Viy - La maschera del demonio

I liked the movie. When I was going to see it I had already known that it was not a screen version of Nikolai Gogol's story but "a movie based on it". That's why I was not disappointed as some people who went to the theatre to see just a new version of 1967 "Viy". Because it is not.

This new "Viy" took the same legend from the book (based on a Slavic folklore legend), the same characters, the same location - a small Ukrainian out-of-the-way village, added some new characters , CGI (quite good), shuffled everything, sprinkled it with humour (sometimes dark)and eminently suitable music. And as a result, we have an interesting mystic story definitely worth watching.

Poor Nikolai Gogol... The British empire came to "put order" in the East, eradicating the Ukrainian folk from his masterful long tale "Vij". This is an overlong, convoluted, revisionist version of Gogol's story, reducing the fantasy elements to dumb babble passing for "scientific" explanations of the beliefs and fears of an agrarian, superstitious community in Transylvania during the 18th century. Better watch the 1967 "Vij" or Mario Bava's masterful, free adaptation "La maschera del demonio" (1960).

This movie is probably quite unknown by most people. I certainly had never heard of it when I stumbled on it. It is a quite entertaining little fantasy / supernatural / crime movie though. I am actually not sure what to classify at as. It starts of as a fantasy movie but is it really? The cinematics of this movie is very good. For me it was the main part contributing to the enjoyment. The small world of these villagers is cinematically beautiful, dirty and gritty at the same time. The characters themselves with their enormous moustaches and weirdly cut hair are great. The special effects will perhaps not win any awards but they were good nonetheless. I especially liked the transformation scene during the meal somewhere in the middle of the movie.

The story is a bit of a roller coaster ride and sometimes it felt a bit disjointed. It was not really obvious why one scene or event was followed by another at all times. But then, taking into account the later events in the movie it was perhaps meant to be a bit disjointed and "dreamy" and I have to confess that I was extremely tired when watching this movie.

The ending was a bit of a surprise. This is where the movie kind of went from a fantasy movie to more of a crime story. I have to say that I did not really see that coming until it was about to fall in my lap.

There are definitely worse ways of spending two hours in the evening, especially if you like movies that are not the typical mainstream Hollywood fare.

I've seen several recent fantasy and sci-fi Russian movies and they all feel like the story is a badly assembled jigsaw. Is it that the Russian story makes sense and somehow they can't translate to English? I think that's unlikely. Viy is a strange combination of Dracula and Sleepy Hollow, with a few English actors to make it mainstream, but the rest, including cinematography, is Russian. Jason Flemyng plays the main character, an English scientist having to deal with Slavic superstition in "uncivilized" Russia (yes, it's not Transilvania, which is in Romania, I would have hoped Russians at least knew that), with Charles Dance in a few irrelevant scenes.

The idea was interesting, the special effects nice, but it felt like something was terribly wrong with the assembly of the scenes and the dialogues. You probably have to watch in Russian (if a version even exists).

Thoroughly enjoyable bit of weirdness. The movie looks great and there is some great comedic timing from a lot of the characters here too. The juxtaposition of peasant superstition and aristocratic "there's an explanation for everything" is a great mix. For most of the movie, what is supposed to be real or an illusion from the story's point of view is in question. This reminds me of parts of Pan's Labyrinth, Naked Lunch, Van Helsing, among others. It does have some flaws in the logic and the pacing at times, and it can be a little confusing separating the characters from their grime to make sense of the story. This is one of those movies that's got a lot of art house in it so it's not going to appeal to everyone, but if you like a unique mix of camp, fx, and writing that leaves some questions unanswered you'll enjoy it. I highly recommend this one. I would go see a sequel in a heartbeat.