmly in the rental category. You do not need to own this, and it will not inspire you to take repeated viewings, unless you like devouring special features. And, in all fairness, they did plump this disc up with features. But a year from now, this will be a forgotten film.
Coming back to this one, it has one really great idea and can be summarized as a "Rosemaries Baby" meets "Little Shop of Horrors". And while that "sounds" great (and probably was a great read too), it doesn't translate to the screen. Especially considering the two movies that I mentioned above! It's a shame really, this movie being produced by Adam Green (of Hatchet fame), you could and should rightfully expect more. Speaking of Adam Green, he has a cameo in this movie that is beyond weird ... in a bad sense. I'm suspecting his appearance in a store is supposed to be spooky ... it's anything but. Unfortunately it's almost unintentionally funny ... again in a bad way!
While you could excuse those few miss happenings, what really drags the movie down (besides the slow pace), is the acting! I'm not saying the actors can't act ... but watching the movie, there is no evidence they actually can act. And it's really pivotal to a small budget movie, that it has performances in it ... It fails on quite a few levels.
The movie starts with a soft-core sex scene in which Madeline seem extremely bored. We soon find out she's lesbian, so it is implied she did only get a husband to get pregnant. This is also implied by her lack of care when her husband dies. The scene where Madeline for over two minutes hugs and kisses what looks to be a baby corpse was disturbing. Later on in the movie she proves that she loves her baby no matter what.
After Vivian loses her son,Madeline's husband Michael (Stephen Park) in the car accident she becomes desperate to get hold of the baby, as she does not trust in Madeline's being-mother knowledge. She shows disturbing behavior, wanting her husband to breastfeed on her, seemingly because she wants to have a child, and probably can't have one because her biological clock has run out.
Overall this is a pretty decent horror though. It has a very disturbing atmosphere to it, probably at the cost of pace. It has some moments I felt a little ill (in a good way), because of the mood and atmosphere. The dialogs were cheap. The characters were overall a little boring. Madeline was luckily the most interesting and best played character. Vivian was overplayed by Gabrielle Rose. I didn't get a grip of the husband, nothing was lost to the audience when he died. But the thing is, cheap dialogs and poorly developed characters is not uncommon in the horror genre, as I said the movie is pretty decent.
I recommend this movie to everyone who likes the trailer, and are not bothered by a slow pace. The trailer is pretty much, what you see is what you get.
Grace is most definitely a horror movie, however, it won't scare you, and it's not suspenseful, and there is no action at all. However, it will make you feel uncomfortable, and you will feel that way throughout the entire movie. The story is not complicated, if you read the IMDb description, then you know pretty much everything that will happen already. However, this is one movie that just can not be "spoiled", because knowing what is going to happen makes anticipating it even more uncomfortable.
If that is what you are looking for, then watch Grace. If you want something scary, don't watch Grace. If you want something ultra violent, don't watch Grace. The problem with Grace is that it technically fits perfectly in the horror movie genre, as it is horrible, it is a horror, however, the feeling it evokes and the motivation you should have for watching it are totally different from all other horror movies. I give it 5 stars because although I think it is a decent movie, I didn't actually enjoy it much, it just made me cringe. Also because I'm not going to sleep tonight, and I'm tired.....
...And it's a Canadian flick!
Reviews here abound with Film "A" meets Movie "B" examples. Here is my take to try a give you sense of the GRACE's impact: Director Paul Solet, at heart, is a Hitchcock wannabe of the Horror/Psychological Thriller genre. He has also been greatly influenced by classics like ROSEMARY'S BABY, WHATEVER HAPPENED TO BABY JANE and near-Cult Classics like IT'S ALIVE! His D. O. B. Doesn't appear anywhere I could find, but since he received B. A. degrees from Emerson college in 2002 in, get this now: FILM and PSYCHOLOGY, I doubt he's over 30! BTW, he also is credited for the screenplay on GRACE! We will be hearing a lot more about Paul Solet in the future! GRACE really gets in your brain, with that imminent sense that something dreadful and/or horrific is going to happen any second...but for the most part, it doesn't. I know there are a lot of you who flat out reject that in a movie. You'd probably be better off passing on GRACE in that case. 9*!!!
Lo sapevi?
- QuizTurned into a feature after Paul Solet's 2006 short film of the same name (starring Brian Austin Green and Liza Weil) generated positive buzz and awards.
- BlooperIn the scene in which the main character takes the trash out, when she turns to walk back into the house, a crew member can be scene, quite easily, viewing a monitor in a dark door way in the house.
- Citazioni
Madeline Matheson: Wait!
Vivian Matheson: Get away from us.
Madeline Matheson: Please, you don't understand. She's special. She needs... special food.
Vivian Matheson: You're sick. Get back!
Madeline Matheson: Please! You'll kill her.
- ConnessioniFeatured in Lullaby: Scoring Grace (2009)
I più visti
Dettagli
Botteghino
- Budget
- 5.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 8297 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6174 USD
- 16 ago 2009
- Lordo in tutto il mondo
- 8297 USD
- Tempo di esecuzione
- 1h 25min(85 min)
- Colore
- Proporzioni
- 2.35 : 1