Ribelle: The Brave

This should have been an easy review to write. Brave should have been a film that cemented itself as one of the all time greats, a necessary addition to any Top Films list. It should have been a film that claimed a place in our hearts as so many other Pixar films have in the past. But it's not. And writing this review is proving anything but easy. It's hard because I'm sitting at my Dell Latitude feeling bewildered at how a film from the best animation studio in the world left me feeling lukewarm at best.

A bit of background on the film first; this film went through two directors. After Brenda Chapman left the film for reasons I don't know, Mark Andrews was hired as a shoe in. This wasn't the first Pixar film to have multiple directors, just unplanned multiple directors. This is where my major problem with this film stems. Everything from Brenda Chapman is textbook Pixar class and charisma, but once Mark Andrews gets the reins (and you WILL know when it happens), the film takes an abrupt and uncomfortable shift towards the dark, and really challenges the boundaries of PG. It feels like two different films tacked on to one another with Gorilla Glue, it's as if the directors had no collaboration with each other. A real shame because up until it takes this dark turn, the rest of this film is a class act bursting with potential.

However to lament on the pitfalls is to ignore the positives. Pixar created two characters with copybook classic credentials in Princess Merida, and her father Fergus. Merida as the independent, self-confident, inurbane princess has a tongue-in-cheek charm and a personality that brings a genuine smile to your face. The other hero of character is Fergus, his character of a bumbling king with an overpowering queen is cliché, but he's executed brilliantly and is the provider of the majority of humor on Brave. Another immensely impressive aspect is its supremely dazzling animation aesthetics, the resplendent beauty of the Scottish countryside sometimes stealing scenes from its characters. Whether or not you agree that's brilliant is more subjective.

Now this may seem like the ranting of a spoilt wannabe movie critic weaned on delusions of grandeur, and hollow satisfaction from demeaning films with hype behind them, but I can assure you my size 10.5s remain firmly on the ground. This film is still a damn sight better than a majority of animated films out there, and it no doubt sets a new bar for animation quality other films won't be able to reach without a pole vault. I generally like this film and its good moments are plentiful and remind you why we love these films so much. Pixar films are utterly infectious when done correctly, Brave isn't up to the standards of their best, you won't fall in love with it, but forget the scale of its predecessors and you'll definitely be impressed by it.

Everything about Brave is different from the Pixar norm, save the unequaled attention to detail and quality.

The Disney-Pixar animated feature focuses on Princess Merida as she searches for a way to change her fate. In a journey of magic, adventure and family, the fiery Scot is launched into the ranks of the elite Disney princesses.

As odd and understandably foreign as the accents felt watching the early previews for the movie, the voice acting was executed following, creating very real characters that fit their animated molds perfectly. By the end of the movie, what once sounded foreign blended into the scenery and visuals to create a completely immersing environment.

In fact, amid the magic spells and tall tales of times gone by, it's the historical, Scottish feeling that made Marida's journey and transformation (and that of her mother) that much more tangible and familiar.

Underneath the folk-tale storyline lies the same life lessons that ring true for young and old. Though the movie heavily focuses on a mother- daughter relationship, it's not just for girls anymore than Mulan was. Merida is a true Disney princess, with gumption, heart and an uncanny connection with nature, but the story could have been told from a male perspective and rung just as true, making it easy to empathize with Pixar's first female lead.

As has been the case with almost every other one of their movies, the company has reinvented the standard for animated visuals. The environments are based on real Scottish landmarks, adding real depth to the story, and the colors are as bright as they are grounded, creating a wonderfully real world. Such visuals lend credence to the upcoming 3D re-release of Finding Nemo, though not much, but also show just how far the studio has come.

All of the elements put together, Brave is a different sort of movie than many were expecting. More focused on a single pair and their quest together, not to mention darker by far, the story of Merida was a leap of faith for the once small studio.

Many will have their doubts, left wanting another heart wrenching love story from Up or creative take on a beat to death genre like The Incredibles. That was never the purpose. Just as with every one of their award-winning films (Cars 2 notwithstanding), a new movie means a new chapter, new story and new style of film.

Taken for what it is, Brave is a remarkable step into a whole new style of movie, proving the creative teams at Pixar will continue to write their own fate.

Brave is a beautiful and moving new fairy tale that fits seamlessly into the genre; Princess Merida is a wonderfully multi-facted heroine; the film shapes itself around problems that are familiar and understandable and will be well-understood and appreciated by kiddos and parents alike; the supporting characters that are given the most attention are well-crafted (but too bad for those others that fall by the wayside). The visual effects are flawless, in my opinion, the best if all Pixar films.

Brave is at its best when it's smartly and charmingly changing what we think think a Disney Princess can be, but it wavers when it tries to somehow reinvent the Pixar wheel. The film lacks the trademark Pixar wit we've come to expect from the animation studio's productions, and some humor feels shoe-horned in for the sake of having some laughs; the directorial kerfuffle that took place in the middle of production is not overwhelmingly obvious, but there is a distinct laugh of singular vision driving the film and its tone wavers throughout.

It may not live up to the incredible standards of the Pixar brand, but Brave offers young audiences a lot of entertainment and adventure. Highly Recommended.

8/10

I watched this movie in 3D with my (very mature for his age) five year old grandson. He loved it and wanted to talk about the plot for most of the afternoon to anyone who would listen. However, other young children in the theatre were rather nervous and scared in certain parts of the film and a few very small (2 - 4 year old) children had to be escorted out of the cinema by their parents.

Personally, after the first five minutes, which were a bit slow, I became absorbed in the story and thoroughly enjoyed the movie. There was lots of action and the plot was attention grabbing and unique, with no soppy love story and little slang included.

While I must admit that "Brave" is not among my favorite Pixar films, I was totally blown away by the computer graphics. To some extent this is to be expected--as years pass, the CGI is bound to get better and better. But it's more than that--the textures, colors and depth were all incredible and I was in love with the animation throughout.

As far as the story goes, it was a mixed bag. While I was thrilled to see a Pixar film with female leads AND featuring a mother-daughter relationship, the story itself seemed a bit shallow and flat. It wasn't bad, but never hit that emotional spot within that you'd find in "Up" or "Toy Story 3". Now this isn't to say it's bad---it just isn't among the very best of the studio and is STILL well worth seeing. It's especially nice to see a FEMALE protagonist--and one who does NOT need to be rescued by a prince! Incidentally, my daughter and her friend loved the film--and my bet is that girls would generally prefer this film but it's a lot of fun for everyone.

By the way, there is a cute inside joke in the film in which they mention someone being out of town at the "Wicker Man" ceremony! This could be a reference to the wonderful 1970s film (see this one--not the remake) or to the actual ancient ceremony. I actually had no idea that this was a real event until dlwagner sent me an email informing me of this--but I certainly did NOT expect to hear them talking about it in "Brave".