Gran Torino

Clint Eastwood is simply great both in front of and behind the camera.

Eastwood is as great as Walt Kowalski, a man who, behind his rough exterior, deeply feels the world around him. Through humor and deep emotions, this film shows us that people are complicated and life is unpredictable.

Such films are rare, and nowadays they are almost non-existent. The development of the main character and the depiction of his emotions and internal conflict are interesting, which is exactly the basis of the film.

There is also a bit of humor in the film, located exactly where it should be and thus creates that necessary balance against the cruel reality.

The script is brilliant, and Clint Eastwood turned it into a great film, managing to evoke tension and feelings, as well as the inner struggle of the characters.

The film is superbly directed and easily guides the viewer through the story. The cinematography is excellent, as is the photography. The soundtrack fits perfectly into the atmosphere of the film.

This is an old-fashioned drama with interesting characters that are not one-dimensional but complicated and layered. Unfortunately, the actor who plays the character of Thao is simply not a good actor, but the rest of the cast played their parts excellently.

I was particularly impressed by Ahney Her in the role of Sue, and Clint Eastwood is equally excellent in the role of Walt Kowalski. Also, Christopher Carley excellently portrayed the character of Father Janovich, a young and somewhat naive priest, whose character is also interesting and develops throughout the film.

A great, powerful and inspiring film.

A modern day masterpiece. There is really no movie that is so funny, however, so moving at the same time. A true cultural masterpiece that puts political correctness to shame. We are all equal and Gran Torino does a fine job of letting us know. One of Clint Eastwood's greatest. Acting and directing.

With his performance Eastwood shows you why people like himself, Jack Nicholson, or Paul Newman only come around once in a lifetime. Though Eastwood would rather focus on directing, he can still carry a movie with his on screen presence, and he's pure dynamite in "Gran Torino". Perhaps the poor box office results of "hollywoody" movies like Absolute Power, True Crime, Space Cowboys, and Blood Work, caused Eastwood to shy away from acting, but given cutting edge material to work with as "Million Dollar Baby" and "Gran Torino", he's as good as ever. His character as the racist and salty war vet makes you think of that old guy we've all had on our blocks with the garbage door open, the million tools hanging everywhere, and always fixing or building something. I found myself not wanting the movie to end because the scenes between himself and the various Hmong characters where priceless. There may be complaints over the racist remarks and scenes, but Eastwood pulls it off in a way a real person like that would talk or act to a point where it ends up being lighthearted. I'm not going to give the plot away, but if you like your Clint Eastwood as a hard-nosed tough guy with foul language alla Dirty Harry or Heartbreak Ridge, you'll love this movie!!

If Clint Eastwood had retired after Gran Torino, it might have been one of the most perfect endings to an iconic actor's career. Walt Kowalski is like Harry Callahan or number of Eastwood characters from his past only, like the vessel they're protrayed through, older. He's the crusty, cynical tough-guy who deep inside is a bit softer and has a warmer than you'd expect heart. Which is the truth we see revealed in Kowalski over the course of this movie as he befriends and helps the Hmong kid next door. There might be enough of these movies to constitute an entire subgenre of friendship films: one involving an older guy who learns a little about life while teaching a boy to be a man. It's a friendship story and even what you'd call a feel-good one despite the violence and negativity surrounding it. The film aims for authenticity though I think bits of it will be seen by posterity as dated, false hollywood depictions.

Maybe the later movies kept him busy but this is where Eastwood's career as an actor should have (and in a sense did) end.

A very touching film that brings out a different but still great side of Clint Eastwood.