Un dramma incentrato su tre persone - un operaio americano, un giornalista francese e un ragazzino di scuola londinese - che vengono toccati dalla morte in modi diversi.Un dramma incentrato su tre persone - un operaio americano, un giornalista francese e un ragazzino di scuola londinese - che vengono toccati dalla morte in modi diversi.Un dramma incentrato su tre persone - un operaio americano, un giornalista francese e un ragazzino di scuola londinese - che vengono toccati dalla morte in modi diversi.
- Candidato a 1 Oscar
- 4 vittorie e 15 candidature totali
- Island Hotel Clerk
- (as Cyndi Mayo Davis)
Recensioni in evidenza
I am not a firm believer in a hereafter life or psychic abilities, and what is great about this movie is that it addresses these issues in an intelligent way without asking the audience to debate their existence. Instead, it focuses on the characters and how these issues affect their lives. There is nothing cheap or gimmicky about this movie. It simply tells a touching story without being overly sentimental. Clint Eastwood delivers a great picture and Matt Damon an excellent performance. The round-out cast deserves a big-hand as well. Keep in mind that this is a character drama and, like cooking a good sauce, takes its time to develop a richness. So if you're the type of person who only responds to immediate sensory gratification, this movie might not be for you.
As for Matt Damon, this is a masterpiece. There are so many depths and subtleties to this role and Mr Damon gets it all. George Lonegan is a creepy haunted loner with poor social skills, not in spite of but *because* he's a big hearted person who cares too much. And Damon *gets* that, and shows it, you can see it in every frame of the movie, even when he's not moving a muscle. I know this movie won't be for everyone but this performance is one of the greats, a real tour de force of subtlety.
Lastly, the writing, the story is something not seen often enough these days, a thoughtful movie about a complex and emotive subject that doesn't treat the audience like idiots. There are a lot of questions unanswered here, and that's alright, there should be. This movie isn't about answers or some kind of payoff, it's about guiding the viewer through the story's of three people with very interesting perspectives so that we can all feel our way though it together. I love that the writers trust us to do that and don't try to force feed us a "message" or a moral.
A great thoughtful film about a difficult subject that will leave you feeling good, as long as you're not expecting to be spoon fed.
It's not really a ghost story or even a very supernatural movie. The three main characters each have felt death's power in different ways in their life. George (Matt Damon), a man who can contact the deceased, has fled from his abilities because they keep him from having a normal life. Marie (Cecile de France) is a journalist who has a near-death experience during a tsunami, and becomes consumed with understanding what she saw. And in London, a young British boy is desperate to contact a lost family member one last time.
The three separate stories do eventually connect, but that's not really where the value of Hereafter lies. I can see this film being a source of frustration for some viewers eager for a traditional conflict and resolution or character arc, but those things aren't really Eastwood's priority.The movie doesn't have much of a "point", other than how death is such an important part of all of our lives, even as it's also probably the most mysterious.
I liked it, but I'm hesitant in recommending it. Slow-paced movies like these need the right audience. It's fairly different from Eastwood's other movies, and I wouldn't mind seeing him tackle something like this, again.
Lo sapevi?
- QuizThis movie was pulled from theaters in Japan after the devastating earthquake and tsunami that hit in March 2011.
- BlooperAfter George speaks to the hotel receptionist where Marie is staying, the receptionist resumes typing; however, nothing moves or changes on her computer monitor, which is in full view to the audience.
- Citazioni
George Lonegan: I'm sorry, I'm losing him now. He's... he's leaving. He wants to leave.
Marcus: No, Jase. Don't go. You can't.
[starts crying]
Marcus: Don't leave me. I don't wanna be here without you. Please, Jase, don't go. I miss you.
George Lonegan: Okay, he came back. He's here. He says if you're worried about being on your own, don't be. You're not. Because he is you and you are him. One cell. One person. Always.
- Curiosità sui creditiThe mid 80s-late 90s Warner Bros. shield is used (in black and white) at the beginning of the movie and at the end of the credits. The same Warner Bros. Shield is used alongside the Amblin logo, also in black-and-white.
- ConnessioniFeatured in The Rotten Tomatoes Show: The Town/I'm Still Here/Easy A (2010)
- Colonne sonorePiano Concerto #2
Written by Sergei Rachmaninoff
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Más Allá de la Vida
- Luoghi delle riprese
- Front Street, Lahaina, Maui, Hawaii, Stati Uniti(tsunami scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 32.746.941 USD
- Fine settimana di apertura Stati Uniti e Canada
- 220.322 USD
- 17 ott 2010
- Lordo in tutto il mondo
- 106.956.330 USD
- Tempo di esecuzione2 ore 9 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1