Il regno di Ga'Hoole - La leggenda dei guardiani
Quando un giovane gufo viene rapito da un esercito di gufi malvagi, fa nuovi amici e scappano insieme alla ricerca dei leggendari Guardiani per fermare la minaccia.Quando un giovane gufo viene rapito da un esercito di gufi malvagi, fa nuovi amici e scappano insieme alla ricerca dei leggendari Guardiani per fermare la minaccia.Quando un giovane gufo viene rapito da un esercito di gufi malvagi, fa nuovi amici e scappano insieme alla ricerca dei leggendari Guardiani per fermare la minaccia.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 23 candidature totali
- Soren
- (voce)
- Noctus
- (voce)
- …
- Digger
- (voce)
- Gylfie
- (voce)
- Otulissa
- (voce)
- Marella
- (voce)
- Metal Beak
- (voce)
- Strix Struma
- (voce)
- Bubo
- (voce)
- Kludd
- (voce)
- Twilight
- (voce)
- Nyra
- (voce)
- Echidna
- (voce)
- Boron
- (voce)
Recensioni in evidenza
If you young children are easy impressive, you might not like them asking you "but why is the pretty bird doing those bad things?" and stuff like that, just imagine an epic movie, you know: knights, kings, queens and battles, but for children and adults alike, it depends on how much your kids know about epic stories and the implications of war.
The visual designs are awesome and the music is beautiful, it is a great story.
Based on a series of books written by Kathryn Lasky, this mythological story centers on dreamer Soren (Jim Sturgess), a young owl enamored with stories of "The Guardians", a clan of warrior owls who hail from the Tree of Ga'Hoole, and protect the weak from an evil army called the Pure Ones. When Soren and his brother, Kludd (Ryan Kwanten), are kidnapped by these Pure Ones, the stories become reality. Soren escapes and hunts for the Guardians to save the owl kingdom from the Pure Ones, while Kludd slowly becomes one.
Legend of the Guardians is a milestone for animation and a 3D visual masterpiece. Under the direction of Snyder, Australian company Animal Logic (Creators of "Happy Feet" & special FX for "The Matrix" and "Lord of the Rings") have achieved something incredibly remarkable. The interaction of air and digital feathers work in a harmony that makes Avatar look like an old computer game. The landscapes are absolutely breathtaking, Monsoons are shimmering and talons glistening, this brings out the best in Snyder's heavily artistic directing style, and has adorned this movie with graceful battle scenes, beautifully blended with his signature slow motion shots at the perfect moments.
With its comparisons to films like "The Secret of NIMH", "Watership Down", "The Dark Crystal", with clear shades of "Star Wars", Guardians is not your run-of-the-mill animated movie with a fart joke every 10 seconds. The movie takes on a much more serious disposition which fits perfectly with its thematic flow. It is important to note, the film deals with issues such as courage, unity, loyalty, faith, sacrifice and betrayal tackled by Snyder with understated maturity. Though the story moves at a fairly quick pace, you will be immersed in what develops, as the writers did well to implement essentials to the storyline with comprehensible dialogue.
With that being said, Guardians is an engaging and relatively intense movie from start to finish. Thus, successfully separating our mindset of "Animated" and "Kid Friendly" being synonymous with each other. It is inspirational, breathtaking, humorous and educational with all the essentials of an all in all great story and movie. The kids and adults will both learn, while at the same time be visually enraptured by the animation's beauty. Don't be remotely surprised if you see sequels as it certainly has the legs to do so...or should I say wings (Note to self: Refrain from the bird puns..)
"Legend of the Guardians: The Owls of Ga'Hoole" is a very impressive animation. The story is only reasonable, with the eternal conflict between good and evil inspired in the Nazis in a scenario that recalls Avatar. However, the awesome quality of CGI and the voices (Eglantine is delightful) deserved a better story. My vote is seven.
Title (Brazil): "A Lenda dos Guardiões" ("The Legend of the Guardians")
That's is both a blessing and a curse, because the story is a little messy and the characters are a mixed bag. Soren and Kludd are young owls about to learn to fly, but accidentally fall out of their nest and are captured by other owls to be slaves. From there on they go through many things with different consequences. While that's going on many new characters are introduced, and that's where they sacrifice quality in exchange of quantity. Some characters are annoying one-note comic reliefs (don't remember their names) and were not serving much of to the story.
BUT the saving grace was the villains! Oh god they were intimidating! If Disney's Maleficent and Frollo had a child, that would be them! Every time they're on screen I got the chills! Enslaving other owls because they view themselves as superior!
Even if it has a story with flaws and a mixed bag of main characters, I can without a doubt tell that this is the best looking animated movie to be released in a long time and set the bar unbelievably high for the rest of the 2010's. Don't know if a better looking movie has turned up considering the fact that we're currently at the end of 2018, but this is a tough one to beat.
On reflection there's a few things to like about this little movie. The CG looks fantastic, the facial animations carry all the right emotions and don't even get me started on the feather as each one acts as they should wither their in the air or dancing through the rain all without diving strait into the uncanny valley. The voice work has some charm and believe it or not Hugo Weaving is not the villain in this movie, in fact he has two separate roles in a bizarre double casting. Helen Mirren has a nice mother/temptress run at things, and Jim Sturgess finds that sweet spot between being a naive dreamer and headstrong bravery. Furthermore the heavy handed emotional speeches that usually make my ears bleed just a bit actually have some proper reserve behind them, relying more on the power of the words more then the emotional act behind them. And I will say this, although in about twenty minutes of the movie you'll hear somewhere around fifteen fantasy words, one's that have no relevance to the real world, but the movie never makes the mistake of sticking around them long enough to where things just get dry and confusing. It's kicked from one reel to the next, which kind of works in its favor to some degree. You're never lost in this world and the plot advanced fast enough that your brain never has the time to throw up too many red flags and pull you right out of the story.
As far as negatives are concerned. The owls suffer from the same boring over dramatic dull most fantasy stories suffer from in terms of plot. In that everything boils down to the one righteous path or collective taking arms against the bullying radical one. Essentially when broken down the bad owls, the Pure Ones, really only seem to be into slavery, kidnapping and training child soldiers and for all other purposes ethnic genocide all aimed in the total commitment of just being evil bastards. There's no real balance of purpose for the Pure Ones. Furthermore on another note, you would think a pseudo fantasy heroes journey would be all about the journey. Where each step for the main character is filled with adventure and danger and perhaps even a lovely maiden or two along the way. But this never really settles into that sort of pattern, perhaps it because the owls have the advantage of flying over those pesky foot dwelling creatures normally put on camera, but our cast of heroes scale all the way to Mt Doom and back and only break a sweat when the plot demands it, which is about three times throughout the movie. Oh and although this is sort of a kids movie, the standard betrayal has no real emotional resonance because its handled more as a demand of the plot than a character turn not to mention if you don't see these things coming I must assume you are either a bit of a young ling or a recent victim of cranial intrusion.
In the end I'd equate this movie to something like The Dark Crystal or Dragon Heart. Those kind of over zealous fantasy pseudo epics that have more than a few open wounds but have enough charm to warrant a viewing. I'll admit I enjoyed myself. While there's not a whole lot of new thins brought to the table and I can't help but feel I'm missing out on more than a few things for not having looked into the source materials, what is there hits all the right notes for this kind of fantasy setting and there are a handful of nice idea's that even Tolken never got into well. In that there's a bit of subtext about the cost of heroism and how much it hurts to do the right thing even when its what needs to be done, and I quite liked those aspects. Although I would caution the more casual movie viewer as this movie asks you to buy into a fair amount of fantasy tropes and once again there are only five types of characters owls, a single snake, some crows and some bats and one ratty looking mole like thing.
One last thing, speaking from a 3D viewing perspective. It's actually well done here. The unique perspective give the aerial combat a nice visceral punch and the ever sprawling backgrounds look deep and distant giving the movie the feel of a huge sprawling world. So there is some value to the price jump between the 2D and 3D if your into that sort of thing.
Lo sapevi?
- QuizThe animators went to an owl sanctuary to learn how to properly depict owls in flight and the ruffling of their feathers, as well as owl behavior and their dietary needs.
- BlooperSeveral of the owl species featured in the film are not found in Australia, where it is set. This is because the original books were set in North America.
- Citazioni
Soren: Why didn't you tell me?
Ezylryb: What difference does it make what I call myself?
Soren: Because Lyze of Kiel was my hero.
Ezylryb: Yes, well, fancy it must be hard meeting your hero and seeing that he's real, not a myth.
Soren: You're just, you're just not...
Ezylryb: What did you expect? Some Tyto Alba with gleaming armour and battle claws, the moon rising behind him?
Soren: Uh...
Ezylryb: Well, this is what it looks like when you've actually fought in battle. It's not glorious, it's not beautiful, it's not even heroic. It's merely doing what's right, and doing it again and again, even if someday you look like this.
- Curiosità sui creditiAt the very start of the film Soren's father, Noctus, is shown flying through the sky at sunrise passing through the Warner Brothers and Village Roadshow logos, before diving under the film's title.
- Versioni alternativeAlso released in a 3D version.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Ga'hoole: La leyenda de los Guardianes
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 80.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 55.675.313 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.112.211 USD
- 26 set 2010
- Lordo in tutto il mondo
- 140.073.390 USD
- Tempo di esecuzione
- 1h 37min(97 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
- 2.39 : 1