Un dramma incentrato su tre persone - un operaio americano, un giornalista francese e un ragazzino di scuola londinese - che vengono toccati dalla morte in modi diversi.Un dramma incentrato su tre persone - un operaio americano, un giornalista francese e un ragazzino di scuola londinese - che vengono toccati dalla morte in modi diversi.Un dramma incentrato su tre persone - un operaio americano, un giornalista francese e un ragazzino di scuola londinese - che vengono toccati dalla morte in modi diversi.
- Candidato a 1 Oscar
- 4 vittorie e 15 candidature totali
- Island Hotel Clerk
- (as Cyndi Mayo Davis)
Recensioni in evidenza
I am not a firm believer in a hereafter life or psychic abilities, and what is great about this movie is that it addresses these issues in an intelligent way without asking the audience to debate their existence. Instead, it focuses on the characters and how these issues affect their lives. There is nothing cheap or gimmicky about this movie. It simply tells a touching story without being overly sentimental. Clint Eastwood delivers a great picture and Matt Damon an excellent performance. The round-out cast deserves a big-hand as well. Keep in mind that this is a character drama and, like cooking a good sauce, takes its time to develop a richness. So if you're the type of person who only responds to immediate sensory gratification, this movie might not be for you.
What an amazing world we live in. There is so much in the five miles between my house and the theater where I saw the movie that I could never experience it all. Moments arrive and disappear and the the people shift, move, appear and disappear.
I think most of us need some kind of assurance that it all goes on forever, that our open windows aren't just blacked over and sealed at death.
Clint Eastwood has made a quiet, reflective, thoughtful film on this condition, this need for forever. It's not a flashy paranormal probe of ghosts and goblins, spirits and such.
Taking three central lives we see our need for a hereafter from a French woman who has experienced something before being revived, from a twin boy who has lost his brother and from a lonely man who seems able to capture something from beyond this life. Or perhaps he just captures something from those who come to him.
Cecile De France is stunning as a television reporter who touches her own death and returns. Frankie (or is it George) McLaren is good as the young boy. And Matt Damon's restrained performance is a revelation.
Eastwood has the assured hand that allows long segments in French with English subtitles and a juncture with two disasters and such a touchy-feely subject, and yet it works. Quietly. Thoughtfully.
He also has the good sense to let us draw our own conclusions.
Three people in different parts of the world deal with death in their own way... a boy loses his brother, a woman nearly drowns, and a man burdened by his psychic ability he calls more curse than gift... we follow these burned characters as they stumble with what they understand, and what they cannot deny...
The movie will slip by many, those only looking for the mundane, action-packed, roller-coaster ride, but for those looking for a visceral, meaningful, timeless gem, look no further, for you will find it here.
It's not really a ghost story or even a very supernatural movie. The three main characters each have felt death's power in different ways in their life. George (Matt Damon), a man who can contact the deceased, has fled from his abilities because they keep him from having a normal life. Marie (Cecile de France) is a journalist who has a near-death experience during a tsunami, and becomes consumed with understanding what she saw. And in London, a young British boy is desperate to contact a lost family member one last time.
The three separate stories do eventually connect, but that's not really where the value of Hereafter lies. I can see this film being a source of frustration for some viewers eager for a traditional conflict and resolution or character arc, but those things aren't really Eastwood's priority.The movie doesn't have much of a "point", other than how death is such an important part of all of our lives, even as it's also probably the most mysterious.
I liked it, but I'm hesitant in recommending it. Slow-paced movies like these need the right audience. It's fairly different from Eastwood's other movies, and I wouldn't mind seeing him tackle something like this, again.
Lo sapevi?
- QuizThis movie was pulled from theaters in Japan after the devastating earthquake and tsunami that hit in March 2011.
- BlooperAfter George speaks to the hotel receptionist where Marie is staying, the receptionist resumes typing; however, nothing moves or changes on her computer monitor, which is in full view to the audience.
- Citazioni
George Lonegan: I'm sorry, I'm losing him now. He's... he's leaving. He wants to leave.
Marcus: No, Jase. Don't go. You can't.
[starts crying]
Marcus: Don't leave me. I don't wanna be here without you. Please, Jase, don't go. I miss you.
George Lonegan: Okay, he came back. He's here. He says if you're worried about being on your own, don't be. You're not. Because he is you and you are him. One cell. One person. Always.
- Curiosità sui creditiThe mid 80s-late 90s Warner Bros. shield is used (in black and white) at the beginning of the movie and at the end of the credits. The same Warner Bros. Shield is used alongside the Amblin logo, also in black-and-white.
- ConnessioniFeatured in The Rotten Tomatoes Show: The Town/I'm Still Here/Easy A (2010)
- Colonne sonorePiano Concerto #2
Written by Sergei Rachmaninoff
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Más Allá de la Vida
- Luoghi delle riprese
- Front Street, Lahaina, Maui, Hawaii, Stati Uniti(tsunami scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 32.746.941 USD
- Fine settimana di apertura Stati Uniti e Canada
- 220.322 USD
- 17 ott 2010
- Lordo in tutto il mondo
- 106.956.330 USD
- Tempo di esecuzione2 ore 9 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1