VALUTAZIONE IMDb
7,4/10
5474
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe young daughter of sectarian religious fanatics faces a deadly illness soon after falling in love for the first time.The young daughter of sectarian religious fanatics faces a deadly illness soon after falling in love for the first time.The young daughter of sectarian religious fanatics faces a deadly illness soon after falling in love for the first time.
- Regia
- Sceneggiatura
- Star
- Premi
- 21 vittorie e 20 candidature totali
Carme Elias
- Gloria
- (as Carmen Elias)
Juanma Lara
- Doctor Bernaola
- (as Juan Manuel Lara)
Paloma Paso Jardiel
- Profesora Colegio
- (as Paloma Paso)
Recensioni in evidenza
A moving film, which is capable of provoking genuine feelings among the audience. The subject treated is, indeed, rather controvert: those who do not agree with Spain's extreme orthodox Catholic group Opus Dei will probably feel comforted by the film; those whose resilient Catholic convictions stay clear of questioning will most likely find it annoying, if not bluntly ridiculous and insulting. A certain dialog between the two poles is proposed by the film-maker, Javier Fesser, by means of which a possible virtuous in-between is envisaged. Such dialog, however, is far from being direct and: constant use is made of metaphors and imagination, resulting in a highly idiosyncratic discourse set in a universe where viewers may get lost. An excellent production with some very powerful scenes.
Visual artifice without depth. And the worst of all: a complete bunch of lies, and promotes hatred. First of all, we must know that all fact depicted on this film are not based on real life of Alexia, even when the director suggests that.
The one and only merit of director, Javier Fesser, is to be brother of a known radio comedian in Spain. In the other side, we have an excellent teenage actress with a brilliant future, Nerea Camacho.
The movie does not deserve to exist if it causes so much pain to the girl's family, taking advantage of his death. Artistically it certainly, does not provide such a long value.
The one and only merit of director, Javier Fesser, is to be brother of a known radio comedian in Spain. In the other side, we have an excellent teenage actress with a brilliant future, Nerea Camacho.
The movie does not deserve to exist if it causes so much pain to the girl's family, taking advantage of his death. Artistically it certainly, does not provide such a long value.
It is such a superb film. Very sad and depressing, but an excellent film-making and a profound, intelligent script. I can guess that the modern Spanish society does not care much for its catholic Church, otherwise this film would not have received several Goya awards. Because principally the film is an anti-organized religion/organized Church manifesto. It dares to ask the fundamental question: if God exists and is good, why so many awful things and suffering happens to good people?? If the answer cannot be found or makes no sense, then it would mean that there is no God, really. At least not a personal, omnisicient God from the New Testament, that cares about what is going on in our world, knows and is everywhere. The film also portrays clergymen as hypocrytical vultures and convents as sects. The title character is played by a talented and charming girl in early teens who I am sure will grow to be a gorgeous and brilliant actress, while the passages between reality and her troubling dreams are brilliantly made.
I couldn't belive the review with 1-3 stars. Either They have never watched a good movie before nor really conservative about church and religion. No one who is watching this movie with a pure heart in that innocent girl's eyes can not criticize it that harsh. And i think the scenario and acting also great. I don't like drama but this is my favourite movie and i recommend it to everyone.
CAMINO is one of the most intense, beautiful, and inspiring films I have ever seen. It's incredible how a history filled with such grey, such sad characters, can come to be so categorically positive, so affirming. It's amazing that a film that takes on death in such an upfront way and so bravely can be such a passionate homage to life. The best part about the film is that it criticizes nothing, it only conveys reality, and in a surprisingly objective way. I, who consider myself very religious, find this film, in addition to being profoundly human, full of love and tenderness, a film that is also brimming with God. Of course, a God that is totally different from the one Opus Dei twists around its little finger for its exclusive benefit.
Lo sapevi?
- QuizNerea Camacho was hesitant about cutting her hair for her role, but finally accepted, crying in the process. Javier Fesser, thanking her courage, cut his hair as well.
- ConnessioniEdited from Cenerentola (1950)
- Colonne sonoreCigarrettes
Written by Lourdes Hernández (as Lourdes Hernández González)
Performed by Lourdes Hernández
©2008 by Lourdes Hernández González
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Dettagli
- Tempo di esecuzione2 ore 18 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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