I Muppet, il ritorno

I wasn't raised on Barbie dolls, or cartoons. I wasn't in love with Duck Tales or The Secret of Nimh (in fact it scared me senseless), but I was raised to love The Muppets. Fozzie the Bear was a safe old friend who always cheered me up, Kermit was my sense of justice and reason, Miss Piggy was an exercise in the unrestrained Id, Gonzo was something I didn't and still don't understand, but he's blue and adorable! The Muppets are incredibly precious to me. And I just LUCKED out, because the newest Muppet movie was made by a fan who took all of that into account and made a film that just celebrated the glory of the Muppets. Sure there were moments of overkill, sure it sometimes got ridiculous, but The Muppets is about more than just the Muppets. It's about yearning for something pure; something innocent without patronizing its audience. This film was really clever, self aware with a great sense of humor with a giant heart. Definitely see it!

The Muppets may quite possibly be one of the best movies of 2011. I don't just mean that as a fan. The Muppets had everything spot on – it was clever, entertaining, adorable, heartwarming, and absolutely hilarious. The magical thing though is that The Muppets pleases everybody -- average moviegoers and Muppet purists alike, and that I believe is its greatest triumph. On one side is a modern comedy, chock full of hysterical celebrity cameos and pop culture references. And on the other side is a nostalgic throwback to the Muppets era. Those who remember the old series will unquestionably find delight in seeing their favorite puppets reunite for another big show, literally.

Funnily enough, the movie treats the Muppet characters as if they were real life actors, with The Muppets shows and movies being their past careers. The Muppets haven't seen any action in years (a fact also true in real life), and each muppet has taken his/her own path in life with varying degrees of success. When crisis arises, the old troupe is forced to find each other and give it another go.

It is all weaved through a fascinating metanarrative that begs the question, what happens to the Muppets when they aren't The Muppets? After all this time away, can The Muppets make a comeback through a reunion and relive their former glory days? – a question ultimately answered by the movie itself.

The film opens with a common puppet named Walter, whose childhood consists of watching The Muppets and dreaming of joining them. His older brother Gary (Jason Segel) extends the invitation to come with him and his girlfriend of 10 years Mary (Amy Adams) to Los Angeles so that he can visit the Muppet studio. Much to his disappointment, the Muppet theater is abandoned and Walter even overhears an oil tycoon's (Chris Cooper) plot to tear down the place. Walter and Gary quickly seek out Kermit the Frog to reunite the Muppet crew and remedy the situation, but all the while Mary is upset that the turn of events is ruining her 10 year anniversary with Gary.

As you can imagine from the premise alone, the movie is a tribute to the Muppets in every sense. It travels respectfully through the old Muppet history, and relives it instead of trying to replace it. In fact, seeing how each one branched off from the group like members of an old band and "grew up" gave, I would say, substantially more character to each Muppet than they ever had before. I think fans will agree that this is the best possible way the muppets could have returned.

Simply put, I can't imagine anyone with a heart not enjoying this film. There's something in it for everybody, especially if you're in the mood for laughter and catchy musical numbers. The creative humor was a breath of fresh air. There is plenty breaking of the fourth wall and oh so much of that lovely deadpan irony and absurdist humor, reminiscent of old comedies like Airplane! The audience in the theater was cracking up almost every other moment, myself included. And while humor is its strong suit, the movie is also an incredibly heartwarming tale of friends that go their separate ways but are still connected through their hearts. Moviegoers and Muppet fans alike, go see this movie!

9/10

The late Jim Henson's lovable Muppets have now been around for decades, entertaining people of all ages. I'm definitely far from the only one who can say that the world-famous puppet characters were a major part of my childhood, and I haven't been disappointed revisiting them after growing up. I didn't see this 2011 movie, simply titled "The Muppets", when it came into theatres late last year, but since I had seen all the previous theatrical Muppet movies, I was bound to see this one after it came into stores, hoping it would be a LOT better than 1999's "Muppets from Space", the only theatrical movie in the franchise that didn't impress me at all! Well, I've seen it twice this week, and can say I definitely got what I hoped for!

Walter, a puppet, has always been very close to his human brother, Gary. At an early age, the two of them discovered the Muppets and quickly became a devout fans. Years later, the now grown up brothers still live together, and Gary has been dating a woman named Mary for the past ten years. The human brother plans to take his girlfriend to Los Angeles for their tenth anniversary, and is taking his puppet brother along with him for a tour of the abandoned Muppet Studios, though Mary doesn't like Gary always bringing Walter along with them wherever they go. During the tour of the Muppet Studios, Walter sneaks into Kermit the Frog's old office, where he witnesses Statler and Waldorf selling the Muppet Theatre to businessman Tex Richman, and after the two leave the room, Walter overhears Richman's intentions to destroy the building and drill for oil underneath! The devout Muppets fan tells Gary and Mary about what he has just heard, and the three of them must try and reunite the Muppets so the old team can raise $10 million and save their theatre!

This 2011 blockbuster begins fairly well, showing Walter and Gary growing up together and their relationship. After this sequence, it shows them grown up and about to go on their trip to Los Angeles. This part features the first song in the movie, "Life's a Happy Song", and while this may not be "Rainbow Connection", it's still a good and catchy tune to start off with. Other standout songs follow, such as "Man or Muppet". The gags in the film may not usually be hilarious (though there are some hilarious moments, such as how long Walter screams after he hears Richman's intentions), but there are plenty of amusing moments, obviously largely thanks to the famous Muppets with their charm and antics. I guess they're not exactly the main characters here, which some fans have a problem with, but they still get PLENTY of screen time and are still thoroughly entertaining. Jack Black can also provide some laughs as himself here, even if this is not the funniest he's ever been. "The Muppets" doesn't rely entirely on its gags, as I found the plot consistently entertaining, and there are some poignant moments. Jason Segel and Amy Adams are both impressive as the human leads, and Chris Cooper is also convincing as the antagonist. Walter, a new Muppet introduced in this movie, is a lovable one, much like Henson's famous Muppets.

I've noticed a lot of negative reviews here, and I'm sure some fans of the Muppets gang have good reasons to dislike this movie, but I'm afraid I can't say I agree with any of them. The only theatrical Muppets movie I've ever been able to write a negative review for was the last one before this, which I found to be not only not very funny, but so too dreary and cruel for the Muppets. I felt like the Muppets I knew as a kid had gone so far away when I watched "Muppets from Space" several years ago, but that was certainly NOT how I felt when I watched this latest theatrical movie featuring Jim Henson's characters. I'm sure many people haven't been impressed with anything that has been done with the Muppets since Jim Henson's premature death in 1990, and for them, I guess there's no point in watching this, but if you're not one of those, and you want a good, lighthearted family film, I think this is a really good one to check out for the family. Yes, it is rated PG, but I've definitely seen far raunchier PG-rated films marketed in the "family" category, such as the unsatisfactory "Cheaper by the Dozen" remake.

In Disney's major release for the holiday season, they went with an old stand by, the Muppets, in a film simply called The Muppets. It's a strange blend of humor, nostalgia, and satire. Here we meet Walter, who we know just by looking at him is a little bit different. He is, well, for lack of a better word, a Muppet. The only thing is he is a Muppet living in the real world, and not, I stress not, a member of the Muppet gang. At a very young age he fell under their spell, through television and video rentals. Walter's dream was to walk through the studio that his beloved Muppet's walked through. He gets his chance to meet them when his brother Gary (Jason Segel, who also co-wrote the script) takes his girlfriend Mary (Amy Adams) to Los Angeles.

Walter finds out that the Muppets aren't as popular as they used to be. He finds only remnants of the glory days in a dusty studio, but winds up uncovering a sinister plot intending to bury the Muppet franchise for good. With so much at stake, Walter goes to great lengths to find his idols and bring them back together. With the help of Gary, Amy, Kermit, Fozzie, and the rest of the gang, Walter sets in motion a reunion scenario where if the Muppets put on one last show they can raise enough money to stop the maniacal Tex Richman (Chris Cooper) from ending the Muppet's hopes of survival.

It's almost like The Blues Brothers, where if "the band" gets back together all will be saved. The only difference is that for the audience it's like a reunion, too. We haven't seen the Muppets together save for a few commercials and music videos here and there. I would be lying if I said I didn't get goosebumps seeing Gonzo with his chickens, or the Swedish Chef and his man-hands. Without even trying this film grabs you right in the heart, squeezing every ounce of childhood you have left in there.

It is really evident that Segel took the task of acting and, more importantly, writing, very seriously. His heart really comes through. He didn't want to do an injustice to the franchise that gave him so much pleasure as a youngster. It's as if he wrote Walter as a Muppetization of himself (which really comes through during one particular musical number). He follows the Muppet formula of combining cultural references with the power of celebrity and the importance of silliness and childlike inhibition.

Has any of the magic left the Muppets? I don't think so. I must admit that some of the story points were a bit ridiculous, and sometimes a little too on the nose (yes, I am aware that it was trying to be, but doing it too much becomes tedious). I wasn't entering the film expecting completely revamped Muppet style. It was by the book, aimed appropriately at both children and adults, without ever stepping too far in either direction.

The BIG question remains...now what? The whole point of the movie is to show that the Muppet's have basically become an afterthought. A fond memory that quickly fades. Will this film attract a slew of Muppet followers? Will there be another film? Television show? Who knows. The movie ends optimistically, but how could it not? The thought of a world without the Muppets is scary. It's nice knowing that somewhere Kermit and the gang are waiting for their next queue. To light the lights, put on make up, and all that jazz.

So go treat yourself to a little taste of your childhood. It will do the soul good.

Warm, charming and funny, just like the Muppets I remember from my childhood. I'm not often one for musicals, but this one - aided by the brilliant combination of fuzzy puppet singers and Flight of the Conchords composition - hits all the right notes. It's funny without nudging into blue territory, a talent that's becoming more scarce by the minute, with a heartwarming reunion storyline that slowly reintroduces the cast and reminds us why we grew to love them in the first place. Loaded with unexpected cameos and sly winks at the troupe's long history, it's clear that a lot of love went into the making of this picture; the screen positively resonates from beginning to end. Though I was hesitant to revisit this old territory at first, by the final act I was grinning warmly and nodding right along, utterly entranced.