Il veterano della guerra di Corea Walt Kowalski cerca di redimere un teenager che ha tentato di rubargli la cosa a lui più cara: una Ford Gran Torino del 1972.Il veterano della guerra di Corea Walt Kowalski cerca di redimere un teenager che ha tentato di rubargli la cosa a lui più cara: una Ford Gran Torino del 1972.Il veterano della guerra di Corea Walt Kowalski cerca di redimere un teenager che ha tentato di rubargli la cosa a lui più cara: una Ford Gran Torino del 1972.
- Regia
- Sceneggiatura
- Star
- Premi
- 21 vittorie e 23 candidature totali
Scott Eastwood
- Trey
- (as Scott Reeves)
Riepilogo
Reviewers say 'Gran Torino' is a poignant drama examining redemption, cultural conflict, and human connections. Clint Eastwood's portrayal of Walt Kowalski, a prejudiced veteran, is lauded for its emotional depth. The film tackles racism, xenophobia, and redemption, showcasing human complexity and change. Critics praise Eastwood's direction and the supporting cast's authenticity, though some note minor flaws like clichéd characters. Overall, it's considered one of Eastwood's best works, with a powerful message of tolerance.
Recensioni in evidenza
seeing the trailer for this film kinda made me expect id be watching Dirty Harry in the suburbs.
What I saw was a bittersweet superbly written, well acted story of humanity and friendship,this film is something that we can all relate to in some way, and isn't Hollywooded up in anyway, the film tells it story without any un needed hidden undertones that so many mainstream directors do to films.
Eastwood is excellent as the hard nosed war vet, and his direction is perfect as always, and supporting cast did there job just fine too
Clint Eastwood was perfect for the role and as director, as he has the knack of taking a story and making a film for the audience to get sucked into the story, and not for critics to pick apart....great film making,
What I saw was a bittersweet superbly written, well acted story of humanity and friendship,this film is something that we can all relate to in some way, and isn't Hollywooded up in anyway, the film tells it story without any un needed hidden undertones that so many mainstream directors do to films.
Eastwood is excellent as the hard nosed war vet, and his direction is perfect as always, and supporting cast did there job just fine too
Clint Eastwood was perfect for the role and as director, as he has the knack of taking a story and making a film for the audience to get sucked into the story, and not for critics to pick apart....great film making,
Gran Torino - They don't make them like they used to....
Mr. Eastwood has a knack for storytelling. Instead of being preachy or having an all to obvious agenda, he lets his viewers make up their own minds. His characters don't have a message, they have a life and make no excuses for who they are. In so many subtle and intelligent ways we are allowed to make our own choices. Like with Kowalski in the movie, you are not confronted with a role model hammering home all those "life's important messages", but rather with a movie saying "Look! This is the way it worked out for me. And I think I know a few tricks that might help you, but in the end it's your own life. However, you have to trust me when I say that there are a some things you don't want to see or experience!". Some people will leave this movie entirely untouched, others will certainly be crying their guts out. Not because some people "get it" and others "don't", but because it is a brilliant piece of entertainment reaching out to every viewer in its own specific way.
Eastwood's acting is top notch again, although the years have not been very kind to his voice. The rest of the cast are fine, but one can certainly spot their more amateurish backgrounds here and there which is the main reason why I could not give this one a 10/10.
Apart from that there is little to criticize. It's not an action movie, not a drama movie and certainly not a comedy (even though you get a few laughs out of this one). It's simply a good story about life.....and death.
Mr. Eastwood has a knack for storytelling. Instead of being preachy or having an all to obvious agenda, he lets his viewers make up their own minds. His characters don't have a message, they have a life and make no excuses for who they are. In so many subtle and intelligent ways we are allowed to make our own choices. Like with Kowalski in the movie, you are not confronted with a role model hammering home all those "life's important messages", but rather with a movie saying "Look! This is the way it worked out for me. And I think I know a few tricks that might help you, but in the end it's your own life. However, you have to trust me when I say that there are a some things you don't want to see or experience!". Some people will leave this movie entirely untouched, others will certainly be crying their guts out. Not because some people "get it" and others "don't", but because it is a brilliant piece of entertainment reaching out to every viewer in its own specific way.
Eastwood's acting is top notch again, although the years have not been very kind to his voice. The rest of the cast are fine, but one can certainly spot their more amateurish backgrounds here and there which is the main reason why I could not give this one a 10/10.
Apart from that there is little to criticize. It's not an action movie, not a drama movie and certainly not a comedy (even though you get a few laughs out of this one). It's simply a good story about life.....and death.
I feel like I should let everyone reading this know of my inherent bias in favor of this film. I have seen twenty eight films from Clint Eastwood as director and have liked the vast majority of them, and loved a good number of them (my average rating for the 28 films is 7.9). Still, something felt off about "Gran Torino" based on the trailer. I read it as Eastwood trying to be 'badass' again, trying to be Dirty Harry again. "Gran Torino" is not that. Walt Kowalski may have similarities with Dirty Harry, and could possibly be read as a significantly older version of Harry (it's a stretch), but he is a distinctive, memorable character on his own, and I'd go as far as saying that it's one of Eastwood's finest performances, and one which gives him a chance to show off his dramatic and comedic chops.
I'm not going to argue that "Gran Torino" has perfect acting from the younger supporting cast. It doesn't. In fact, some of them are downright bad at times, but the film works in spite of its flaws. This screenplay was probably written with Eastwood in mind (I am not sure of the behind-the-scenes details on this) and it shows. He captures Kowalski perfectly. The film is surprisingly humorous, something that isn't being captured well enough in advertising. It's absolutely hilarious at times (watch as Kowalski attempts to make a man out of Thao by teaching him how to talk like men do), and Eastwood handles the shifts in tone brilliantly. When the film takes a dark turn towards the end I sat on the edge of my seat in suspense, fully aware of where it was heading but still mesmerized by Eastwood's tour-de-force direction. This is an artist at his prime as an actor and as a director.
Whether or not "Gran Torino" will hold up as one of Eastwood's great films remains to be seen, and the film feels like it would be good for multiple viewings. The characterization is strong and not simplistic at all, you could argue that Kowalski is just another grouchy war vet, but Eastwood's beautiful, nuanced performance as well as some neat little touches in the screenplay (particularly towards the end) which I won't discuss in detail to avoid spoiling anything (and it's really fun to watch this movie unfold, Eastwood keeps the film moving at a wonderfully involving pace) would prove you wrong. The film works on yet another level as a deconstruction of Eastwood's image. I don't mean that as a negative, it just adds to the film's strength as a character study.
It's a more intimate film than Eastwood's other film this year, "Changeling", and also on a smaller scale than many of his other films, but it's just as ambitious in many ways. This is not a politically correct film about a grouchy old racist suddenly turning into the most tolerant person around, it is a film about a man who, near the end of his life, is forced to confront his demons, and on the sunnier side about a man who finds true friendship where he least expected it. By the end of "Gran Torino" I had forgiven any flaws it might have, and was completely satisfied with the film, which far exceeded my expectations. I have a feeling that "Gran Torino", which has already been met with strongly positive reviews (but is still being described as a 'minor' Eastwood film by some), will eventually become an especially important part of Eastwood's filmography.
I'm not going to argue that "Gran Torino" has perfect acting from the younger supporting cast. It doesn't. In fact, some of them are downright bad at times, but the film works in spite of its flaws. This screenplay was probably written with Eastwood in mind (I am not sure of the behind-the-scenes details on this) and it shows. He captures Kowalski perfectly. The film is surprisingly humorous, something that isn't being captured well enough in advertising. It's absolutely hilarious at times (watch as Kowalski attempts to make a man out of Thao by teaching him how to talk like men do), and Eastwood handles the shifts in tone brilliantly. When the film takes a dark turn towards the end I sat on the edge of my seat in suspense, fully aware of where it was heading but still mesmerized by Eastwood's tour-de-force direction. This is an artist at his prime as an actor and as a director.
Whether or not "Gran Torino" will hold up as one of Eastwood's great films remains to be seen, and the film feels like it would be good for multiple viewings. The characterization is strong and not simplistic at all, you could argue that Kowalski is just another grouchy war vet, but Eastwood's beautiful, nuanced performance as well as some neat little touches in the screenplay (particularly towards the end) which I won't discuss in detail to avoid spoiling anything (and it's really fun to watch this movie unfold, Eastwood keeps the film moving at a wonderfully involving pace) would prove you wrong. The film works on yet another level as a deconstruction of Eastwood's image. I don't mean that as a negative, it just adds to the film's strength as a character study.
It's a more intimate film than Eastwood's other film this year, "Changeling", and also on a smaller scale than many of his other films, but it's just as ambitious in many ways. This is not a politically correct film about a grouchy old racist suddenly turning into the most tolerant person around, it is a film about a man who, near the end of his life, is forced to confront his demons, and on the sunnier side about a man who finds true friendship where he least expected it. By the end of "Gran Torino" I had forgiven any flaws it might have, and was completely satisfied with the film, which far exceeded my expectations. I have a feeling that "Gran Torino", which has already been met with strongly positive reviews (but is still being described as a 'minor' Eastwood film by some), will eventually become an especially important part of Eastwood's filmography.
A modern day masterpiece. There is really no movie that is so funny, however, so moving at the same time. A true cultural masterpiece that puts political correctness to shame. We are all equal and Gran Torino does a fine job of letting us know. One of Clint Eastwood's greatest. Acting and directing.
After his wife dies, Korean Water veteran Walt Kowalski busies his life with small household jobs and snarling at his family, until his young neighbour tries to steal his car.
It's a film you really do need to be in the mood for, as it is an intense watch, and could definitely be seen as heavy going. What I've always enjoyed about it, the touches of humour that pop up every now and then, I also think the film is very relatable.
What stands out, is the superb direction, the powerful storyline, and the performance of the leading man.
I think Clint Eastwood does a really fine job as Walt, he really is a tormented soul, you really do feel as though he's a man on the edge, totally disillusioned by life and everything around him, I'd seen it a great performance. I think Bee Vang is great as Thao too.
When I first saw it, and still to this day, his spitting really does gross me out, although it fits the character, designed to make us feel strongly about him perhaps.
8/10.
It's a film you really do need to be in the mood for, as it is an intense watch, and could definitely be seen as heavy going. What I've always enjoyed about it, the touches of humour that pop up every now and then, I also think the film is very relatable.
What stands out, is the superb direction, the powerful storyline, and the performance of the leading man.
I think Clint Eastwood does a really fine job as Walt, he really is a tormented soul, you really do feel as though he's a man on the edge, totally disillusioned by life and everything around him, I'd seen it a great performance. I think Bee Vang is great as Thao too.
When I first saw it, and still to this day, his spitting really does gross me out, although it fits the character, designed to make us feel strongly about him perhaps.
8/10.
Lo sapevi?
- QuizWalt's dog, Daisy, is Clint Eastwood's beloved family retriever in real life.
- Blooper(at around 1h 35 mins) In the bathroom scene, Walt says to the dog to give him a break because it's the first time he's ever smoked in the house. Actually, he smoked the night before when Father Janovich was with him inside the house and they also drank beer.
- Citazioni
Duke: What you lookin' at, old man?
Walt Kowalski: Ever notice how you come across somebody once in a while you shouldn't have fucked with? That's me.
- Curiosità sui creditiThe credits scroll over a highway overlooking the lake shore, with the Warner Logo appearing in black and white.
- ConnessioniFeatured in Jamie Cullum: Gran Torino (2008)
- Colonne sonoreGran Torino
Written by Clint Eastwood, Jamie Cullum, Kyle Eastwood, and Michael Stevens
Performed by Jamie Cullum and Don Runner
Jamie Cullum appears courtesy of Terrified Records and Universal Music Operations Limited
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Ngọt Và Đắng
- Luoghi delle riprese
- 238 Rhode Island Street Highland Park Michigan, Stati Uniti(Walt Kowalski's house)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 33.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 148.095.302 USD
- Fine settimana di apertura Stati Uniti e Canada
- 271.720 USD
- 14 dic 2008
- Lordo in tutto il mondo
- 269.958.228 USD
- Tempo di esecuzione
- 1h 56min(116 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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